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(单词翻译:双击或拖选)
一个价值百万的提琴,有谁会花费这么大的价钱买呢?
Alice: Hello and welcome to 6 Minute English from BBC Learning English: the
programme in which we talk about a story in the news and learn some
vocabulary while we’re doing it. I’m Alice and joining me today is Neil. Hi
there, Neil.
Neil: Hi Alice.
Alice: Now, Neil I know you’re very musical – but can you spot a multi-million
dollar violin when you hear one?
Neil: A multi-million dollar violin? So, that’s a musical instrument which costs
several million US dollars? Who’s got that kind of money to spend on an
instrument?
Alice: Somebody with lots and lots of money. When we talk about dollars in
English, they usually mean US dollars. Anyway, let's listen to these two
violins, and then tell me which sound you like the best, and which do you
think is the most valuable?
Neil: OK.
The same musical scale played on two different violins
Alice: So, did you like the sound of the first violin, or the second?
Neil: Well, my perfect musical ears are telling me the second violin was the
multi-million dollar one.
Alice: And was that the one you liked best?
Neil: Oh yes. Of course!
Alice: Good taste. Well done. One of the qualities which makes the sound so
wonderful is what’s called timbre1 – the quality of the sound. And that
leads me to another question, Neil. Which language does the word timbre
come from originally? Is it:
a) Russian
b) Italian
c) French
Neil: Hmm. Definitely not Russian. I would be tempted2 to say French but most
musical expressions come from Italian. So I’m going to say Italian.
6 Minute English © British Broadcasting Corporation 2012
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Alice: Well, as usual we won’t find out the answer until the end of the
programme. Let’s talk some more about violins. What makes one violin
sound so much better than another?
Neil: I like that very mellow3 sound – a sound that that is sweet and rich.
Alice: Mellow. We talk about coffee being mellow, rich and sweet - and sound
can be mellow too. What makes an instrument top of the range? The
best that is on offer. Here’s Professor Tasmin Little from the Royal
Academy of Music, who is also a concert violinist – a soloist4.
Professor Tasmin Little:
There are two most famous and great makers5. Stradivari is the most famous, but also
there is Guarneri del Gesu who is also very favoured by top soloists6, perhaps the
instruments are more mellow in sound. But certainly, there is nothing to beat a
Stradivarius, because they are just really the top of the range instruments. And I'm
very, very fortunate to have this instrument on loan from the Royal Academy of Music.
Alice: So Professor Tamsin Little says there is nothing to beat a Stradivarius –
it’s the top of the range.
Neil: And she’s very fortunate – very lucky to have one on loan. That means
she’s borrowing the violin to play at concerts.
Alice: Yeah – as some Stradivarius violins cost several million dollars, I don’t
think many musicians would be able to afford them themselves.
Neil: And what is it about violins made by the Stradivari family in 17th and 18th
centuries that makes them so special?
Alice: As we’ve heard that word before, they have great timbre – the sound they
make reverberates7.
Neil: Reverberates – it echoes back at you. A really rich, deep sound. How did
violin makers like the Stradivari family give violins that special sound
quality?
Alice: Professor Little says that’s the billion dollar question. It means that’s
the question that everybody would like answered. If we could only
understand what gives these violins their very special quality, people
would have copied the technique ages ago:
Professor Tasmin Little:
That’s the billion dollar question, isn't it – it's one that has foxed people for centuries.
People have come up with all sorts of explanations. There are a few, such as: at the
point when Stradivarius was choosing his wood, there had been a particularly cold spell
of temperature and the trees had grown very slowly and, therefore, with more density8.
Apparently9 he used to go into forests and tap on the trees and listen to how reverberant10
they were and, according to the results, he would chop them down or not.
6 Minute English © British Broadcasting Corporation 2012
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Alice: So it’s believed that violin makers chose the wood they used to make the
violins for their reverberant qualities. There had been a cold spell, and the
trees had grown slowly, so the wood was more dense11.
Neil: Professor Tasmin Little says that’s one possibility why the violins are so
special.
Alice: Now, before we go, Neil - have you had a think about the origins of the
word timbre? I asked if the word came originally from French, Russian or
Italian.
Neil: Well I said Italian, but judging by the way you’ve been pronouncing that
word, I think I’m probably wrong!
Alice: You’re right. It’s French. Well, well done anyway. Now, time for a recap of
some of the words we heard in today’s programme.
Neil: They are: multi-million, timbre, mellow, top of the range,
reverberates, the billion dollar question
Alice: Join us again soon for more 6 Minute English from
bbclearningenglish.com.
Neil: And don’t forget to find us on Facebook and Twitter.
Alice: Bye for now.
Neil: Bye
1 timbre | |
n.音色,音质 | |
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2 tempted | |
v.怂恿(某人)干不正当的事;冒…的险(tempt的过去分词) | |
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3 mellow | |
adj.柔和的;熟透的;v.变柔和;(使)成熟 | |
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4 soloist | |
n.独奏者,独唱者 | |
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5 makers | |
n.制造者,制造商(maker的复数形式) | |
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6 soloists | |
n.独唱者,独奏者,单飞者( soloist的名词复数 ) | |
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7 reverberates | |
回响,回荡( reverberate的第三人称单数 ); 使反响,使回荡,使反射 | |
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8 density | |
n.密集,密度,浓度 | |
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9 apparently | |
adv.显然地;表面上,似乎 | |
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10 reverberant | |
a.起回声的 | |
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11 dense | |
a.密集的,稠密的,浓密的;密度大的 | |
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