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(单词翻译:双击或拖选)
AUDIE CORNISH, HOST:
I like to ask comedic actors about the first time they got a laugh out of someone. Julia Louis-Dreyfus did not disappoint.
JULIA LOUIS-DREYFUS: I remember making my mom laugh when I stuck some raisins1 up my nose when I was 3.
CORNISH: (Laughter) A classic routine.
LOUIS-DREYFUS: Thank you. I appreciate you're pointing that out.
CORNISH: Since then, let's just say she's sharpened her act. She's won eight acting2 Emmys, most recently for playing the character Selina Meyer on HBO's "Veep." She's up for a record-breaking ninth next month. But before she was the queen of scripted comedy, she was an upstart on the improv scene at Northwestern University and in Chicago. When Julia Louis-Dreyfus was hired out of the gate to be on "Saturday Night Live," she made the local news.
(SOUNDBITE OF ARCHIVED RECORDING)
LOUIS-DREYFUS: I'm very nervous about it and terribly excited. And I think it'll be great fun. I - the prospect4 of becoming an adult is thrilling.
OK, first of all, that sounds like an old-timey movie, doesn't it?
CORNISH: It does a little bit.
LOUIS-DREYFUS: That sounds like it's from 1915, and they first learned how to work a recorder. My God, what is happening? My voice sounds absurd.
CORNISH: So the prospect of becoming an adult is thrilling to me.
LOUIS-DREYFUS: If I had had a therapist present at the time, they might have been writing that one down. And they would be right to do so because I think, you know, from an early age, I was eager to grow up and get going with my life. And I've always sort of been like that.
CORNISH: But I'm thinking this is the equivalent of, like, college person getting drafted into the NBA.
LOUIS-DREYFUS: Totally. It really was because I had been the audience for "Saturday Night Live." I mean, I was devoted5 to it. And I felt as if it spoke6 to my generation, and it was irreverent. So then to be plucked from this particular situation in Chicago and to go to New York to do the show was a very heady experience.
CORNISH: And you get there, and it's not exactly what you imagined it would be.
LOUIS-DREYFUS: Yeah, I'd been doing shows on campus at Northwestern where everybody worked together. And you built the sets, and you did the lights, and you acted in it. The whole idea being, you know, ensemble7 work. And anyway, it was nothing like that. I was very, very green. And I learned very quick how to do live television in a very cut-throat kind of - I don't mean I succeeded. But I learned because I had no idea how to perform on television. You know, I'd been on stage, and that's a different skillset. And I didn't know how to dial it down. I didn't know how to control my nerves. It was pretty terrifying.
CORNISH: What was it like for you to learn these lessons in such a public way? Because you strike me as a person who's incredibly ambitious and you said earlier kind of impatient - right? - impatient to get to where you're going.
LOUIS-DREYFUS: Yeah. Well, it was a little bit heartbreaking, truthfully, I mean, particularly as a woman there. There were very few women, and they definitely, at that period of time, got short shrift. And, you know, there were a lot of drugs. And I was very naive8 about even that, so I didn't really know - I couldn't really identify when somebody was very coked up on something, even though their script was like 35 pages long, and they were laughing hysterically9 about something that I didn't really pick up on. And so it was not a raucous10 good time.
CORNISH: You mentioned - earlier you said, especially as a woman, you had some difficulty there.
LOUIS-DREYFUS: Yeah.
CORNISH: What did you mean by that?
LOUIS-DREYFUS: There was a culture in which the writers, who were mainly male, would only write the really meaty, funny stuff for other male actors. And again, there are exceptions to this, of course, because there were moments in which we all got moments to shine. But they were not as frequent as the men. It was like banging your head against a wall to be - sort of get anybody to pay attention to write material for you.
And I came away from that show thinking to myself, OK, look; if this is what it's going to be, then I don't think I'm going to do it. Unless it's fun, I'm not going to do it. So it's always been important to me to have a very happy, supportive set, to hire people who are fundamentally kind and generous. And from that comes just so much fun.
CORNISH: It takes a lot of guts11. I think there's a lot of women, as we've learned out of the #MeToo movement and the Time's Up movement who felt like they were in a position where they couldn't ask for more, so to speak.
LOUIS-DREYFUS: Right, it was a bear. And I had my share of those #MeToo-type moments, you know, which - but we got somehow soldiered on through. And I'm very happy that this whole movement has had such force because it's so crucial.
CORNISH: This brings me back to a moment on "Veep" this season, which very much pitted Selina Meyers (ph) against another woman in an election. And here she is in this scene in a debate with this younger character, and Selina lands this attack.
(SOUNDBITE OF TV SHOW, "VEEP")
LOUIS-DREYFUS: (As Selina Meyer) When I was coming up as a lawyer, I didn't have to remind everyone I was a woman every 10 seconds because they never let me forget it. I smiled all through the casual grabbing of my behind. So how about giving a little thanks to the women like me who built the ladder that you used to get up onto your soapbox? How about for once in your life, you stop whining12, you stop complaining and just man up because...
CORNISH: This kind of launches her back into the election, and she is by no means a feminist13.
LOUIS-DREYFUS: She's been in battle a long time. But she is, without sort of really realizing it, a victim of a male-dominated culture because she herself is a woman-hating woman. And so that was an example. That's why I was so pleased when we were able to come up with that whole idea of man up, you know, because it's so layered in terms of its messaging.
CORNISH: You mentioned in passing just the idea that you've had #MeToo moments. How did those things affect you?
LOUIS-DREYFUS: It's made me angry. It's made me frustrated14. And it's fueled me. It was very important to me to - I don't know what - prove myself, I guess. I just want to do my work well with people that I really enjoy, men and women. I really like men, by the way, well-behaved men.
CORNISH: (Laughter).
LOUIS-DREYFUS: I'm a fan.
CORNISH: You are.
LOUIS-DREYFUS: Yeah.
CORNISH: Is that a very long list (laughter)?
LOUIS-DREYFUS: In my life it is, yeah.
CORNISH: That's good.
LOUIS-DREYFUS: I know a lot of well-behaved men, yeah. Sure. I know some ill-behaved men, too, but...
CORNISH: You've survived them.
LOUIS-DREYFUS: ...They're behind me now.
CORNISH: I want to ask you lastly about being nominated for so many Emmys. We spoke with Nicole Byer. She has a TV show on Netflix called "Nailed It." It's up for an Emmy.
LOUIS-DREYFUS: Uh huh.
CORNISH: We asked her what she'd want to ask you, a pro3.
LOUIS-DREYFUS: Oh, gosh.
(SOUNDBITE OF ARCHIVED RECORDING)
NICOLE BYER: Do you ever feel like you've made it? Because the way I view things, it doesn't seem like there's ever an end. I don't think there's ever a point where you're like, I did it. Like, yeah, I would like to know what does she think that she's made it. And does it get better?
LOUIS-DREYFUS: No, I don't think I've made it. I keep thinking about what will be my next challenge, and I like that. I don't think of that as a negative answer, FYI, because...
CORNISH: No.
LOUIS-DREYFUS: ...She says does it get better. And I would say, well, it's - the answer to that is yeah. Keep pounding away at it, and the actual pounding can reap rewards, you know? It doesn't mean you won't fail.
CORNISH: The thing I heard in her voice was anxiety and ambition. And I thought back to you in that Chicago clip (laughter).
LOUIS-DREYFUS: Yeah, they work well together. They really, really do.
CORNISH: Julia Louis-Dreyfus, thank you so much for speaking with us.
LOUIS-DREYFUS: Thank you for having me.
CORNISH: She's up for a ninth acting Emmy next month. We spoke to her as part of our series about the rule-breaking and risk-taking women of comedy.
(SOUNDBITE OF ROOSEVELT SONG, "MOVING ON")
收听单词发音 |
1
raisins
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| n.葡萄干( raisin的名词复数 ) | |
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2
acting
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| n.演戏，行为，假装；adj.代理的，临时的，演出用的 | |
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pro
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| n.赞成，赞成的意见，赞成者 | |
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prospect
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| n.前景，前途；景色，视野 | |
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5
devoted
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| adj.忠诚的，忠实的，热心的，献身于...的 | |
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6
spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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ensemble
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| n.合奏(唱)组；全套服装；整体，总效果 | |
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8
naive
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| adj.幼稚的，轻信的；天真的 | |
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hysterically
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| ad. 歇斯底里地 | |
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raucous
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| adj.(声音)沙哑的，粗糙的 | |
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11
guts
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| v.狼吞虎咽，贪婪地吃，飞碟游戏（比赛双方每组5人，相距15码，互相掷接飞碟）；毁坏（建筑物等）的内部( gut的第三人称单数 )；取出…的内脏n.勇气( gut的名词复数 )；内脏；消化道的下段；肠 | |
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12
whining
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| n. 抱怨，牢骚 v. 哭诉，发牢骚 | |
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13
feminist
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| adj.主张男女平等的，女权主义的 | |
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14
frustrated
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| adj.挫败的，失意的，泄气的v.使不成功( frustrate的过去式和过去分词 )；挫败；使受挫折；令人沮丧 | |
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