美国国家公共电台 NPR 2 Fractured Halves Make A Whole In 'Evvie Drake'

 

SCOTT SIMON, HOST:

Evvie Drake is about to make a dramatic change in her life. She's planning to leave her husband when she gets a phone call that changes her life for her. He's dead. She's a widow who doesn't feel much grief. Evvie winds up living alone in a big house in her small Maine town until she gets a boarder. It's Dean Tenney, former major league pitcher¹ who can no longer throw the ball over the plate.

The story of two fractured people trying to become whole is the heart of Linda Holmes' new novel "Evvie Drake Starts Over." And Linda Holmes, host of the NPR podcast Pop Culture Happy Hour, joins us in our studios. Thanks so much for walking across the newsroom to join us.

LINDA HOLMES, BYLINE²: I appreciate it. I'm so happy to be here.

SIMON: Was it an eventful trip?

HOLMES: Yeah. Yeah, it was very eventful. I think I stopped for a Diet Coke on the way.

SIMON: All right. Well, Dean Tenney - I know you love sports. You did a lot of research about baseball pitchers³ and the yips, didn't you?

HOLMES: I did. I read a lot about it. It's partly because I find it so fascinating. It's so awful that it's really compelling because...

SIMON: We should explain. This person...

HOLMES: Yeah.

SIMON: ...That has a God-given talent to throw the ball with some velocity⁴ across the plate suddenly...

HOLMES: Yeah, can't do it...

SIMON: Yeah.

HOLMES: ...At all. And it can happen in other sports. It comes from golf, really.

SIMON: Yeah.

HOLMES: But I have read a lot about it happening to pitchers. And some of the stories from baseball are just - it is a true story, and I talk about it in the book, that Chuck Knoblauch, who played for the Yankees, threw into the stands because his arm had gotten so bad trying to throw to first, and he hit Keith Olbermann's mother. That's hard to believe that it could be that bad. But I find these stories so terrible and relatable because I think as a creative person, you're always afraid that you'll just wake up one day and never have another idea.

SIMON: Right, exactly, that the gift will just leave you.

HOLMES: Yeah.

SIMON: For Evvie's part, is she grief-stricken over the fact that she's not more grief-stricken?

HOLMES: Yeah, I think that's exactly right. And I think when I started the book, I was more focused on the fact that she felt very guilty about not being more grief-stricken. But as I started to write it, I also realized that she's very frustrated⁵ that she didn't get to leave, which was something she had really begun to think of as part of her journey - was leaving under her own power. And she doesn't get to do that.

SIMON: This wouldn't seem to be an obvious couple. But without relaying too much, what do they find in each other?

HOLMES: I think they're both people who have had an abrupt⁶ change of plans that wasn't really voluntary. I think Evvie, both because her marriage didn't turn out the way she wanted, and then also because when she was planning to leave, she was interrupted in that as well. So I think both of them are people who have to kind of find a new path very unexpectedly.

SIMON: She worries when he starts disappearing to go to a ballpark in the middle of the night.

HOLMES: Yeah. She - when he comes to her, he kind of says, I'm over it. It's all done. It's fine. And she doesn't really believe him. And she is very curious about whether - does he, in fact, want to fix this? Does he want to go back? Does he want to try to recover? And she does discover, at one point, that he's still kind of going out to a kind of a deserted⁷ ballpark in the middle of winter and throwing because he doesn't really know what else to do.

SIMON: You're a pop culture correspondent. You review the creative efforts of other people. So what's it like to put those shoes on yourself?

HOLMES: It's not that I'm unaccustomed to being told that my work is bad, right? That's - even for critics, that happens to you...

SIMON: Oh...

HOLMES: ...All the time.

SIMON: ...That - no, who would say that?

HOLMES: Happens all the time. But I do think that fiction, in particular, is a different kind of vulnerability because it is true that you're really saying to people, I made all this up. It did not really happen. Please sit down and let me tell you this story which comes entirely⁸ out of my head. And that does make you feel very exposed in a different way, probably, than I'm going to talk about this movie or what have you.

SIMON: Everyone in this story has a moment or more of grace.

HOLMES: I think that's right.

SIMON: They get good marks for earnestness. They're trying their best.

HOLMES: I think that's exactly right. I think that's exactly right. I've never been much interested in people who weren't trying and always very sympathetic with people who are because we're all so flawed and complicated. But I think I've been lucky enough in my life to know so many people who, despite being flawed and complicated, are also very loving and supportive. And you just - you look for those times when other people are important to you and you have an opportunity to be important to them, whether they're friends or family or people that you fall in love with.

SIMON: I hope this doesn't put you on the spot. You've had a few careers.

HOLMES: Uh-huh.

SIMON: You've written a novel now featuring people who are starting over...

HOLMES: Yeah.

SIMON: ...In other ways, too.

HOLMES: Yeah.

SIMON: Sense of identity.

HOLMES: Sure, of course. I always say I'm on, approximately, plan E for my life. You know, I wanted, when I was in college, to be a music teacher. And then I wanted to be - and then I went to law school. And then I came to NPR, and I was a writer. And then I got into podcasts, and now I'm doing this.

And there have been so many plans. And I've been very lucky to be able to follow the path wherever it goes. And I think it has made me particularly sympathetic with people who have to try something completely new and find a different version of themselves. I think, absolutely, that's part of it for me, too.

SIMON: Well, that's at the heart of your novel.

HOLMES: Yeah. I mean, I think everybody has that moment where they think, what I thought my life was going to be is not quite what it's going to be. And those are both very difficult moments, and often moments that lead you to something that's more true, which is surprising sometimes. But that's very much how it was for me.

SIMON: Linda Holmes - her novel, "Evvie Drake Starts Over" - thank you so much for being with us.

HOLMES: Thank you, Scott.

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1 pitcher   

n.(有嘴和柄的)大水罐；(棒球)投手

参考例句：

• He poured the milk out of the pitcher.他从大罐中倒出牛奶。
• Any pitcher is liable to crack during a tight game.任何投手在紧张的比赛中都可能会失常。

2 byline   

n.署名；v.署名

参考例句：

• His byline was absent as well.他的署名也不见了。
• We wish to thank the author of this article which carries no byline.我们要感谢这篇文章的那位没有署名的作者。

3 pitchers   

大水罐( pitcher的名词复数 )

参考例句：

• Over the next five years, he became one of the greatest pitchers in baseball. 在接下来的5年时间里，他成为了最了不起的棒球投手之一。
• Why he probably won't: Pitchers on also-rans can win the award. 为什麽不是他得奖：投手在失败的球队可以赢得赛扬奖。

4 velocity   

n.速度，速率

参考例句：

• Einstein's theory links energy with mass and velocity of light.爱因斯坦的理论把能量同质量和光速联系起来。
• The velocity of light is about 300000 kilometres per second.光速约为每秒300000公里。

5 frustrated   

adj.挫败的，失意的，泄气的v.使不成功( frustrate的过去式和过去分词 )；挫败；使受挫折；令人沮丧

参考例句：

• It's very easy to get frustrated in this job. 这个工作很容易令人懊恼。
• The bad weather frustrated all our hopes of going out. 恶劣的天气破坏了我们出行的愿望。 来自《简明英汉词典》

6 abrupt   

adj.突然的，意外的；唐突的，鲁莽的

参考例句：

• The river takes an abrupt bend to the west.这河突然向西转弯。
• His abrupt reply hurt our feelings.他粗鲁的回答伤了我们的感情。

7 deserted   

adj.荒芜的，荒废的，无人的，被遗弃的

参考例句：

• The deserted village was filled with a deathly silence.这个荒废的村庄死一般的寂静。
• The enemy chieftain was opposed and deserted by his followers.敌人头目众叛亲离。

8 entirely   

ad.全部地，完整地；完全地，彻底地

参考例句：

• The fire was entirely caused by their neglect of duty. 那场火灾完全是由于他们失职而引起的。
• His life was entirely given up to the educational work. 他的一生统统献给了教育工作。