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(单词翻译:双击或拖选)
AILSA CHANG, HOST:
The graphic1 novel "My Favorite Thing Is Monsters" is huge in size and scope. Writer and artist Emil Ferris fills the pages with inky, scratchy drawings done in ballpoint pen. There are loose sketches2, recreations of famous paintings and imaginary covers of pulp3 horror magazines. Ferris has won a bunch of awards for the book, and NPR's Mallory Yu recently met up with her at San Diego Comic Con4.
MALLORY YU, BYLINE5: Emil Ferris says when she started "My Favorite Thing Is Monsters," her first graphic novel, she had no idea it would be so massive.
EMIL FERRIS: It just sort of came out of me and began being this larger world.
YU: It's the world of 1960s Chicago, a world full of mystery and murder seen through the eyes of a horror-obsessed 10-year-old girl named Karen. Karen's notes and drawings make up the backbone6 of the book, and they detail her investigation7 into the murder of her mysterious upstairs neighbor Anka. Emil Ferris says it's about so much more than that.
FERRIS: I think the book is really about accepting the monster in ourselves.
YU: Karen draws herself as a werewolf, shunned8, even hunted by villagers. It's a classic monster movie trope that Ferris says reflects what happens in reality.
FERRIS: You know, you have the villagers and their torches. It's night time. They're coming, and they're hunting for the monster, right? And then you have the Third Reich, and you have the same picture. And then you have Charlottesville, and you have the same picture. We would be a different world if we didn't have the villager mentality9, if we realized we were all monsters.
YU: For Ferris, what makes us monsters are the qualities that set us apart from everyone else. She says she's been fascinated by monsters since she was a child, when her disabilities kept her from playing during recess10.
FERRIS: I understood that there were physical things that made the monster different as there were with me. And then as I became more aware of my sexuality...
YU: Ferris identifies as bisexual.
FERRIS: ...That was another layer that I realized would qualify me for monsterhood. And I embraced it because the monster's cool and has an arc.
YU: Born into a family of artists, Ferris loved to draw. Her school notebooks were full of doodles and stories just like Karen's. As an adult, she worked as a housekeeper11 to make ends meet when her illustration work wasn't enough. She says as a single mother, she often brought her young daughter along to the houses she cleaned.
FERRIS: And then we would talk about stories. That was something that we did together to keep the magic in us because that kind of work is really hard on you.
YU: Then 15 years ago, when she was 40 and her daughter was 6, Faris contracted West Nile virus from a mosquito. The disease left her mostly paralyzed and unsure of her future.
FERRIS: My chances of recovery were not being sold to me as very great. But then I had my daughter who said, don't listen to them; listen to me. You're going to get everything back.
YU: Shortly after she returned home from the hospital, Ferris' family put together an art show. And she wanted to have something new to contribute - a portrait of herself, she says, blighted12 by the illness. But she wasn't able to hold a pen, which left her on the verge13 of tears until her daughter duct-taped the pen to her hand.
FERRIS: And she said, do it anyway. I mean, here's this little 6-year-old who's so strong. And she would move my arm and dip it into the inkwell, and I would bring it back. And it was so hard because it would flop14 down. And some of the drawing that I did, there were blurbs15 of ink.
YU: But she finished the portrait, and her daughter drew two figures at the bottom, one of herself sitting in a little chair and one of Ferris.
FERRIS: She drew me getting up out of the wheelchair because she said that's what's going to happen. And at that time I couldn't. But that little girl believed I could, so I did. You know, and there's the power of little girls, right?
YU: Ferris says after lots of physical therapy and hard work, she's regained16 much of her former ability. And her graphic novel "My Favorite Thing Is Monsters" is a testament17 to that work.
FERRIS: Every drawing was a victory. And every drawing was imbued18 with joy.
YU: Ferris says she wrote this book for people like Karen, her precocious19, werewolfy (ph) protagonist20, who sometimes need help howling.
FERRIS: Every full moon that we can howl at is a victory over the villagers.
YU: Mallory Yu, NPR News, San Diego.
(SOUNDBITE OF SERYN SONG, "PATHS")
1 graphic | |
adj.生动的,形象的,绘画的,文字的,图表的 | |
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2 sketches | |
n.草图( sketch的名词复数 );素描;速写;梗概 | |
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3 pulp | |
n.果肉,纸浆;v.化成纸浆,除去...果肉,制成纸浆 | |
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4 con | |
n.反对的观点,反对者,反对票,肺病;vt.精读,学习,默记;adv.反对地,从反面;adj.欺诈的 | |
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5 byline | |
n.署名;v.署名 | |
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6 backbone | |
n.脊骨,脊柱,骨干;刚毅,骨气 | |
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7 investigation | |
n.调查,调查研究 | |
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8 shunned | |
v.避开,回避,避免( shun的过去式和过去分词 ) | |
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9 mentality | |
n.心理,思想,脑力 | |
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10 recess | |
n.短期休息,壁凹(墙上装架子,柜子等凹处) | |
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11 housekeeper | |
n.管理家务的主妇,女管家 | |
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12 blighted | |
adj.枯萎的,摧毁的 | |
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13 verge | |
n.边,边缘;v.接近,濒临 | |
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14 flop | |
n.失败(者),扑通一声;vi.笨重地行动,沉重地落下 | |
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15 blurbs | |
n.(尤指印在书籍等护封上的)简介,推荐广告( blurb的名词复数 ) | |
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16 regained | |
复得( regain的过去式和过去分词 ); 赢回; 重回; 复至某地 | |
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17 testament | |
n.遗嘱;证明 | |
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18 imbued | |
v.使(某人/某事)充满或激起(感情等)( imbue的过去式和过去分词 );使充满;灌输;激发(强烈感情或品质等) | |
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19 precocious | |
adj.早熟的;较早显出的 | |
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20 protagonist | |
n.(思想观念的)倡导者;主角,主人公 | |
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