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Writer Neil Gaiman debuts2 his first music album with an Australian string quartet
From The Sandman and Lucifer to Good Omens4, Neil Gaiman has written novels and comics that have been adapted into plays, TV series and films. Now, he's setting his sights on music.
For his debut1 studio album Signs of Life, the British author joins Australia's FourPlay String Quartet in an eclectic blend of classical and indie rock tunes5 with poetry and prose.
"I loved them. I loved the imagination. I loved the wit," Gaiman tells NPR's Morning Edition, recalling his first collaboration6 with the quartet in a 2010 Sydney Opera House reading of his novella The Truth is a Cave in the Black Mountains.
Their new collaboration released Friday is a meeting of unconventional minds between Gaiman — whose writing is often so idiosyncratic it's impossible to pin down — and FourPlay, an indie rock band of sorts that happens to be playing the traditional string quartet instruments of two violins, a viola and a cello7. The musicians got their start performing covers by artists as varied8 as Radiohead, Metallica and Leonard Cohen.
For a tour that brought them to Carnegie Hall, Gaiman and FourPlay crafted an original song about Joan of Arc, where the historical figure was figuratively brought back from the dead to cause all kinds of problems.
"I'm hoping she ignored my English accent in her work/ Because it's really hard to hang around with saints," Gaiman lyricizes in The Problem with Saints.
With that song under their belts, "there was kind of no stopping us," Gaiman says. "Somewhere in there, we decided9 to just start creating and make more music. And we've been doing that ever since."
Tracking time and space
The album's first track, Clock, features what sounds like a ticking timepiece and Gaiman reading Shakespeare's Sonnet10 12. The poetry laments11 the frailty12 of beauty, beginning with "When I do count the clock that tells the time/ And see the brave day sunk in hideous13 night."
FourPlay originally improvised14 wordless vocals15 with music set to a metronome at 60 beats per minute to emulate16 the passage of time, over which the musicians played repeated, or ostinato, cross-rhythms and a slow-moving bassline.
The words in "Clock," a single from Neil Gaiman's debut album with Australia's FourPlay String Quartet, are taken from Shakespeare's Sonnet 12.
Neil Gaiman and FourPlay String Quartet YouTube
Originally, Gaiman and FourPlay explored crafting works around a celestial17 zodiac theme, but with traditional astrological signs replaced by new objects and words to represent aspects of life. One of those "signs" was a M?bius strip.
As a child, Gaiman learned to create this nonorientable band from his grandfather. And the song M?bius Strip features Gaiman providing instructions for creating a listener's own version.
"That M?bius strip idea just took me back to the point where now I'm a grandfather and I have grandkids. And that's the kind of thing that I love being able to do with them," Gaiman says. "It felt like a perfect metaphor18 for the shape of a life [where] you are always traveling this M?bius strip."
In tracks like Song of the Song, it was Gaiman who had to adjust his own reading rhythms to match the music.
"It would be something that normally I would find terrifying. The risk of wandering into William Shatnerian pronouncement of lyrics19 or whatever — you just sort of don't want to go there," Gaiman said, referring to recordings20 made in the 1960s and 70s by the actor best known for playing Captain Kirk in the Star Trek21 franchise22.
Expanding his range to 'mad things'
"The joy of getting to do this stuff with FourPlay is we got to do everything. So we got to do stuff like that where what I'm saying has to absolutely line up with what they're playing," Gaiman says. "And then there are mad things like Bloody23 Sunrise, where I wrote a very silly song about a lonely, heartbroken vampire24."
A major outlier on the debut album, Bloody Sunrise was released as an early single days before Halloween. Actress Talia Benatar plays a vampiress in an accompanying music video and FourPlay's violinist Lara Goodridge joins Gaiman on vocals.
Another single, In Transit25, is a tribute to the English astronomer26 Sir Arthur Stanley Eddington, who proved Einstein's theory of relativity by observing stars during a solar eclipse. The song is divided into two parts, evolving from strains that portray27 a more reserved public figure and exploding into a reflection of a multilayered and unrestrained private life.
Music-filled omens
Gaiman says he's just getting started with music. For the upcoming second season of the TV adaptation of a 1990 novel Good Omens, written with Terry Pratchett, Gaiman describes an "absolutely fascinating" process of working various songs and music into new episodes.
"Music is so incredibly powerful," he adds when considering possible musical treatments for his novels. "I'd love to take something, whether it be Coraline or The Ocean at the End of the Lane or something completely new, and create something that you can experience that's musical."
Gaiman also says he hopes to write a play from scratch, rather than adapt one of his existing works for the stage, although regardless of format28 — "whether it would be novels or comic books or film and television or plays or shadow puppets" — Gaiman says his job remains29 the same.
"I'm a storyteller and I'm still not bored of it, not sick of it, and not ready to go off and get a real job yet."
1 debut | |
n.首次演出,初次露面 | |
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2 debuts | |
演员首次演出( debut的名词复数 ) | |
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3 transcript | |
n.抄本,誊本,副本,肄业证书 | |
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4 omens | |
n.前兆,预兆( omen的名词复数 ) | |
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5 tunes | |
n.曲调,曲子( tune的名词复数 )v.调音( tune的第三人称单数 );调整;(给收音机、电视等)调谐;使协调 | |
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6 collaboration | |
n.合作,协作;勾结 | |
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7 cello | |
n.大提琴 | |
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8 varied | |
adj.多样的,多变化的 | |
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9 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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10 sonnet | |
n.十四行诗 | |
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11 laments | |
n.悲恸,哀歌,挽歌( lament的名词复数 )v.(为…)哀悼,痛哭,悲伤( lament的第三人称单数 ) | |
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12 frailty | |
n.脆弱;意志薄弱 | |
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13 hideous | |
adj.丑陋的,可憎的,可怕的,恐怖的 | |
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14 improvised | |
a.即席而作的,即兴的 | |
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15 vocals | |
(乐曲中的)歌唱部份,声乐部份( vocal的名词复数 ) | |
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16 emulate | |
v.努力赶上或超越,与…竞争;效仿 | |
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17 celestial | |
adj.天体的;天上的 | |
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18 metaphor | |
n.隐喻,暗喻 | |
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19 lyrics | |
n.歌词 | |
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20 recordings | |
n.记录( recording的名词复数 );录音;录像;唱片 | |
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21 trek | |
vi.作长途艰辛的旅行;n.长途艰苦的旅行 | |
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22 franchise | |
n.特许,特权,专营权,特许权 | |
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23 bloody | |
adj.非常的的;流血的;残忍的;adv.很;vt.血染 | |
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24 vampire | |
n.吸血鬼 | |
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25 transit | |
n.经过,运输;vt.穿越,旋转;vi.越过 | |
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26 astronomer | |
n.天文学家 | |
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27 portray | |
v.描写,描述;画(人物、景象等) | |
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28 format | |
n.设计,版式;[计算机]格式,DOS命令:格式化(磁盘),用于空盘或使用过的磁盘建立新空盘来存储数据;v.使格式化,设计,安排 | |
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29 remains | |
n.剩余物,残留物;遗体,遗迹 | |
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