偶像励志英语演讲 第51期:让父母为你骄傲(11)

　　This is a huge deal because as people in the movie business know the absolute hardest thing in the whole world is to persuade a straight male audience to identify with a woman protagonist¹ to feel themselves embodied² by her. This, more than any other factor, explains why we get the movies we get and the paucity³ of the roles where women drive the film. It's much easier for the female audience because we were all brought up grown up, identifying with male characters from Shakespeare to Salinger. We have less trouble following Hamlet's dilemma⁴ viscerally or Romeo's or Tybalt or Huck Finn or Peter Pan--I remember holding that sword up to Hook--I felt like him. But it is much much much harder for heterosexual boys to be able to identify with Juliet or Desdemona, or Windy in Peter Pan, or Joe in Little Women or the little Mermaid⁵, Pocohontas. Why? I don't know, but it just is. There has always been a resistance to imaginatively assume a persona, if that persona is a she. But things are changing now and it's in your generation that we're seeing this. Men are adapting--about time--they are adapting consclously and also without realizing it for the better of the whole group. They are changing their deepest prejudices to accept and to regard as normal the things that their fathers would have found very very difficult and their grandfathers would have abhorred⁶.
这一点相当重要，电影行业的工作者肯定知道，世界上最难的事就是让正常性取向的男性观众在女性角色身上找到认同感，并认为他们在她的身上得到了体现。这个因素更能解释我们选择某部电影的原因，以及为什么在女性为主角的电影中角色会相对稀少。然而，这点对于女性观众来说更容易接受，因为我们从小到大接触到的，从莎士比亚到塞林格的作品中，几乎都是男性角色，因此理解哈姆雷特、罗密欧、迪波尔特、哈克·费恩或是彼得·潘内心的窘境对于我们而言并不是一件困难的事。我仍记得握住剑柄的感觉，我觉得我就是那里的男主人公。但对于异性恋的男孩们而言，要想他们与朱丽叶、黛斯迪蒙娜、《彼得·潘》中的温迪、《小妇人》中的乔、小美人鱼或是宝嘉康蒂产生共鸣，是非常非常困难的。原因我不清楚，但事实就是如此。一直以来，如果是女性角色的话，人们一般都不会去寻求认同感。而今，按你们这代人的看法，这种状况已有所改变。男人总是在不断适应，为了整个群体的利益，他们有意识地适应，甚至他们会在自己都意识不到的情况下改变自己。他们最深层的偏见也会随着社会的变化而不断地改变。同样的一件事，也许他们的父辈会觉得很难，祖辈甚至会厌恶。
重点讲解：
1. persuade sb. to do sth.
劝说；说服某人做某事；
eg. We're trying to persuade manufacturers to sell them here.
我们正在努力劝说制造商在这里销售。
eg. They were eventually persuaded by the police to give themselves up.
最终他们被警方劝服，同意投案自首。
2. identify with
认同；理解；体会；
eg. She would only play a role if she could identify with the character.
她只愿扮演她能认同的角色。
eg. I could speak their language and identify with their problems because I had been there myself.
我会讲他们的语言，能体会他们的难处，因为我自己曾在那里呆过。
3. have trouble (in) doing sth.
在…有困难；
eg. We have trouble getting staff.
我们在招聘雇员方面有困难。
eg. Something. I have trouble taking my eyes away from her.
她身上有一种什么，使我目光很难从她身上移开。
4. hold up
举起；抬起；提起；
eg. She held up her hand stiffly.
她直挺挺地举着手。
eg. Hold it up so that we can see it.
把它举起来让我们看看。

1 protagonist   

n.(思想观念的)倡导者；主角，主人公

参考例句：

• The protagonist reforms in the end and avoids his proper punishment.戏剧主角最后改过自新并避免了他应受的惩罚。
• He is the model for the protagonist in the play.剧本中的主人公就是以他为模特儿创作的！

2 embodied   

v.表现( embody的过去式和过去分词 )；象征；包括；包含

参考例句：

• a politician who embodied the hopes of black youth 代表黑人青年希望的政治家
• The heroic deeds of him embodied the glorious tradition of the troops. 他的英雄事迹体现了军队的光荣传统。 来自《简明英汉词典》

3 paucity   

n.小量，缺乏

参考例句：

• The paucity of fruit was caused by the drought.水果缺乏是由于干旱造成的。
• The results are often unsatisfactory because of the paucity of cells.因细胞稀少，结果常令人不满意。

4 dilemma   

n.困境，进退两难的局面

参考例句：

• I am on the horns of a dilemma about the matter.这件事使我进退两难。
• He was thrown into a dilemma.他陷入困境。

5 mermaid   

n.美人鱼

参考例句：

• How popular would that girl be with the only mermaid mom!和人鱼妈妈在一起，那个女孩会有多受欢迎！
• The little mermaid wasn't happy because she didn't want to wait.小美人鱼不太高兴，因为她等不及了。

6 abhorred   

v.憎恶( abhor的过去式和过去分词 )；（厌恶地）回避；拒绝；淘汰

参考例句：

• He abhorred the thoughts of stripping me and making me miserable. 他憎恶把我掠夺干净，使我受苦的那个念头。 来自辞典例句
• Each of these oracles hated a particular phrase. Liu the Sage abhorred "Not right for sowing". 二诸葛忌讳“不宜栽种”，三仙姑忌讳“米烂了”。 来自汉英文学 - 中国现代小说