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DC Exhibit Brings Renaissance1 Master Out of the Shadows
With 44 paintings on display until May 3, the National Gallery of Art is introducing Piero di Cosimo to the public.
“Piero has never had a major retrospective, ever in the United States or Italy, and he’s a painter that I’ve been interested in for many years," said Gretchen Hirschauer, curator of the exhibition.
Inspired by di Cosimo’s three works in the gallery’s permanent collection, Hirschauer decided2 it was time to organize an exhibition devoted3 entirely4 to his work. It took seven years of diligent5 effort and persistent6 dealings with museums and art collections in Europe and North America to bring the obscure Italian painter out of the shadows.
She is especially proud of a painting on loan from a museum in Florence, which has left its home for the first time since its creation. It depicts8 a so-called “mystic marriage," in which the Christ child gives a ring of betrothal9 to Saint Catherine of Alexandria.
Hirschauer said the exhibition offers a unique opportunity to discover the best-kept secret of the Renaissance. Despite his large body of work and the beauty of his paintings, Piero di Cosimo has remained unknown for most of the past five centuries.
“It was really his persona," she said. "His biographer, Giorgio Vassari, established his reputation in the 16th century as a very eccentric painter, a bizarre painter. He actually called him a wild man. So over the years, Piero has taken on that reputation, which maybe put some people off. Also the subject matter of his mythologies10 can be quite arcane11. Sometimes it’s very difficult to figure out exactly what is the story being told here.”
For centuries, his body of work has baffled art scholars, who have found it hard to authenticate12 his paintings.
“It’s more the subject matter that is quite distinct," Hirschauer said. "I think it’s very unusual to see someone who is able to depict7 the serenity13 and grace of a Madonna and Child, while at the same time showing animals ripping each other apart, man killing14 animals. So it’s an issue of subject matter, I think.”
But in the 21st century, Piero di Cosimo's eccentricity15, painting style and combination of mythologies with deeply religious subjects make the 16th-century artist a treat for visitors and scholars alike.
1 renaissance | |
n.复活,复兴,文艺复兴 | |
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2 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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3 devoted | |
adj.忠诚的,忠实的,热心的,献身于...的 | |
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4 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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5 diligent | |
adj.勤勉的,勤奋的 | |
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6 persistent | |
adj.坚持不懈的,执意的;持续的 | |
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7 depict | |
vt.描画,描绘;描写,描述 | |
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8 depicts | |
描绘,描画( depict的第三人称单数 ); 描述 | |
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9 betrothal | |
n. 婚约, 订婚 | |
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10 mythologies | |
神话学( mythology的名词复数 ); 神话(总称); 虚构的事实; 错误的观点 | |
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11 arcane | |
adj.神秘的,秘密的 | |
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12 authenticate | |
vt.证明…为真,鉴定 | |
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13 serenity | |
n.宁静,沉着,晴朗 | |
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14 killing | |
n.巨额利润;突然赚大钱,发大财 | |
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15 eccentricity | |
n.古怪,反常,怪癖 | |
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