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(单词翻译:双击或拖选)
PEOPLE IN AMERICA - Duke Ellington: One of the Most Popular Musicians of the Twentieth CenturyBy Paul Thompson
Broadcast: Sunday, March 26, 2006
(THEME)
VOICE ONE:
I'm Richard Rael.
VOICE TWO:
And I'm Ray Freeman with the VOA Special English program, People in America. Every week we tell about a person who was important in the history of the United States. Today, we finish our report about the great jazz musician, Duke Ellington.
(MUSIC)
VOICE ONE:
That song is Take the 'A' Train. It is like a musical sign that says, You are listening to Duke Ellington and his orchestra1. Music fans around the world know the song is linked closely2 to Duke Ellington. Yet they may not know that he did not write it.
Duke Ellington
Take the 'A' Train was written by a close friend and orchestra member, Billy Strayhorn. Billy and Duke had a very close working relationship for almost thirty years. Sometimes, it was difficult to tell which man had written a new song for the orchestra. Members of the group often argued about who had written it . . . Duke or Billy Strayhorn.
VOICE TWO:
Duke Ellington always wrote music. Music experts say he may have written as many as two thousand different songs. He wrote music wherever he went. He wrote late at night. He wrote on the train or bus or airplane when the orchestra traveled. Friends say he wrote music even in eating places while he waited for his food.
Listen to this Ellington song, played by Russell Procope. Procope played the clarinet in the Ellington orchestra for many years. In this song, Procope was able to play his part a different way each time. Ellington let individual players create their own parts. This means it is almost impossible today to reproduce3 the sound of Duke Ellington's orchestra.
The song is called, Four-Thirty Blues4.
(MUSIC)
VOICE ONE:
Duke Ellington tried many new and different ways to play music. For example, he put different instruments together in groups that no one had tried before. He also was the first song writer to use a human voice as an instrument.
He wrote music for a singer but no words. The song is called Creole Love Call. The singer here is Adelaide Hall.
(MUSIC)
VOICE TWO:
Duke Ellington was one of the most popular musicians in the twentieth century. Yet, music experts and critics say he was much more important as a song writer and orchestra leader than as a piano player. Billy Strayhorn once said, Duke plays piano. But his real instrument is the orchestra.
The orchestra was Duke Ellington's first love. In later years, when large orchestras5 were not popular, Duke often paid his musicians with his own money to keep the group together. To him, the orchestra was everything.
VOICE ONE:
Duke Ellington always was looking for ways to make his orchestra sound better. Like many song writers, he often took old songs, changed them, and made them new again.
Last week, we played a song called Concerto6 for Cootie. In later years, a singer named Al Hibbler joined the Ellington orchestra. Duke added words to the song. Then he changed its name to Do Nothing 'Till You Hear From Me. Both songs were major hits for the orchestra. Listen as Al Hibbler sings, Do Nothing 'Till You Hear From Me.
(MUSIC)
VOICE TWO:
Duke Ellington and his orchestra played around the world before millions of people. More than eight hundred musicians played with the Ellington orchestra at one time or another. After doctors told Duke that he had lung cancer, he continued to perform. One of his last concerts was at Westminster Abbey in London. His orchestra performed religious music.
Duke Ellington was honored8 by people around the world. Former president Richard Nixon give him the presidential medal of freedom -- America's highest civilian9 honor7. Leaders from around the world wrote him letters to thank him for his music.
Duke Ellington died on May twenty-fourth, nineteen seventy-four.
VOICE ONE:
If you really want to know the real Duke Ellington, you must listen to his music. The music he left the world is truly a great gift.
We leave you with Duke Ellington and his orchestra playing like they always did. This recording10 was made in a room full of people dancing to his music. The place is McElroy's ballroom11 in the city of Portland, Oregon.
It is near the end of the evening. You can hear the crowd in the big room. The people have been dancing and do not want to stop.
Ellington
Duke Ellington, sitting at the piano, starts another song. It is his signal to the orchestra. Once again, the Duke Ellington orchestra begins to play Things Ain't What They Used to Be.
(MUSIC)
VOICE TWO:
This Special English program was written, produced and directed by Paul Thompson. I'm Ray Freeman.
VOICE ONE:
And I'm Richard Rael. Join us again next week at this time for another People in America program on the Voice of America.
1 orchestra | |
n.管弦乐队;vt.命令,定购 | |
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2 closely | |
adv.紧密地;严密地,密切地 | |
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3 reproduce | |
v.生育,繁殖,复制,重做 | |
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4 blues | |
n.抑郁,沮丧;布鲁斯音乐 | |
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5 orchestras | |
管弦乐队( orchestra的名词复数 ) | |
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6 concerto | |
n.协奏曲 | |
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7 honor | |
n.光荣;敬意;荣幸;vt.给…以荣誉;尊敬 | |
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8 honored | |
adj.光荣的:荣幸的v.尊敬,给以荣誉( honor的过去式和过去分词 ) | |
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9 civilian | |
adj.平民的,民用的,民众的 | |
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10 recording | |
n.录音,记录 | |
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11 ballroom | |
n.舞厅 | |
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