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(单词翻译:双击或拖选)
Julie Chen: Of the style of 1950s is one of extremes, conservative at one hand and glamorous1 on the other. Joining us now Valerie Steele, director and chief curator of the museum at the Fashion Institute of Technology and Joe Warren of the Warren-Tricomi Studio. Good morning to you both.
Valerie Steele and Joe Warren: Good morning.
Julie Chen: Valerie, let me begin with you by bringing out our first model (Yeah) which is what a mum looked like in the 50s. Tell me what was going on historically that would influence the fashions that we saw then.
Valerie Steele: This is the cold-war period, so it s conservative, conformist, but it s also the revival2 of the French Haute Couture. So there is a lot of elegance3 and glamour4.
Chen: And Joe looking at her hair and her makeup5, those red red lips, tell me.
Joe Warren: well, the red lips were, everybody wears red lips , eyebrows6 are very prominent, everybody penciled them in or they shaved them. When it came to hair, it was really influenced by Hollywood. You have famous brunettes Elizabeth Tyler Audrey Hepburn, think about the most famous blond who is Marilyn Monroe on a cover of Playboys, she became blond and bloomed into the biggest star of all. And then of course with the hair color who can else you remember but Louise Obal and **. And she really made the statement . But it was all influenced by Hollywood, the hair. And this is what we call the plural7 cut
Chen: Very glamorous, it looks so beautiful.
Valerie Steele: and look at that waist, it s a real hour-glass shape. That s Dior’s look.
Chen: They were so skinny then too. OK. Thank you. Let s bring out our next look which is what a father figure looked like in the 50s. well, a pretty hip8 father.
Valerie Steele: Yes, The hip and casual father. If you imagine him going to work, he’d be the man in the great flannel9 suit. But they’ve styled him as if he were going to an outdoor barbecue in the backyard and suburbia .
Chen: And Joe he has a little bit of shadow on his face. Is that...
Joe Warren: A little bit, but no, most man clean shaven. But I think he is a little more reminiscent of Paul Newman. You knew the brooding actor; you know you had Marlon Brando. It really was a time when men become more emotional. You know, it really said in the way they looked. (yes)
Valerie Steele : You have to remember too, though, because of the conformity10 there was once a men’s clothing advertisement that said" Dress right, you can’t afford not to. " You know, people were watching you, in every pageant11... judging.
Chen: thank you. Let me bring out the younger look, what the young kids were wearing in the 50s. First we have what, maybe a teenage girl looked like. This I recognize a lot. Talk to us about this look, Valerie.
Valerie Steele: Well she is the bobbysoxer . You notice the little bobbysocks instead of nylon stockings. The saddle shoes that sort of sweeping12 skirt, cute little sweater. It s a very girlish look and it s a teenage look. This is really important, so not dressing13 like the mom but having her own style.
Chen: Joe, everyone has ponytails back then.
Joe: Ponytails, pigtails, you know the older women were setting their hair. And the younger women were trying to do something different, so it s a little bit more casual, just pulled up, easy going, the makeup was easy, clean, you know, not too much. The eyebrows were an accent, the lips were always red, not too shiny.
Chen: Yeah, cuz she’s younger. Ok, now let’s bring out her counterpart. A teenage boy,in a look that he may have had in 1950s.
Greaster!
Valerie Steele: Yeah, this is the rebel look. Absolutely rebel without a cause. The blue jeans, the T-shirt, all Marlon Brando. The black leather jacket all on James Dean, the Marlon The Converse14 sneakers. This is not the prep.py look. (no, not at all)This is the bad boy look.
Chen: Now, Joe would you say that the teenager of 1950s was the original metro-sexual since they put in hair products back then.
Joe: Yeah, you know, that s when the pompadour came very popular, it was called the quaff15 . you know, but I think the person that influenced that most was Elvis Presley. You know, in really rock and roll looking. They were rebels, James Dean, I mean, it really reminiscent of what they looked like.
Chen: Yeah, We have one final look to bring out. And talk to me about what this model represents. Look, she glamorous evening look. Is this only Hollywood starlet?
Valerie Steele: no, this is a mixture of Hollywood and Paris Haute Couture. But it’s a look that ordinary American women copy that at all price point. So it’s a very couturiere looking dress. Lots of dress maker16 details and a little mink17 stole, that was what everyone was inspiring to.
Chen: and Joe, just the final seconds.
Joe: This is Audrey Herpun at her finest moment. You know, just gorgeous , glamorous, Billie Holiday. I mean it really was shorter and all set of all pieces . And she had a clip-on belt though .
Chen: I love that, looks so good. accessorize .
Chen: Valerie Steele and Joe Warren, thank you both. We’d like to say what comes around goes around for providing us with these beautiful vintage pieces. :
1 glamorous | |
adj.富有魅力的;美丽动人的;令人向往的 | |
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2 revival | |
n.复兴,复苏,(精力、活力等的)重振 | |
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3 elegance | |
n.优雅;优美,雅致;精致,巧妙 | |
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4 glamour | |
n.魔力,魅力;vt.迷住 | |
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5 makeup | |
n.组织;性格;化装品 | |
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6 eyebrows | |
眉毛( eyebrow的名词复数 ) | |
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7 plural | |
n.复数;复数形式;adj.复数的 | |
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8 hip | |
n.臀部,髋;屋脊 | |
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9 flannel | |
n.法兰绒;法兰绒衣服 | |
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10 conformity | |
n.一致,遵从,顺从 | |
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11 pageant | |
n.壮观的游行;露天历史剧 | |
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12 sweeping | |
adj.范围广大的,一扫无遗的 | |
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13 dressing | |
n.(食物)调料;包扎伤口的用品,敷料 | |
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14 converse | |
vi.谈话,谈天,闲聊;adv.相反的,相反 | |
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15 quaff | |
v.一饮而尽;痛饮 | |
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16 maker | |
n.制造者,制造商 | |
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17 mink | |
n.貂,貂皮 | |
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