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(单词翻译:双击或拖选)
The Language of Music
A painter hangs his or her finished pictures on a wall, and everyone can see it. A composer writes a work, but no one can hear it until it is performed. Professional singers and players have great responsibilities, for the composer is utterly1 dependent on them. A student of music needs as long and as arduous2 a training to become a performer as a medical student needs to become a doctor. Most training is concerned with technique, for musicians have to have the muscular proficiency3 of an athlete or a ballet dancer. Singers practice breathing every day, as their vocal4 chords would be inadequate5 without controlled muscular support. String players practice moving the fingers of the left hand up and down, while drawing the bow to and fro with the right arm-two entirely6 different movements.
Singers and instruments have to be able to get every note perfectly7 in tune8. Pianists are spared this particular anxiety, for the notes are already there, waiting for them, and it is the piano tuner’s responsibility to tune the instrument for them. But they have their own difficulties; the hammers that hit the string have to be coaxed9 not to sound like percussion10, and each overlapping11 tone has to sound clear.
This problem of getting clear texture12 is one that confronts student conductors: they have to learn to know every note of the music and how it should sound, and they have to aim at controlling these sounds with fanatical but selfless authority.
Technique is of no use unless it is combined with musical knowledge and understanding. Great artists are those who are so thoroughly13 at home in the language of music that they can enjoy performing works written in any century. The Language of Music
A painter hangs his or her finished pictures on a wall, and everyone can see it. A composer writes a work, but no one can hear it until it is performed. Professional singers and players have great responsibilities, for the composer is utterly dependent on them. A student of music needs as long and as arduous a training to become a performer as a medical student needs to become a doctor. Most training is concerned with technique, for musicians have to have the muscular proficiency of an athlete or a ballet dancer. Singers practice breathing every day, as their vocal chords would be inadequate without controlled muscular support. String players practice moving the fingers of the left hand up and down, while drawing the bow to and fro with the right arm-two entirely different movements.
Singers and instruments have to be able to get every note perfectly in tune. Pianists are spared this particular anxiety, for the notes are already there, waiting for them, and it is the piano tuner’s responsibility to tune the instrument for them. But they have their own difficulties; the hammers that hit the string have to be coaxed not to sound like percussion, and each overlapping tone has to sound clear.
This problem of getting clear texture is one that confronts student conductors: they have to learn to know every note of the music and how it should sound, and they have to aim at controlling these sounds with fanatical but selfless authority.
Technique is of no use unless it is combined with musical knowledge and understanding. Great artists are those who are so thoroughly at home in the language of music that they can enjoy performing works written in any century.
点击收听单词发音
1 utterly | |
adv.完全地,绝对地 | |
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2 arduous | |
adj.艰苦的,费力的,陡峭的 | |
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3 proficiency | |
n.精通,熟练,精练 | |
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4 vocal | |
adj.直言不讳的;嗓音的;n.[pl.]声乐节目 | |
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5 inadequate | |
adj.(for,to)不充足的,不适当的 | |
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6 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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7 perfectly | |
adv.完美地,无可非议地,彻底地 | |
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8 tune | |
n.调子;和谐,协调;v.调音,调节,调整 | |
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9 coaxed | |
v.哄,用好话劝说( coax的过去式和过去分词 );巧言骗取;哄劝,劝诱 | |
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10 percussion | |
n.打击乐器;冲突,撞击;震动,音响 | |
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11 overlapping | |
adj./n.交迭(的) | |
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12 texture | |
n.(织物)质地;(材料)构造;结构;肌理 | |
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13 thoroughly | |
adv.完全地,彻底地,十足地 | |
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