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(单词翻译:双击或拖选)
A veteran film observer in Hong Kong is suggesting the mainland market has helped reinvigorated the city's film industry, which had found itself in a dramatic decline at the end of 20th Century.
Ma Fung-kwok is the chair of the Hong Kong Film Development Council, an advisory1 body to the government on film-related policies and strategies.
Ma has also spent time as a senior executive of the Sil-Metropole Organization, a major film production company in Hong Kong.
He's also credited as an executive producer on several popular mainland movies, including "The Story of Qiu Ju," staring Gong Li, which helped launch her career after the film won the Golden Lion award at the Venice Film Festival in 1992.
Despite its-once booming popularity and potential, Hong Kong's film industry went through a serious decline in the later 1990s, mainly due to rampant2 piracy3, a by-product4 of the rise in digital technology.
Rising film production costs, as well as the Asia financial crisis, also aggravated5 the problem.
Ma says Hong Kong's revival6 in the film sector7 started in the early 21st century, thanks mostly to the mainland market.
"The recovery of the Hong Kong film industry is related to the change of the general situation. It's about the rise of mainland market. Back to 2006, the total box office on the mainland came in at just one billion yuan. Today, box office receipts are coming in at around 60 billion yuan per year. Hong Kong film professionals are closely involved in helping8 that happen."
Ma Fung-kwok says one of the biggest steps was in 2004 when mainland authorities brought in new policies on film-related cooperation with Hong Kong through the Closer Economic Partnership9 Arrangement.
The CEPA is a free trade deal between the two sides.
Through it, co-produced films between Hong Kong and the mainland are simply now classified as domestic films.
This means Hong Kong productions are no longer subject to the import quota10 for overseas films, and can be screened in the great number of mainland cinemas.
Mainland authorities have also given the green-light to Hong Kong investment in mainland cinemas, as well as allowing post-production of mainland films to be done in Hong Kong.
Ma Fung-kwok says it all adds up to a revival of the film sector.
"Before the mainland fully11 opens its film market to Hong Kong, films produced here only had the potential to target the 7 million locals in Hong Kong and overseas Chinese speakers. But through the introduction of the preferential policies from the mainland, we can target a much-bigger market, and that stimulates12 our film-making enthusiasm. Today it's not uncommon13 for a film in Hong Kong to have a production budget between 100 and 200 million yuan. That is something we couldn't imagine in the past in Hong Kong"
In 2016 alone, there were 54 films co-produced by Hong Kong film professionals and their mainland counterparts, accounting14 for over 60 percent of the total co-productions.
Among them, "Operation Mekong," "From Vegas to Macau 3," "Finding Mr. Right 2," and "Yip Man 3" ranked in the top-10 in terms of box office receipts on the mainland.
1 advisory | |
adj.劝告的,忠告的,顾问的,提供咨询 | |
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2 rampant | |
adj.(植物)蔓生的;狂暴的,无约束的 | |
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3 piracy | |
n.海盗行为,剽窃,著作权侵害 | |
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4 by-product | |
n.副产品,附带产生的结果 | |
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5 aggravated | |
使恶化( aggravate的过去式和过去分词 ); 使更严重; 激怒; 使恼火 | |
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6 revival | |
n.复兴,复苏,(精力、活力等的)重振 | |
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7 sector | |
n.部门,部分;防御地段,防区;扇形 | |
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8 helping | |
n.食物的一份&adj.帮助人的,辅助的 | |
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9 partnership | |
n.合作关系,伙伴关系 | |
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10 quota | |
n.(生产、进出口等的)配额,(移民的)限额 | |
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11 fully | |
adv.完全地,全部地,彻底地;充分地 | |
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12 stimulates | |
v.刺激( stimulate的第三人称单数 );激励;使兴奋;起兴奋作用,起刺激作用,起促进作用 | |
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13 uncommon | |
adj.罕见的,非凡的,不平常的 | |
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14 accounting | |
n.会计,会计学,借贷对照表 | |
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