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SARAH MCCAMMON, HOST:
In the new movie "Uncut Gems2," Adam Sandler plays a New York jeweler and gambler always out for the next score. It's a cinematic panic attack. So why, reporter Tim Greiving asks, does it feature a cosmic New Age score?
TIM GREIVING, BYLINE3: One of the first things that jumps out in "Uncut Gems" amidst the din4 of New York's Diamond District, the hectic5 habitat of Adam Sandler's loud-mouth Howard Ratner, is this meditative6 analog7 synthesizer score.
(SOUNDBITE OF DANIEL LOPATIN'S "THE BALLAD8 OF HOWIE BLING")
GREIVING: The composer is Daniel Lopatin, also known as Oneohtrix Point Never. He first worked with the directors, brothers Josh and Benny Safdie, on their 2017 film "Good Time."
DANIEL LOPATIN: I think they expect the score to always have a sort of fantastical quality to it, but they also expect the film to have a very realistic quality to it. And then in that contrast, you pretty much understand our collaboration9.
GREIVING: One of their big inspirations for the "Uncut Gems" score was Vangelis, the Greek synthesizer wizard who Josh Safdie calls one of the great cosmic conductors of our time.
LOPATIN: His point of view on music and its transcendent qualities and medicinal qualities almost is always an inspiration, but in particular with this film, which I view as a cosmic movie.
GREIVING: "Uncut Gems" hurdles10 along with Howard Ratner's compulsion to gamble, to bet his winnings instead of paying off debts, to chase down the next high. A lot of the score is counterintuitively New Age - well, counterintuitive to anyone but Josh and Benny Safdie.
JOSH SAFDIE: There's this sequence in the film where we used meditation11 bowls and chanting that are the - musically, they're used to calm the spirit. We're using it juxtaposed with a hectic scenario12 where people are trapped inside of a vestibule. And I think that juxtaposition13 is adding to the tension...
BENNY SAFDIE: For sure.
J SAFDIE: ...Because you're hearing this music that should be calming, but it's actually anxiety-inducing
B SAFDIE: It's like when you tell somebody who's angry, hey, calm down.
(SOUNDBITE OF MUSIC)
GREIVING: Daniel Lopatin's score features an eclectic ensemble14 of old-school synthesizers, Mellotron-style flutes15, saxophone solos and an eight-person choir16.
(SOUNDBITE OF SONG, "THE BALLAD OF HOWIE BLING")
UNIDENTIFIED SINGERS: (Singing, unintelligible).
GREIVING: It's not all calm, though. There are some panicky moments in the score that match Howard's ever-escalating dilemma17.
(SOUNDBITE OF MUSIC)
GREIVING: Lopatin recalled an NPR story he heard about the importance of sleep on proteins in the brain.
LOPATIN: They need hours and hours to do their thing to loosen up so your cells are loose. It always appeared to me to be, like, a very artistic18 metaphor19. Like, if you want something, you feel tight and anxious, then cluster things together like a unpacked20 protein.
GREIVING: The object at the heart of the film is a black opal from Ethiopia which Howard is banking21 everything on. Daniel Lopatin saw that opal, that uncut gem1, as a metaphor.
LOPATIN: Are we dealing22 with this sort of material latticework of the city and Howard navigating23 his logistical problems and his maladies and his freakouts?
(SOUNDBITE OF MUSIC)
LOPATIN: Or are we dealing with the spirit of the film, which is that Howard might be a schlimazel or whatever, but he's also, like all of us, just passing through and affecting things as we pass through our lives, so that new agey-kind of aspect of it rubbing up against the really, really kind of severe, like, weirdly24 jazzy quality of the city.
GREIVING: So if watching this movie gives you palpitations, just listen to the score and relax. For NPR News, I'm Tim Greiving.
1 gem | |
n.宝石,珠宝;受爱戴的人 [同]jewel | |
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2 gems | |
growth; economy; management; and customer satisfaction 增长 | |
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3 byline | |
n.署名;v.署名 | |
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4 din | |
n.喧闹声,嘈杂声 | |
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5 hectic | |
adj.肺病的;消耗热的;发热的;闹哄哄的 | |
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6 meditative | |
adj.沉思的,冥想的 | |
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7 analog | |
n.类似物,模拟 | |
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8 ballad | |
n.歌谣,民谣,流行爱情歌曲 | |
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9 collaboration | |
n.合作,协作;勾结 | |
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10 hurdles | |
n.障碍( hurdle的名词复数 );跳栏;(供人或马跳跃的)栏架;跨栏赛 | |
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11 meditation | |
n.熟虑,(尤指宗教的)默想,沉思,(pl.)冥想录 | |
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12 scenario | |
n.剧本,脚本;概要 | |
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13 juxtaposition | |
n.毗邻,并置,并列 | |
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14 ensemble | |
n.合奏(唱)组;全套服装;整体,总效果 | |
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15 flutes | |
长笛( flute的名词复数 ); 细长香槟杯(形似长笛) | |
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16 choir | |
n.唱诗班,唱诗班的席位,合唱团,舞蹈团;v.合唱 | |
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17 dilemma | |
n.困境,进退两难的局面 | |
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18 artistic | |
adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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19 metaphor | |
n.隐喻,暗喻 | |
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20 unpacked | |
v.从(包裹等)中取出(所装的东西),打开行李取出( unpack的过去式和过去分词 );拆包;解除…的负担;吐露(心事等) | |
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21 banking | |
n.银行业,银行学,金融业 | |
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22 dealing | |
n.经商方法,待人态度 | |
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23 navigating | |
v.给(船舶、飞机等)引航,导航( navigate的现在分词 );(从海上、空中等)横越;横渡;飞跃 | |
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24 weirdly | |
古怪地 | |
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