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A Man And An Amendment1 Are Re-Examined In 'The Birth Of A Nation' And '13th'
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Two movies open today that deal with America's racial history. There is Nate Parker's drama, "The Birth Of A Nation." It tells the story of a real-life slave revolt. And there's Ava DuVernay's documentary, "13th." It examines the legacy3 of the constitutional amendment that outlawed4 slavery. Our critic, Bob Mondello, says the films intersect in complicated ways.
BOB MONDELLO, BYLINE5: A young and inquisitive6 1820s slave in "Birth Of A Nation" discovers, almost as soon as he learns to read, that there will be limits to his reading.
(SOUNDBITE OF FILM, "THE BIRTH OF A NATION")
PENELOPE ANN MILLER7: (As Elizabeth Turner) These books are for white folks. They're full of things your kind wouldn't understand.
MONDELLO: What his kind would understand, figures the plantation's mistress, is the Bible. Young Nat Turner takes to the good book as he grows up and shares its teachings with his fellow slaves...
(SOUNDBITE OF FILM, "THE BIRTH OF NATION")
NATE PARKER: (As Nat Turner) Heavenly Father, we come to thank you for your word and your will.
MONDELLO: ...Which attracts the attention of neighboring slave holders8.
(SOUNDBITE OF FILM, "THE BIRTH OF A NATION")
UNIDENTIFIED ACTOR #1: (As character) Your slaves sure do know how to behave.
ARMIE HAMMER: (As Samuel Turner) Well, they God-fearing. One of them is a preacher.
UNIDENTIFIED ACTOR #1: (As character) People might good money to have them calmed down a bit, especially by one of their own.
MONDELLO: Nat's master realizes there'll be profit in renting Nat out to preach.
(SOUNDBITE OF FILM, "THE BIRTH OF NATION")
PARKER: (As Nat Turner) Submit yourselves to your masters - not only to those who are good and considerate, but also to those who are harsh.
MONDELLO: But Nat sees such brutality9 in his travels. Could the Bible really endorse10 it? His preaching changes in tone as he decides God wants him to lead a slave revolt.
(SOUNDBITE OF FILM, "THE BIRTH OF A NATION")
PARKER: (As Nat Turner) To execute vengeance11 on the demonic nations, to bind12 their kings with chains.
MONDELLO: Filmmaker Nate Parker has been nurturing13 "The Birth Of A Nation" for the better part of a decade, and it shows in imagery that can turn oddly haunting, even as the story lacerates - light streaming through slats in a barn, ripe cotton floating, cloud-like, in a field. Parker's directing style can be as in-your-face as his script.
He hammers home one slavery horror with a literal hammer, and he leans way too much on soaring strings14, all of which makes "Birth Of A Nation" more solid than shattering. Oscar talk would seem optimistic, even if Parker didn't have personal controversy15 swirling16 around him.
Still, it's an impressive first feature. In her documentary, "13th," Ava DuVernay notes that the wording of the 13th Amendment outlawed slavery and involuntary servitude, quote, "except as a punishment for crime," end quote. She then forcefully argues that that loophole has been used for politics and for profit.
She uses scenes from D. W. Griffith's original "Birth Of A Nation," a racist17 1915 epic18, to establish how discriminatory attitudes were deliberately19 shaped after the end of slavery and how, in an age of mass incarceration20, that has allowed prisons to become this era's plantations21.
(SOUNDBITE OF DOCUMENTARY, "13TH")
JELANI COBB: There's a famous scene where a woman throws herself off a cliff rather than be raped22 by a black male criminal.
MONDELLO: Let me pause Professor Jelani Cobb to note that nearly every time someone utters that word - criminal - whether the speaker is a president, a professor, neighbor, newscaster, anyone at all - the screen fills with the word criminal in huge block letters. It's to mark how often and how casually23 criminality gets linked with black men in public discourse24. Now, back to describing that scene.
(SOUNDBITE OF DOCUMENTARY, "13TH")
COBB: In the film, you see black people being a threat to white women.
UNIDENTIFIED MAN: All the myths of black men as rapists was ultimately stemmed by the reality that the white political elite25 and the business establishment needed black bodies working.
MONDELLO: Black bodies working - think roadside chain gangs or, more recently, corporations helping26 rehabilitate27 inmates29 by paying them pennies to make sports uniforms. The movie's list of companies that have benefited from cheap inmate28 labor30 is long and damning. That's also true of its recounting of how the war on drugs created imbalances after separate-but-equal was otherwise banned - mandatory31 sentences identical for one ounce of crack cocaine32, used mostly in inner cities, and one hundred ounces of powdered cocaine, the drug of choice in white suburbs. It's a policy now condemned33, not just by prison reform activists35, but by some perhaps unexpected voices.
(SOUNDBITE OF DOCUMENTARY, "13TH")
NEWT GINGRICH: We absolutely should have treated crack and cocaine as exactly the same thing.
MONDELLO: Yes, that's Newt Gingrich.
(SOUNDBITE OF DOCUMENTARY, "13TH")
GINGRICH: It was an enormous burden on the black community, but it also fundamentally violated a sense of core fairness.
GINGRICH: Mixing talking heads with archival footage, DuVernay brings the same force to "13th" that she did to her Martin Luther King drama, "Selma," only, this time, she's mapping the twisty road since we've traveled since - well, as lawyer activist34 Van Jones makes clear, since the events depicted36 in "Birth Of A Nation."
(SOUNDBITE OF DOCUMENTARY, "13TH")
VAN JONES: They called the end of slavery jubilee37. We thought we were done then. And then you had a hundred years of Jim Crow terror and lynching. Dr. King - these guys come on the scene - Ella Jo Baker38, Fannie Lou Hamer. We get the bills passed to vote, and then they break out the handcuffs.
MONDELLO: A century and three-quarters after Nat Turner's slave revolt, a century and a half after the 13th Amendment, and still, says this powerful documentary, in chains. I'm Bob Mondello.
1 amendment | |
n.改正,修正,改善,修正案 | |
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2 browser | |
n.浏览者 | |
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3 legacy | |
n.遗产,遗赠;先人(或过去)留下的东西 | |
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4 outlawed | |
宣布…为不合法(outlaw的过去式与过去分词形式) | |
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5 byline | |
n.署名;v.署名 | |
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6 inquisitive | |
adj.求知欲强的,好奇的,好寻根究底的 | |
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7 miller | |
n.磨坊主 | |
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8 holders | |
支持物( holder的名词复数 ); 持有者; (支票等)持有人; 支托(或握持)…之物 | |
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9 brutality | |
n.野蛮的行为,残忍,野蛮 | |
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10 endorse | |
vt.(支票、汇票等)背书,背署;批注;同意 | |
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11 vengeance | |
n.报复,报仇,复仇 | |
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12 bind | |
vt.捆,包扎;装订;约束;使凝固;vi.变硬 | |
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13 nurturing | |
养育( nurture的现在分词 ); 培育; 滋长; 助长 | |
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14 strings | |
n.弦 | |
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15 controversy | |
n.争论,辩论,争吵 | |
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16 swirling | |
v.旋转,打旋( swirl的现在分词 ) | |
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17 racist | |
n.种族主义者,种族主义分子 | |
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18 epic | |
n.史诗,叙事诗;adj.史诗般的,壮丽的 | |
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19 deliberately | |
adv.审慎地;蓄意地;故意地 | |
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20 incarceration | |
n.监禁,禁闭;钳闭 | |
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21 plantations | |
n.种植园,大农场( plantation的名词复数 ) | |
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22 raped | |
v.以暴力夺取,强夺( rape的过去式和过去分词 );强奸 | |
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23 casually | |
adv.漠不关心地,无动于衷地,不负责任地 | |
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24 discourse | |
n.论文,演说;谈话;话语;vi.讲述,著述 | |
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25 elite | |
n.精英阶层;实力集团;adj.杰出的,卓越的 | |
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26 helping | |
n.食物的一份&adj.帮助人的,辅助的 | |
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27 rehabilitate | |
vt.改造(罪犯),修复;vi.复兴,(罪犯)经受改造 | |
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28 inmate | |
n.被收容者;(房屋等的)居住人;住院人 | |
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29 inmates | |
n.囚犯( inmate的名词复数 ) | |
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30 labor | |
n.劳动,努力,工作,劳工;分娩;vi.劳动,努力,苦干;vt.详细分析;麻烦 | |
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31 mandatory | |
adj.命令的;强制的;义务的;n.受托者 | |
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32 cocaine | |
n.可卡因,古柯碱(用作局部麻醉剂) | |
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33 condemned | |
adj. 被责难的, 被宣告有罪的 动词condemn的过去式和过去分词 | |
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34 activist | |
n.活动分子,积极分子 | |
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35 activists | |
n.(政治活动的)积极分子,活动家( activist的名词复数 ) | |
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36 depicted | |
描绘,描画( depict的过去式和过去分词 ); 描述 | |
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37 jubilee | |
n.周年纪念;欢乐 | |
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38 baker | |
n.面包师 | |
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