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(单词翻译:双击或拖选)
I have known very few writers, but those I have known, and whom I respect,
confess at once that they have little idea where they are going
when they first set pen to paper.
They have a character, perhaps two;
they are in that condition of eager discomfort1 which passes for inspiration;
all admit radical2 changes of destination once the journey has begun;
one, to my certain knowledge,spent nine months on a novel about Kashmir,
then reset3 the whole thing in the Scottish Highland4.
I never heard of anyone making an “outline”, as we were taught at school.
In the breaking and remaking,in the timing5, interweaving,beginning again,
the writer comes to discern things in his material which were not consciously in his mind when he began.
This organic process, often leading to moments of extraordinary self-discovery,
is of an indescribable fascination6.
A blurred7 image appears; he adds a brushstroke and another, and it is gone;
but something was there, and he will not rest till he has captured it.
Sometimes the passion within a writer outlives a book he has written.
I have heard of writers who read nothing but their own books;
like adolescents they stand before the mirror,
and still cannot understand the exact outline of the vision before them.
For the same reason, writers talk endlessly about their own books,
digging up hidden meanings, super-imposing new ones, begging response from those around them.
Of course a writer doing this is misunderstood:
he might as well try to explain a crime or a love affair.
He is also, incidentally, an unforgivable bore.
This temptation to cover the distance between himself and the reader,
to study his image in the sight of those who do not know him,
can be his undoing:he has begun to write to please.
A young English writer made the pertinent8 observation a year or two back
that the talent goes into the first draft, and the art into the drafts that follow.
For this reason also the writer, like any other artist,has no resting place,
no crowd or movement in which he may take comfort,
no judgment9 from outside which can replace the judgment from within.
A writer makes order out of the anarchy10 of his heart;
he submits himself to a more ruthless discipline than any critic dreamed of,
and when he flirts11 with fame, he is taking time off from living with himself,
from the search for what his world contains at its inmost point.
1 discomfort | |
n.不舒服,不安,难过,困难,不方便 | |
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2 radical | |
n.激进份子,原子团,根号;adj.根本的,激进的,彻底的 | |
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3 reset | |
v.重新安排,复位;n.重新放置;重放之物 | |
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4 highland | |
n.(pl.)高地,山地 | |
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5 timing | |
n.时间安排,时间选择 | |
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6 fascination | |
n.令人着迷的事物,魅力,迷恋 | |
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7 blurred | |
v.(使)变模糊( blur的过去式和过去分词 );(使)难以区分;模模糊糊;迷离 | |
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8 pertinent | |
adj.恰当的;贴切的;中肯的;有关的;相干的 | |
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9 judgment | |
n.审判;判断力,识别力,看法,意见 | |
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10 anarchy | |
n.无政府状态;社会秩序混乱,无秩序 | |
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11 flirts | |
v.调情,打情骂俏( flirt的第三人称单数 ) | |
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