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(单词翻译:双击或拖选)
A number of jazz recordings2 will be released Saturday in honor of Record Store Day
Zev Feldman, co-president of Resonance4 Records, is the guy who single-handedly made Record Store Day a red-letter date for fans of classic jazz.
STEVE INSKEEP, HOST:
Charles Mingus has some new music out this weekend. He would have turned 100 this week. And the album, recorded decades ago, is called "The Lost Album From Ronnie Scott's."
(SOUNDBITE OF CHARLES MINGUS' "MIND-READERS' CONVENTION IN MILANO")
INSKEEP: It's one of a number of jazz recordings arriving on Saturday in honor of Record Store Day. This is a big deal. Nate Chinen from Jazz Night In America and our member station WBGO is here to talk about it.
Hey there, Nate.
NATE CHINEN, BYLINE5: Hey, Steve.
INSKEEP: I just want to point out, I would have thought that Spotify and Apple Music and so forth6 would have ended independent record stores.
CHINEN: (Laughter) The death of the brick-and-mortar record store has been greatly exaggerated. They're actually thriving. They're all over the country. And Record Store Day proves that. You can go to recordstoreday.com and find the shop near you. There's just a lot of energy around this right now.
INSKEEP: You know, I've just been doing this. And I find that there are numerous record stores within a few miles of my house. But what is Record Store Day?
CHINEN: Well, it started in 2008, really as a way for those independent record stores to generate some excitement and some revenue, you know, which they needed in response to those streaming services becoming so dominant7. So Record Store Day has brought exclusive releases and in-store artist appearances and performances and signings and all kinds of special events.
INSKEEP: And doing it physically8 in the store - is this related to the resurgence9 in vinyl that we hear about from time to time?
CHINEN: I think it really is. There's an interesting correlation10 here. Record Store Day has been going now for 15 years. And during each of those years, vinyl sales have increased. And actually, according to the RIAA, the Recording1 Industry Association of America, vinyl sales jumped 61% last year, topping a billion dollars. And more than one out of every three albums sold in 2021 were vinyl LPs.
INSKEEP: Wow.
CHINEN: Yeah.
INSKEEP: I mean, I'm just getting my mind blown that there'd be a billion dollars of records, vinyl record sales in 2021. But please go on.
CHINEN: Yeah. So it really is a phenomenon. You know, what used to be a niche11 for connoisseurs12 has officially gone mainstream13 again. And I think it's undeniable Record Store Day has something to do with that.
INSKEEP: And as you mentioned, it's a time that artists release albums. Mariah Carey is releasing something. David Bowie has a posthumous14 release - even Taylor Swift. But this is a bigger day for jazz fans, as I understand it.
CHINEN: It really is. You know, for about a decade now, Record Store Day has been synonymous with jazz discovery. And by that, I mean historically significant recordings that have never been released before and, in many cases, were barely on anybody's radar15. And this is largely the work of a tenacious16 and farsighted producer named Zev Feldman, a co-president of Resonance Records, who recognized early on that Record Store Day could be harnessed to support all of the effort and expense that it takes to bring one of these archival releases into the world, you know, with the highest production value, with a lot of care, with everything that it takes to create a kind of covetable17 collector's item. When I spoke18 with Feldman recently about this, he was clear about how Record Store Day really makes this possible, you know, putting out something in a limited edition that creates this kind of excitement around the release.
ZEV FELDMAN: If it wasn't for Record Store Day, we wouldn't be able to necessarily sell out. And oftentimes, it's about, hey, can we guarantee a certain amount of units through the pipeline19? - because that enables us to be able to recoup on the expenses, and it allows for the whole project to happen.
INSKEEP: So that's how that Mingus album that we heard comes into the world. What else has Feldman produced for Record Store Day?
CHINEN: Well, in the past, he's put out a really incredible amount of material with Resonance Records, and also with some other labels. We're talking about extraordinary albums by the great guitarist Wes Montgomery, by Sarah Vaughan and Shirley Horn, the incredible jazz singers, and tenor20 saxophonists Sonny Rollins and Stan Getz, among others. You know, maybe the emblematic21 artist on Resonance has been Bill Evans, the peerless pianist and composer. He's actually got two new trio albums out for Record Store Day this year, both of which he recorded in Buenos Aires in the 1970s. This is a version of the Disney song "Someday My Prince Will Come."
(SOUNDBITE OF BILL EVANS PERFORMANCE OF FRANK CHURCHILL'S "SOMEDAY MY PRINCE WILL COME")
INSKEEP: OK. What else is new this weekend?
CHINEN: Well, for fans of the avant-garde, this is really a major drop. The tenor saxophonist and free jazz icon22 Albert Ayler has a box set dropping titled "Revelations: The Complete ORTF 1970 Fondation Maeght Recordings." And this is a document of a really legendary23 concert that's partly circulated in bootleg quality. But this version captures Ayler toward the end of his tragically24 short life. He's in spectacular form. And the mastering, the treatment of this material is really respectful. It's a beautiful thing.
(SOUNDBITE OF ALBERT AYLER'S "SPIRITS")
CHINEN: What's really remarkable25 here is that Feldman has found a way to help pull things like this out of the vault26 and make them actually commercially viable27.
FELDMAN: I'm just inspired. Every day we are making these discoveries where I lose my mind and I find out about some new recording that exists. And then I have to ask myself, well, Zeb, I'm glad that you like it. Is the rest of the world - does it have a home out there? Is there a way that we could find its way to come out? I have to be honest with myself sometimes. And that is the tough part of the job. But, you know, by these limited editions, we're able to accomplish that, it feels.
INSKEEP: I guess, if vinyl is a billion-dollar industry, that is commercially viable.
CHINEN: It certainly is, you know? It's something that has become more and more the norm. And, you know, there's always been some overlap28 between, you know, jazz fans and vinyl obsessives. And here we have it coming together in a really beautiful and productive way.
INSKEEP: Nate Chinen of WBGO, thanks so much.
CHINEN: My pleasure, Steve.
INSKEEP: And let's go out with a little more Mingus from "The Lost Album From Ronnie Scott’s."
(SOUNDBITE OF CHARLES MINGUS' "FABLES OF FAUBUS")
1 recording | |
n.录音,记录 | |
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2 recordings | |
n.记录( recording的名词复数 );录音;录像;唱片 | |
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3 transcript | |
n.抄本,誊本,副本,肄业证书 | |
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4 resonance | |
n.洪亮;共鸣;共振 | |
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5 byline | |
n.署名;v.署名 | |
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6 forth | |
adv.向前;向外,往外 | |
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7 dominant | |
adj.支配的,统治的;占优势的;显性的;n.主因,要素,主要的人(或物);显性基因 | |
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8 physically | |
adj.物质上,体格上,身体上,按自然规律 | |
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9 resurgence | |
n.再起,复活,再现 | |
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10 correlation | |
n.相互关系,相关,关连 | |
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11 niche | |
n.壁龛;合适的职务(环境、位置等) | |
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12 connoisseurs | |
n.鉴赏家,鉴定家,行家( connoisseur的名词复数 ) | |
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13 mainstream | |
n.(思想或行为的)主流;adj.主流的 | |
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14 posthumous | |
adj.遗腹的;父亡后出生的;死后的,身后的 | |
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15 radar | |
n.雷达,无线电探测器 | |
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16 tenacious | |
adj.顽强的,固执的,记忆力强的,粘的 | |
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17 covetable | |
adj.值得渴望的可羡慕的,值得渴望的 | |
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18 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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19 pipeline | |
n.管道,管线 | |
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20 tenor | |
n.男高音(歌手),次中音(乐器),要旨,大意 | |
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21 emblematic | |
adj.象征的,可当标志的;象征性 | |
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22 icon | |
n.偶像,崇拜的对象,画像 | |
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23 legendary | |
adj.传奇(中)的,闻名遐迩的;n.传奇(文学) | |
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24 tragically | |
adv. 悲剧地,悲惨地 | |
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25 remarkable | |
adj.显著的,异常的,非凡的,值得注意的 | |
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26 vault | |
n.拱形圆顶,地窖,地下室 | |
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27 viable | |
adj.可行的,切实可行的,能活下去的 | |
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28 overlap | |
v.重叠,与…交叠;n.重叠 | |
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