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Skeletons In The Closet: What Ghost Stories Reveal About America's Past
play pause stop mute unmute max volume 00:0000:00repeat repeat off Update Required To play the media you will need to either update your browser1 to a recent version or update your Flash plugin. AUDIE CORNISH, HOST:
Colin Dickey has been traveling the country with a singular mission - find ghosts. But forget the image that might have just popped into your head - paranormal detectives with night vision goggles2. Colin Dickey is interested in ghost stories because of what they say about the living.
To truly understand a place, he says, you should skip the guided tours of monuments and plaques3 and instead explore the graveyards5, the abandoned psychiatric hospitals, the eerie6 hotels. He visits many of those places in his new book "Ghostland: An American History In Haunted Places." And he told me you can learn a lot just from the way a ghost story changes over time.
COLIN DICKEY: There's a ghost story in Leeds, N.Y., about a woman who appears at night through the middle of town being dragged by a horse. And that story involves her being a servant of some kind who was cruelly treated by her master and punished in this terrible way and died as a result and now haunts that main street. And that story has evolved throughout the years.
There is an abolitionist who tells that story in the mid-19th century, but when she tells it, the servant girl is actually a slave, and the moral of the story is the terrors of slavery. And then that same story appears a few decades later by somebody who's far more interested in class politics. And the - she's now a servant again, but she is a European immigrant. And she is a member of the poor working-class who's being mistreated by the rich. And so this story seems to sort of evolve through the years depending on what kind of morality tale the teller7 wants to tell.
CORNISH: So a ghost story essentially8 tells us more about the person telling it, it sounds like.
DICKEY: Yeah in a lot of ways - and not just the person but also the community. When you see the way a town will coalesce9 around, you know, certain stories and certain houses and graveyards and things like that, that will come to reflect the way that town sees itself.
CORNISH: One example you write about is Richmond, Va., which you've bestowed10 a kind of title on, right? Like (laughter), what's there? What's their place when it comes to ghost stories?
DICKEY: Yeah, Richmond was really fascinating to me because when I first started, you know, just drawing up lists of most-haunted city in America, most-haunted hotel, most-haunted graveyard4, Richmond came up as having a particularly haunted downtown. It's an area called Shockoe Bottom.
But when I looked into the kinds of stories that get told there, something jumped out at me right away, and that is nearly all the stories of ghosts in Shockoe Bottom are white ghosts. They are Confederate soldiers and women who worked in brothels and, you know, miners who were trapped in disasters. But Shockoe Bottom has this other history, which is, outside of New Orleans, it was the most heavily populated slave trading market.
And it was fascinating to see the way that when Richmond tells the stories about all of the tragedies that have taken place in Shockoe Bottom, at least as far as the ghost stories go, they seem to leave the most glaring example out. And there's really not a lot of ghost stories about the slave trading markets that enter into the folklore11 of Richmond despite the fact that untold12 cruelties happened there.
CORNISH: But there's a lot of historians and historical, like, houses and places in Richmond. What did people say about this when you asked?
DICKEY: Yeah. I mean it's not that it's, like, some deep, dark secret. I mean obviously there's great historical work being done. There's great archaeological work that's being done. And certainly Richmond is not hiding behind this. There are monuments, and there are - there's a trail you can walk.
But what seemed to me really fascinating is that I went into this book thinking that ghost stories would express the kind of unspeakable things we might not otherwise say. And in Richmond, it sort of turned out to be the opposite, that the ghost stories in Richmond kind of construct a more I guess you could say genteel vision of the past where terrible things happen, but they were accidents and things that didn't reflect, say, poorly on the history of the city as a whole.
CORNISH: You mentioned the idea of soldiers, but there are other kind of classic ghost categories I learned about from your (laughter) book, like spinster lady trapped in a house and a Native American burial ground - like, that that was a whole thing (laughter) basically.
DICKEY: Right.
CORNISH: ...And hotel guest that never leaves. Which one do you want to tackle?
DICKEY: Well, the spinster lady - so I grew up near the Winchester Mystery House in San Jose, Calif. And I think some of your listeners may know that Sarah Winchester, the daughter-in-law of the man who founded the Winchester rifle company - the story was that she had lost her husband and her infant daughter in a short period of time and became convinced that she was being haunted by the ghosts of anyone who had ever been killed by a Winchester rifle and built this insanely large labyrinth13 - like, 160-room Victorian mansion14 to ward15 off these spirits.
And when I dug into the story, first of all, that legend is not, as it turns out, entirely16 accurate. But what I found more fascinating was the idea that here was a woman who was both a woman of means and a widow who had decided17 for whatever reason never to remarry. And in many ways I think the ghost stories that grew up around Sarah Winchester had as much to do with our apprehension18 towards women who choose not to remarry, choose not to have children again.
CORNISH: And this is because this is a pretty common kind of ghost story, right? You will find estates or old homes where people say, like, she never married, and she never had children; and she roams the halls to this day. And you're supposed to be like, that sounds horrible - like, terrible fate for this woman.
DICKEY: Right, exactly, yeah, and you see it in New York in the Merchant's House Museum with another old spinster lady. And it draws a lot from the Charles Dickens Miss Havisham character - this woman who's sort of trapped, frozen in time.
CORNISH: You poke19 holes in a lot of the origin stories of ghosts in this book, but you don't actually say whether you believe in ghosts. So do you? Or has your thinking about this changed over time?
DICKEY: Yeah, it's a complicated question. I feel like when you talk about ghosts...
CORNISH: Nope. It's, do you believe in ghosts?
(LAUGHTER)
CORNISH: That's a pretty straightforward20 one. Happy Halloween.
DICKEY: I'm going to plead the Fifth on that question. I think that when you talk about ghosts, there are people who are 100 percent believers, and there are people who are 100 percent skeptics. And I've always found that middle ground a lot more interesting - people who are maybe not willing to admit that the paranormal or the supernatural exists but yet have felt something or have seen something or have experienced some things that are not necessarily rationally explained but not necessarily the paranormal.
CORNISH: What is the most ludicrous thing you heard over the course of researching the book - like, activity that a ghost allegedly did or, like, a specific kind of haunting?
DICKEY: Well, one of my favorite stories was about a town in Bedford, N.Y. I was told that if you go to the center of town, there's this great old oak tree. And if you on Halloween walk backwards21 around the tree three times with a dead cat on your shoulder, a ghost will appear...
CORNISH: (Laughter).
DICKEY: ...Which sounds like a...
CORNISH: That's so specific.
DICKEY: Right, and it begs the question, who was the first person who figured that out? How do you just happened to be walking around town on Halloween with a dead cat on your shoulder and decide to walk backwards around a tree three times? It - there's a lot of questions that that story brings to mind to me.
CORNISH: Colin Dickey is the author of "Ghostland: An American History In Haunted Places." Thanks so much for talking with us.
DICKEY: Thank you so much for having me. This has been great.
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browser
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| n.浏览者 | |
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goggles
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| n.护目镜 | |
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plaques
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| （纪念性的）匾牌( plaque的名词复数 )； 纪念匾； 牙斑； 空斑 | |
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graveyard
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| n.坟场 | |
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graveyards
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| 墓地( graveyard的名词复数 )； 垃圾场； 废物堆积处； 收容所 | |
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eerie
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| adj.怪诞的；奇异的；可怕的；胆怯的 | |
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7
teller
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| n.银行出纳员；(选举)计票员 | |
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8
essentially
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| adv.本质上，实质上，基本上 | |
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9
coalesce
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| v.联合，结合，合并 | |
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bestowed
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| 赠给，授予( bestow的过去式和过去分词 ) | |
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folklore
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| n.民间信仰，民间传说，民俗 | |
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12
untold
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| adj.数不清的，无数的 | |
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labyrinth
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| n.迷宫；难解的事物；迷路 | |
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mansion
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| n.大厦，大楼；宅第 | |
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15
ward
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| n.守卫，监护，病房，行政区，由监护人或法院保护的人（尤指儿童）；vt.守护，躲开 | |
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entirely
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| ad.全部地，完整地；完全地，彻底地 | |
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decided
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| adj.决定了的，坚决的；明显的，明确的 | |
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apprehension
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| n.理解，领悟；逮捕，拘捕；忧虑 | |
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19
poke
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| n.刺，戳，袋；vt.拨开，刺，戳；vi.戳，刺，捅，搜索，伸出，行动散慢 | |
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20
straightforward
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| adj.正直的，坦率的；易懂的，简单的 | |
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backwards
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| adv.往回地，向原处，倒，相反，前后倒置地 | |
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