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KING: Well, we don't -- all of our pain is not front page.
ANISTON: No that's true.
KING: What is that like?
ANISTON: It's what you would imagine it to be. It's not great.
KING: A bitch.
ANISTON: It's a bitch. It's not great, no.
KING: But you chose the profession.
ANISTON: But I chose it. I also wouldn't trade it in for the world what I get to do for that. I mean just because of that.
KING: But you sued successfully over it once didn't you?
ANISTON: I have, yes, well...
KING: In other words, when someone printed something about you that was wrong you took action.
ANISTON: Yes. Yes, you -- well, I'll always take them head on if they -- they cross lines anyway but when they really go too far, you know.
KING: Is it a thin line? What right, and this is for both of you, what right does the public have to your life?
ANISTON: I don't really think any, private life none but it's somehow got through the cracks and it's just -- it's just OK.
KING: So you don't say -- it doesn't go with the territory?
ANISTON: No. I think we do our job. We go to work. We give them a movie, a television show, theater, you know. You buy your tickets. You go and see our work, if we're on the red carpet, we're at a premier, we're, you know, at a public event but when it's your backyard, when it's at your home, when it's...
KING: They photograph you right?
ANISTON: Yes.
KING: They follow you around. It's got to be a weird life.
ANISTON: Yes. But it's also -- there's nobody sort of stopping it or corralling it in any way so it's kind of just a free for all.
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