英语听力：Beethoven 贝多芬 - 05

 The typical piano of 1790s, say, 3, in Vienna was a fairly light instrument, and it was very well suited to the kind of pianism that were most conventional in Vienna at that time.

 

Beethoven changed the whole style of playing. He wanted bigger pianos, he wanted louder pianos, and we know that he broke strings¹, he smashed hammers, he also wrote music that implied that the piano range was too small, I mean you, you keep going to the last note of the piano and implying that the musics really could go higher but you can't. That's something that Mozart rarely did only on rare occasions that Beethoven does fairly constantly.

 

Haydn's influence on Beethoven came from his music, not his role as tutor. Beethoven once claimed he'd learned nothing from the lessons.

 

What is different in Beethoven is the emotional seriousness, the feeling, that one has at his music is somehow deeply moral, and there is no question about the amount of resentment² that Beethoven inspired in his audiences when he first appeared largely because of the way he made the listener concentrate on the. . the motivic work in the piece, the way he would take one single motif³ and then you had to realize the way this motif appeared in different forms throughout the work.

 

People didn't like to be forced to listen to music with that intension. On several occasions, Beethoven rebelled when the audience treated his music as mere⁴ background entertainment.

 

Beethoven's rebelliousness⁵ surfaces into sonata⁶ Pathetique in C minor⁷, a work which seemed to be a subversive⁸ composition. One of the influences on him was the great poet, dramatist and philosopher Friedrich Schiller. Schiller described tragic⁹ art as having to do with not simply the depiction¹⁰ of human suffering, but the attempt to resist succumbing¹¹ to suffering, in other words, resisting an attitude of resignation and this approach I think is reflected even at the very beginning of a piece like the sonata Pathetique of 13, we have this laden¹² chords in the low register, stressing complex, dissonant¹³ sounds like the one I'm playing here. We hear in the main fast section of the piece as a gesture of resistance to this suffering.

1 strings   

n.弦

参考例句：

• He sat on the bed,idly plucking the strings of his guitar.他坐在床上，随意地拨着吉他的弦。
• She swept her fingers over the strings of the harp.她用手指划过竖琴的琴弦。

2 resentment   

n.怨愤，忿恨

参考例句：

• All her feelings of resentment just came pouring out.她一股脑儿倾吐出所有的怨恨。
• She cherished a deep resentment under the rose towards her employer.她暗中对她的雇主怀恨在心。

3 motif   

n.(图案的)基本花纹，(衣服的)花边；主题

参考例句：

• Alienation is a central motif in her novels.疏离感是她小说的一个重要的主题。
• The jacket has a rose motif on the collar.这件夹克衫领子上有一朵玫瑰花的图案。

4 mere   

adj.纯粹的；仅仅，只不过

参考例句：

• That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
• It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。

5 rebelliousness   

n. 造反，难以控制

参考例句：

• Any requirement that may be construed as 'compulsory' will evoke some rebelliousness. 任何可以解释成“必须做的”要求都会激起一些反动情绪。
• Obstinate or contemptuous resistance to authority; stubborn rebelliousness. '叛逆'。''性顽固的或藐视性的反抗权威；顽固的''。'叛逆'。''性。

6 sonata   

n.奏鸣曲

参考例句：

• He played a piano sonata of his own composition.他弹奏了一首自作的钢琴奏鸣曲。
• The young boy played the violin sonata masterfully.那个小男孩的小提琴奏鸣曲拉得很熟练。

7 minor   

adj.较小(少)的，较次要的；n.辅修学科；vi.辅修

参考例句：

• The young actor was given a minor part in the new play.年轻的男演员在这出新戏里被分派担任一个小角色。
• I gave him a minor share of my wealth.我把小部分财产给了他。

8 subversive   

adj.颠覆性的，破坏性的；n.破坏份子，危险份子

参考例句：

• She was seen as a potentially subversive within the party.她被看成党内潜在的颠覆分子。
• The police is investigating subversive group in the student organization.警方正调查学生组织中的搞颠覆阴谋的集团。

9 tragic   

adj.悲剧的，悲剧性的，悲惨的

参考例句：

• The effect of the pollution on the beaches is absolutely tragic.污染海滩后果可悲。
• Charles was a man doomed to tragic issues.查理是个注定不得善终的人。

10 depiction   

n.描述

参考例句：

• Double rhythms, resounding through the lyric depiction and connecting with each other, indicate the thespian place of mankind and the cognition of the writer to this thespian place. 这双重旋律互为表里，表明了人类的某种悲剧性处境以及作家对这种悲剧性处境的感受和认识。
• A realistic depiction of scenes from everyday domestic life. 日常家居生活的写实画。

11 succumbing   

不再抵抗（诱惑、疾病、攻击等）( succumb的现在分词 )； 屈从； 被压垮； 死

参考例句：

• Mrs. Smith washed and ironed clothes for him, succumbing to him. 史密斯太太被他迷住了，愿意为他洗衣烫衣。
• They would not in the end abandon their vital interests by succumbing to Soviet blandishment. 他们最终决不会受苏联人的甜言蜜语的诱惑，从而抛弃自己的切身利益。

12 laden   

adj.装满了的；充满了的；负了重担的；苦恼的

参考例句：

• He is laden with heavy responsibility.他肩负重任。
• Dragging the fully laden boat across the sand dunes was no mean feat.将满载货物的船拖过沙丘是一件了不起的事。

13 dissonant   

adj.不和谐的；不悦耳的

参考例句：

• His voice is drowned by the dissonant scream of a siren outside.她的声音被外面杂乱刺耳的警报声吞没了。
• They chose to include all of these dissonant voices together.他们把那些不和谐的声音也放在了里面