-
(单词翻译:双击或拖选)
Egyptians and others are upset a Black actress stars in Netflix's 'Queen Cleopatra'
NPR's Michel Martin talks to Rebecca Futo Kennedy, associate professor at Denison University, about the flak surrounding the Netflix docudrama Queen Cleopatra, which depicts2 her as Black.
MICHEL MARTIN, HOST:
The new Netflix docudrama "Queen Cleopatra" is stirring debate because the series portrays4 the iconic monarch5 as Black. Egypt's Supreme6 Council of Antiquities7 calls the show, quote, "a falsification of Egyptian history," unquote. We wanted to dig into that, so we called Rebecca Futo Kennedy. She is an associate professor at Denison University, and she's an authority on race and ethnicity in antiquity8, and she's with us now. Good morning.
REBECCA FUTO KENNEDY: Good morning.
MARTIN: So before we get into the controversy9, just tell us about the history. How does the way we think about race today compare to Cleopatra's time?
KENNEDY: So I think we need to recognize that race is not actually these categories of Black and white. That's one of the confusion points. It's actually the political and social system that makes those categories relevant. So if you think about how we organize people historically into different groupings, sometimes in the recent, you know, 2- to 300 years, we've used Black and white, but in the past, they used different categories entirely10, usually functioning around culture or religion, sometimes geography. So basically, when we talk about Black and white in antiquity, we're mostly talking about gender11 distinctions, not what we would call race today. So that's really one of the primary differences.
MARTIN: So what do you think informed the depiction12 of Cleopatra in this series? And of course, you know, I'm going to ask you is, is it historically, you know, accurate or at least reasonable that she be depicted13 as Black?
KENNEDY: So what informed us, of course, is a couple of hundred years of debate over what Africa has contributed to, quote-unquote, "civilization." So we've heard a lot of sort of white supremacist discourse14 in the past that basically says that Africa contributed nothing to civilization, and so this is a way to push back on that. That's been happening since the 19th century to sort of reclaim15 an ancient past for Black Americans especially, but for Africa, generally speaking. So that's one of the things that sort of is underlying16 all this.
Now, your question about whether or not it's OK or not OK to portray3 her as Black - Cleopatra manipulated her own image all the time. She had one face for her coinage and multiple faces for her coinage that went out amongst the Greeks in the Mediterranean17 and the Romans. And she had a different face that she wore in her Egyptian iconography. So she herself was manipulating her own image for audience. So whether we do this in our own entertainment industry or not seems to be fitting in with her own iconographic tradition.
MARTIN: And there was no photography. (Laughter) So how do we know?
KENNEDY: (Laughter) And there was no photography.
MARTIN: Or AI for that matter. But so...
KENNEDY: Right.
MARTIN: But while we're at it, just as briefly18 as you can, why do you think there's been such a focus on her race? And what do you think the backlash against the show in Egypt says about how race or skin color or whatever it is functions there?
KENNEDY: So I hate to pull this one out, but - so there was a quotation19 recently in a New York Times piece where it talks about Egypt's precarious20 relationship to Africa itself. And the quote was that it holds membership in the African Union and other continental21 groups. Then they say, but in Greek and Roman times, historians say, Egypt was a major player in the Mediterranean and a gateway22 to Africa, rather than fully23 African. And I think that's the problem, is that we've always wanted to position Egypt as more of a legacy24 of Europe and not of Africa. And that debate is still raging, and that's why we have such a heavy conflict over this.
MARTIN: That is Rebecca Futo Kennedy. She's an associate professor of classical studies at Denison University. Thanks so much for trying to clear this up for us.
KENNEDY: You're welcome.
(SOUNDBITE OF JESSICA RICCA'S "CLEOPATRA")
1 transcript | |
n.抄本,誊本,副本,肄业证书 | |
参考例句: |
|
|
2 depicts | |
描绘,描画( depict的第三人称单数 ); 描述 | |
参考例句: |
|
|
3 portray | |
v.描写,描述;画(人物、景象等) | |
参考例句: |
|
|
4 portrays | |
v.画像( portray的第三人称单数 );描述;描绘;描画 | |
参考例句: |
|
|
5 monarch | |
n.帝王,君主,最高统治者 | |
参考例句: |
|
|
6 supreme | |
adj.极度的,最重要的;至高的,最高的 | |
参考例句: |
|
|
7 antiquities | |
n.古老( antiquity的名词复数 );古迹;古人们;古代的风俗习惯 | |
参考例句: |
|
|
8 antiquity | |
n.古老;高龄;古物,古迹 | |
参考例句: |
|
|
9 controversy | |
n.争论,辩论,争吵 | |
参考例句: |
|
|
10 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
参考例句: |
|
|
11 gender | |
n.(生理上的)性,(名词、代词等的)性 | |
参考例句: |
|
|
12 depiction | |
n.描述 | |
参考例句: |
|
|
13 depicted | |
描绘,描画( depict的过去式和过去分词 ); 描述 | |
参考例句: |
|
|
14 discourse | |
n.论文,演说;谈话;话语;vi.讲述,著述 | |
参考例句: |
|
|
15 reclaim | |
v.要求归还,收回;开垦 | |
参考例句: |
|
|
16 underlying | |
adj.在下面的,含蓄的,潜在的 | |
参考例句: |
|
|
17 Mediterranean | |
adj.地中海的;地中海沿岸的 | |
参考例句: |
|
|
18 briefly | |
adv.简单地,简短地 | |
参考例句: |
|
|
19 quotation | |
n.引文,引语,语录;报价,牌价,行情 | |
参考例句: |
|
|
20 precarious | |
adj.不安定的,靠不住的;根据不足的 | |
参考例句: |
|
|
21 continental | |
adj.大陆的,大陆性的,欧洲大陆的 | |
参考例句: |
|
|
22 gateway | |
n.大门口,出入口,途径,方法 | |
参考例句: |
|
|
23 fully | |
adv.完全地,全部地,彻底地;充分地 | |
参考例句: |
|
|
24 legacy | |
n.遗产,遗赠;先人(或过去)留下的东西 | |
参考例句: |
|
|