-
(单词翻译:双击或拖选)
In 'Look of Silence,' Relatives of Indonesian Genocide Victims Seek Answers 《沉默之像》印尼大屠杀受害者的亲属寻求答案
NEW YORK—
Two award-winning documentaries about the unreconciled history of mass killings2 in Indonesia 50 years ago are leading to calls for change in that country, and for the U.S. to apologize for its own part in supporting a genocidal regime.
Joshua Oppenheimer’s 2012 film, "The Act of Killing1," explored the legacy3 of government-led massacres4 of communists, trade-unionists, ethnic5 Chinese and others in Indonesia in 1965 and 1966.
“There was a right-wing military coup6, where the government of Sukarno was overthrown,” Oppenheimer said. “This was supported by most of the Western world, including the United States, and to effect this, somewhere between half a million and 2.5 million people were killed in less than six months.”
End of military dictatorship
Even 16 years after the end of Suharto’s military dictatorship, the former paramilitary death-squad7 killers8 and their protégés remain powerful and respected.
“And people remain afraid of them,” Oppenheimer said. “It is as though the Nazis9 had won World War II, and you went there 40 years later to find them still in power, as if the rest of the world had celebrated10 the Holocaust11 while it was taking place.”
The 40 or so killers that Oppenheimer interviewed for the Oscar-nominated "The Act of Killing" boasted with seeming pride about the murders.
Among them were Hollywood movie buffs who spent months reenacting the butchery for the camera, imitating the tropes and styles of their favorite gangster12 movies and Westerns.
“When you brought two perpetrators together who didn’t know one another, they would boast in even more flamboyant13 ways, [as if] they were reading essentially14 from a shared script,” Oppenheimer said.
“I had to let go of this reassuring15 hope that there’s something fundamentally different about these men. I had to recognize that if there’s insanity16 here, if there’s monstrosity, it’s political, it’s collective," he added.
Victims' families
Oppenheimer’s second Indonesia film, "The Look of Silence," now showing in the United States, won the top prize at last year’s Venice Film Festival.
It focuses on those he originally met and began filming 12 years ago: family members of victims, still living in fear, stigmatized17 and banned from many professions.
The film’s protagonist18 is Adi Rukun, a quiet optometrist19 in his early 40s, born after the murder of his older brother Ramli by a death squad composed of teachers from the local elementary school.
Another brother overheard them planning, Oppenheimer said.
“[He was] at lunch in the recess20 at school, and heard his teachers saying ‘tonight we’re going to kill Ramli.’ And he had to go home that night and tell his mother what his teachers said," he said.
"Ramli was indeed killed that night. And the next day, what did she have to do? She had to send her other children back to that school to be taught by her son’s murderers," Oppenheimer said.
Even now, Oppenheimer said, Indonesian schoolchildren are taught that the mass killings were necessary and patriotic21.
'Heroic extermination22'
“It’s not talked about as a genocide, it’s talked about as the heroic extermination of the Indonesian left, and what’s taught is that they somehow deserved what happened to them,” Oppenheimer said.
In "The Look of Silence," Adi Rukun gently but persistently23 questions the men who killed his brother and others like him, even in the face of their rising anger and veiled threats.
“If I came to you like this during the military dictatorship, what would you have done to me?” he asks one.
“You can’t imagine what would have happened,” the man replies. “If you keep making an issue of the past, it will definitely happen again,” says another.
When the film came out last year, Rukun and his family had to be relocated to another part of Indonesia.
Threats
The Indonesian crew on "The Look of Silence," as on "The Act of Killing," chose to be listed only as “anonymous” in the closing credits.
Oppenheimer, an American who lives in Denmark, has received death threats and said he cannot safely visit Indonesia again.
But the two films have reverberated24 in the country, leading to open discussions for the first time about the killings and the culture of silence and fear they engendered25.
“The public is now talking about these things. "The Act of Killing" began its life in secret, but ultimately has screened thousands of times across the country," he said.
"It was online for free for Indonesians, and was downloaded millions of times. When it was nominated for an Academy Award, the president’s spokesman said, ‘Look, we know what happened in 1965 was a crime against humanity, and we need reconciliation26, we just don’t need a film to make us do this.’ Yet it was a wonderful moment, because it was the first time someone at this level had said this was wrong,” Oppenheimer said.
Premiered in Jakarta
In contrast to the samizdat-like first screenings of "The Act of Killing," he said, "The Look of Silence" premiered in Jakarta at a screening advertised on banners, and hosted by Indonesia’s National Human Rights Commission and the Jakarta Arts Council.
Major Indonesian media outlets27 named it the top film of 2014, Oppenheimer said.
“The government also has – I think in response to this debate that 'The Look of Silence' really triggered [although] they haven’t said it – has introduced a truth and reconciliation bill," he said.
"It’s woefully inadequate28 at this point, but human rights organizations and the public and media, now that they’re talking about this, are easily able to point out its inadequacies and to rally for a stronger bill," Oppenheimer added.
In the United States, Democratic Senator Tom Udall has introduced a resolution calling for the U.S. to disclose all documents relating to American support for the Indonesian military coup and genocidal regime.
The resolution notes that the U.S. gave the Indonesian army “financial, military, and intelligence support during the period of the mass killings, and did so aware that such killings were taking place as recorded in partially29 declassified30 documents,” and notes that aid to the Suharto regime continued for more than 30 years, “despite ongoing31 crimes against humanity.”
Udall reportedly plans to reintroduce the resolution in the current congressional session.
October 1st will mark the 50th anniversary of the beginning of the mass killings in Indonesia.
1 killing | |
n.巨额利润;突然赚大钱,发大财 | |
参考例句: |
|
|
2 killings | |
谋杀( killing的名词复数 ); 突然发大财,暴发 | |
参考例句: |
|
|
3 legacy | |
n.遗产,遗赠;先人(或过去)留下的东西 | |
参考例句: |
|
|
4 massacres | |
大屠杀( massacre的名词复数 ); 惨败 | |
参考例句: |
|
|
5 ethnic | |
adj.人种的,种族的,异教徒的 | |
参考例句: |
|
|
6 coup | |
n.政变;突然而成功的行动 | |
参考例句: |
|
|
7 squad | |
n.班,小队,小团体;vt.把…编成班或小组 | |
参考例句: |
|
|
8 killers | |
凶手( killer的名词复数 ); 消灭…者; 致命物; 极难的事 | |
参考例句: |
|
|
9 Nazis | |
n.(德国的)纳粹党员( Nazi的名词复数 );纳粹主义 | |
参考例句: |
|
|
10 celebrated | |
adj.有名的,声誉卓著的 | |
参考例句: |
|
|
11 holocaust | |
n.大破坏;大屠杀 | |
参考例句: |
|
|
12 gangster | |
n.匪徒,歹徒,暴徒 | |
参考例句: |
|
|
13 flamboyant | |
adj.火焰般的,华丽的,炫耀的 | |
参考例句: |
|
|
14 essentially | |
adv.本质上,实质上,基本上 | |
参考例句: |
|
|
15 reassuring | |
a.使人消除恐惧和疑虑的,使人放心的 | |
参考例句: |
|
|
16 insanity | |
n.疯狂,精神错乱;极端的愚蠢,荒唐 | |
参考例句: |
|
|
17 stigmatized | |
v.使受耻辱,指责,污辱( stigmatize的过去式和过去分词 ) | |
参考例句: |
|
|
18 protagonist | |
n.(思想观念的)倡导者;主角,主人公 | |
参考例句: |
|
|
19 optometrist | |
n.验光师,配镜师 | |
参考例句: |
|
|
20 recess | |
n.短期休息,壁凹(墙上装架子,柜子等凹处) | |
参考例句: |
|
|
21 patriotic | |
adj.爱国的,有爱国心的 | |
参考例句: |
|
|
22 extermination | |
n.消灭,根绝 | |
参考例句: |
|
|
23 persistently | |
ad.坚持地;固执地 | |
参考例句: |
|
|
24 reverberated | |
回响,回荡( reverberate的过去式和过去分词 ); 使反响,使回荡,使反射 | |
参考例句: |
|
|
25 engendered | |
v.产生(某形势或状况),造成,引起( engender的过去式和过去分词 ) | |
参考例句: |
|
|
26 reconciliation | |
n.和解,和谐,一致 | |
参考例句: |
|
|
27 outlets | |
n.出口( outlet的名词复数 );经销店;插座;廉价经销店 | |
参考例句: |
|
|
28 inadequate | |
adj.(for,to)不充足的,不适当的 | |
参考例句: |
|
|
29 partially | |
adv.部分地,从某些方面讲 | |
参考例句: |
|
|
30 declassified | |
adj.解密的v.对(机密文件等)销密( declassify的过去式和过去分词 ) | |
参考例句: |
|
|
31 ongoing | |
adj.进行中的,前进的 | |
参考例句: |
|
|