-
(单词翻译:双击或拖选)
It has been called the first true work of science fiction and the first English horror novel.
The story has been told over and over again -- not just in books, but in movies and television shows.
"It’s alive! It's alive! It's alive!"
Frankenstein, written by Mary Shelley, turned 200 years old in 2018!
To celebrate, New York City’s Morgan Library & Museum has a special exhibit on the writer and the book. The exhibit is set to continue through the end of January 2019.
The library’s John Bidwell explains why the book is still popular two centuries after it first appeared.
"All agree that Frankenstein is a classic of world literature. But unlike many classics, it can be interpreted, adapted, abridged1, parodied2 in so many different ways. It's infinitely3 adaptable4. And so that's why it's had such a strong and successful career for 200 years."
One reason for the success is that Doctor Frankenstein and his creature, the monster, live on in numerous remakes, shows, comic books, and even comedies.
Mary Shelley’s classic is one of the most famous horror stories of all time. But Frankenstein is so much more than that. It presents ideas, or themes, that are still important today.
Colin Bailey is director of the Morgan Library & Museum. He says the themes of Frankenstein are as important now as they were in 1818.
"...And it's a story that talks about science, about mortality, about morality, about kindness and compassion5 as well as violence and evil. So the themes are still very present to us."
Bailey also has this advice: Read the book before seeing the movie…any of them!
Shelley wrote the book when she was only 18 years old. And it relates to her own life in tragic6 ways.
"Her mother died 10 days after she gave birth to her. She knew what it meant to be a child without a mother.”
That is Elizabeth Campbell Denlinger. For the exhibit, she chose the materials that show Mary Shelley’s creative process and her monster.
Denlinger says it is no surprise that Shelley wrote a story about a motherless creature -- one that is very much alone in the world. You could say that is a page taken from the book of Shelley’s own life.
Losing her mother shortly after her birth in 1797 was only part of her life story. Mary Shelley gave birth to four children, but only one child survived to adulthood7.
Around the age of 17, she began a love affair with the married poet Percy Shelley. The two writers married in 1816 after his wife killed herself. However, the marriage of Percy and Mary Shelley was short-lived. Her husband died in a sailing accident in 1822.
“She was still in her twenties when she became a widow. In some ways, it's not entirely8 surprising that she ended up with a story about a monster without a mother. But, um, it's one of the things that she and the creature have in common."
Critics say the fact that monster is motherless is actually very important. Many people mistakenly call the monster “Frankenstein.” Hollywood movie-makers have done well to mix up the two. However, literary experts say the fact that the monster remains9 nameless is important to the theme of Shelley’s book.
After the publication of Frankenstein, Mary Shelley continued to write. She died from brain cancer on February 1, 1851.
Her most important legacy10 is a monster that is still very much alive today.
I’m Anna Matteo.
“This is the story you’ve heard about, talked about. The spine-tingling, blood-chilling story that stunned11 your emotions…Frankenstein! ‘Don’t touch that!’”
Words in This Story
fiction – n. written stories about people and events that are not real : literature that tells stories which are imagined by the writer
novel – n. a long written story usually about imaginary characters and events
classic – n. something that has been considered to be excellent for a long time
interpreted – v. to understand (something) in a specified12 way : to perform (something, such as a song or a role) in a way that shows your own thoughts and feelings about it
abridged – adj. shortened or condensed especially by the omission13 of words or passages
parody14 – v. to imitate (someone or something) in an amusing way
adaptable – adj. capable of changing or being changed to better suit a situation
mortality – n. the quality or state of being a person or thing that is alive and therefore certain to die : the quality or state of being mortal
compassion – n. a feeling of wanting to help someone who is sick, hungry, in trouble, etc.
widow – n. a woman who has lost her spouse15 or partner by death and usually has not remarried
legacy – n. something (as memories or knowledge) that comes from the past or a person of the past
1 abridged | |
削减的,删节的 | |
参考例句: |
|
|
2 parodied | |
v.滑稽地模仿,拙劣地模仿( parody的过去式和过去分词 ) | |
参考例句: |
|
|
3 infinitely | |
adv.无限地,无穷地 | |
参考例句: |
|
|
4 adaptable | |
adj.能适应的,适应性强的,可改编的 | |
参考例句: |
|
|
5 compassion | |
n.同情,怜悯 | |
参考例句: |
|
|
6 tragic | |
adj.悲剧的,悲剧性的,悲惨的 | |
参考例句: |
|
|
7 adulthood | |
n.成年,成人期 | |
参考例句: |
|
|
8 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
参考例句: |
|
|
9 remains | |
n.剩余物,残留物;遗体,遗迹 | |
参考例句: |
|
|
10 legacy | |
n.遗产,遗赠;先人(或过去)留下的东西 | |
参考例句: |
|
|
11 stunned | |
adj. 震惊的,惊讶的 动词stun的过去式和过去分词 | |
参考例句: |
|
|
12 specified | |
adj.特定的 | |
参考例句: |
|
|
13 omission | |
n.省略,删节;遗漏或省略的事物,冗长 | |
参考例句: |
|
|
14 parody | |
n.打油诗文,诙谐的改编诗文,拙劣的模仿;v.拙劣模仿,作模仿诗文 | |
参考例句: |
|
|
15 spouse | |
n.配偶(指夫或妻) | |
参考例句: |
|
|