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(单词翻译:双击或拖选)
By Alan Silverman
Irish-born Colin Farrell stars as one of the great figures of ancient history in an epic1 drama written and directed by Oscar winning filmmaker Oliver Stone. Alan Silverman has a look at Alexander.
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Twenty-five centuries ago, the Macedonian warrior-king Alexander led his army to conquer lands and peoples stretching from the Mediterranean2 across the Middle East to South Asia: what European historians later called "the known world."
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The bold battlefield commander and visionary monarch3 was only 32 when he died amid intrigues4 that would splinter his empire. Colin Farrell says his research into the history and the intricately detailed5 script by Oliver Stone helped him create, not a superhero, but a very human character who understood fear.
"Alexander was a mortal man, whether he at times perceived himself [or was told] that he was the son of Zeus and godlike in his existence, at the end of the day, you cut him and he bled," (Farrell says) "You betrayed him and you broke his heart. These were things that he feared. He didn't fear his own mortality and he certainly didn't fear death. If anything, he raced toward it with a head of steam; but he did fear betrayal. He feared that he would never find love. He feared lack of trust in his life. He feared being alone. He feared not having a son and heir to the throne. He feared failure . . . and all these things drove him on with the passion and the gusto that he had to achieve what he did in life."
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Angelina Jolie co-stars as Olympias, the manipulative mother of Alexander.
"I think she is not different than I would be if I lived at that time. She was at a time when women had no rights, when being a mother meant you were the vessel6 to carry a child and that's all you were. If Alexander did not become king, they would have been exiled or killed. So I think she was a survivor7 in a very dark and brutal8 time. Her way of being actually makes sense to me. It's not so crazy. A modern person could tell her son 'just do what you want to do and what love.' She had to say 'you can't. You have a destiny and you must be strong.' "
The cast also features Val Kilmer as Philip of Macedon - the father of Alexander - Rosario Dawson plays his fiery9 Persian bride Roxana; and Jared Leto is his lifelong friend Hephaistion. Some protests have been lodged10 against the film for its clear implication that the two were also lovers; and, while historians note that bisexuality was not uncommon11 in the ancient, pre-Christian world, Colin Farrell agrees with the choice not to show their physical relationship.
"What you do is you make a choice and decide what is important to see. I agree that Hephaistion and Alexander should not have been shown in a sexual situation because the relationship was not anything to do with sexuality. The relationship was built on pure and absolute love and friendship from a very young age to their final breaths. People make such a thing about sex that they'll just judge it as that; and we wanted the relationship to be something more beautiful than that - something pure. Although it was hinted at with lines like 'stay with me tonight Hephaistion' and 'you're the one I love, the only one I've ever wanted,' we didn't want to hit the nail on the head or have people squirming in their seats. We wanted them to be able to appreciate the love between the two men. "
Writer/director Oliver Stone says the film does not try to draw parallels to the modern political world; he says the historical facts do that all by themselves.
"Alexander is an old, old story. It's 2500 years old. There is a reason people remember him: primarily because he was not only seen as a military conqureror-genius, but as a man of compassion12 who could weep for his dead soldiers on the battlefield - the first king known to do so. He was a man who had generosity13 of vision, who was inclusive in his policies, culturally and religiously. He brought the Greek way to the East and, at the same time, he incorporated the Eastern way of life into the Greek way. There was a beauty to his concept. You could say that he was the last Greek and after him came the Romans. The Romans used his idea of Empire. The Greeks are the prototypes of the Americans and democracy; and the English culture takes a lot from the Greeks."
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Alexander was shot in locations from Morocco to Thailand. English historian and noted14 Alexander expert Robin15 Lane Fox served as technical advisor16; and the musical score is by Oscar-winning Greek-born composer Vangelis.
Alan Silverman for the Voice Of America in Hollywood.
注释:
Alexander 电影《亚历山大大帝》
Macedonian 马其顿的
Mediterranean 地中海
visionary 梦想的
monarch 君主
splinter 分裂
intricately 杂乱的
mortality 死亡,必死性
betrayal 出卖
manipulative 操控的
bisexuality 双性恋
squirm 蠕动
prototype 原型
1 epic | |
n.史诗,叙事诗;adj.史诗般的,壮丽的 | |
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2 Mediterranean | |
adj.地中海的;地中海沿岸的 | |
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3 monarch | |
n.帝王,君主,最高统治者 | |
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4 intrigues | |
n.密谋策划( intrigue的名词复数 );神秘气氛;引人入胜的复杂情节v.搞阴谋诡计( intrigue的第三人称单数 );激起…的好奇心 | |
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5 detailed | |
adj.详细的,详尽的,极注意细节的,完全的 | |
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6 vessel | |
n.船舶;容器,器皿;管,导管,血管 | |
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7 survivor | |
n.生存者,残存者,幸存者 | |
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8 brutal | |
adj.残忍的,野蛮的,不讲理的 | |
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9 fiery | |
adj.燃烧着的,火红的;暴躁的;激烈的 | |
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10 lodged | |
v.存放( lodge的过去式和过去分词 );暂住;埋入;(权利、权威等)归属 | |
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11 uncommon | |
adj.罕见的,非凡的,不平常的 | |
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12 compassion | |
n.同情,怜悯 | |
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13 generosity | |
n.大度,慷慨,慷慨的行为 | |
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14 noted | |
adj.著名的,知名的 | |
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15 robin | |
n.知更鸟,红襟鸟 | |
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16 advisor | |
n.顾问,指导老师,劝告者 | |
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