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Fernando Botero was born in 1932 in Medellin, Colombia. He paints in the neo-figurative style and calls himself "the most Colombian of Colombian artists". He largely paints large people – figures that are much larger than life in all parts of their body. His critics often call them “fat people”. Botero doesn’t know the reason why he paints such obese1 forms.
Botero grew up looking at paintings in his local Catholic church. These were in the centuries-old Baroque style and influenced his style. He was never rich enough to visit galleries and see other works. He held his first exhibition when he was 20, in the capital Bogota. He used the money he received to go to Europe to study art.
Throughout the 1960s he lived in New York. He found a new inspiration in the Italian Renaissance2. He began to experiment with creating volume in his figures by expanding them and compressing the space around them. This became his unique and trademark3 style. In 1997, Colombian terrorists destroyed his sculpture ‘Bird’ in Medellin. Seventeen people died in the attack.
Botero’s works now hang in galleries all over the world. He is guaranteed millions of dollars for each painting he does. His works instantly become collector’s items and many people buy them as investments. In 2005, Botero painted a series of 50 paintings that graphically4 showed the horror of the events in Iraq’s Abu Ghraib prison. This is typical of Botero using art for social commentary.
1 obese | |
adj.过度肥胖的,肥大的 | |
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2 renaissance | |
n.复活,复兴,文艺复兴 | |
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3 trademark | |
n.商标;特征;vt.注册的…商标 | |
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4 graphically | |
adv.通过图表;生动地,轮廓分明地 | |
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