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(单词翻译:双击或拖选)
Grammar Girl here.
Today, Julie Wildhaber, who trains writers and editors at Yahoo!, will explain a few strategies for keeping copy compact and for getting rid of deadwood: words and phrases that add length but not value.
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Is Your Prose a Junk Drawer or a Jewel Box?
Good writing is clear and concise1 and gets to the point. Readers don't want to rummage2 through a messy verbal flea3 market to discover one or two sparkly gems5 of information.
Front-Load, Organize, and Cut
To help readers find your treasures, front-load, organize, and cut.
First, front-load your copy: Put the most important information where eyes will spot it immediately: in headlines, first paragraphs, and e-mail subject lines.
Second, organize to help readers who skim: Create subheadings, limit paragraphs to a few sentences, and break lengthy6 information into lists.
Third, cull7 anything that isn't pulling its weight. Start with deadwood: useless verbal underbrush that clutters8 your copy and may be hazardous9 to your meaning.
Perhaps you've listened to someone who inserts “like” or “you know” in every sentence. That habit is annoying but understandable in conversation, but imagine reading copy peppered with “like”and “you know”: You might conclude that the writer was a few clowns short of a carload. So, to keep your readers' good opinion, which deadwood phrases should you cut?
One-Word Wastes of Space
Look for single-word modifiers that don't enhance your meaning, such as “very,” “really,” “totally,” “quite,” “actually,” “already,” “fairly,” and “much.” You may have seen ads touting10 a “very unique” product that's “really special” and comes with an “added bonus,” though it may be “currently unavailable.” Words like “very” are unnecessary and frequently redundant11: If something is unique, then by definition it's one-of-a-kind; it can't be “more” one-of-a-kind.
Copywriters insert these words for emphasis, but the result can be less emphatic12 and effective. For instance, what if this podcast's opening had been:
If you want to write good copy, make it super-clear and very concise and get to the point as quickly as possible.
That's bad, overpadded writing--23 words long, versus13 the 11-word original:
Good writing is clear and concise and gets to the point.
“If” Clauses Can Be Iffy
That example brings us to deadwood phrases. Our overpadded sentence opens with an “if” clause that is neither compelling nor compact:
If you want to write good copy, make it clear and concise and get to the point.
We know that Grammar Girl listeners want to write well, so why waffle with “If you want to”? Replace the fluff with an infinitive14:
To write good copy, make it clear and concise and get to the point.
That's better, but there are still three verbs: “write,” “make,” and “get.” Also, although infinitives15 are strong openers, “to write” creates an implied subject, “you,” and “you” is not the focus of the sentence; writing is. Ditch the implied subject for an explicit16 one, and then you can drop a verb, too:
Good writing is clear and concise and gets to the point.
Now that's emphatic and direct. Sentences that start with subject and verb (or verb alone) tend to be the strongest, especially if you slap in a robust17 active verb. In writing, as in movies and sports, most of us like to skip the preshow and cut to the action.
Other iffy phrases to avoid, wherever they fall in a sentence include “if you wish to,” “if you need to,” “if you're looking for,” “if you would like to,” and (one with no “if”) “in order to.”
Invigorate Your Verbs
Next, examine your verbs. Are your helper verbs truly helping18? Watch out for constructions such as “you can,” “you can choose to,” “you can decide to,” and “you need to.” Some examples include
You can visit scenic19 Deadwood by taking the stagecoach20 from Yankton.
You can enjoy whisky and canned peaches at the Gem4 Saloon.
You can choose to cross Al Swearengen, but he may decide to sheath his knife in your neck.
If you want to survive smallpox21, you will need to get medical care from Calamity22 Jane and Doc Cochran.
Replace those “you” phrases with infinitives, imperatives23, and other sturdy verbs, or rewrite the sentences:
To visit scenic Deadwood, take the stagecoach from Yankton.
Enjoy whisky and canned peaches at the Gem Saloon.
Cross Al Swearengen and he may sheath his knife in your neck.
To survive smallpox, get medical care from Calamity Jane and Doc Cochran.
Keep an eye on the verb “make” when it's used in constructions such as “make a decision,” “make a correction,” and “make use of.” Here's an example of a bloated sentence:
Seth Bullock will make a decision tomorrow about whether his calling is hardware or law enforcement.
Change “make a decision” to “decide” for a leaner sentence:
Seth Bullock will decide tomorrow whether his calling is hardware or law enforcement.
Summary
Deadwood may seem minor24, but those little words can lengthen25 your sentences and obscure your meaning. Clear out the deadwood, and you'll have copy that is, as the record reviewers say, all killer26, no filler.
The Yahoo! Style Guide
This podcast [article] was written by Julie Wildhaber, one of the minds behind the new book, The Yahoo! Style Guide. Check out Chapter 13 of the book for more ways to tighten27 your text, and visit styleguide.yahoo.com for tips on writing for the Web.
The Grammar Girl podcast is edited and read by Mignon Fogarty, author of the New York Times best-seller Grammar Girl's Quick and Dirty Tips for Better Writing.
1 concise | |
adj.简洁的,简明的 | |
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2 rummage | |
v./n.翻寻,仔细检查 | |
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3 flea | |
n.跳蚤 | |
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4 gem | |
n.宝石,珠宝;受爱戴的人 [同]jewel | |
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5 gems | |
growth; economy; management; and customer satisfaction 增长 | |
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6 lengthy | |
adj.漫长的,冗长的 | |
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7 cull | |
v.拣选;剔除;n.拣出的东西;剔除 | |
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8 clutters | |
n.杂物,零乱的东西零乱vt.( clutter的名词复数 );乱糟糟地堆满,把…弄得很乱;(以…) 塞满…v.杂物,零乱的东西零乱vt.( clutter的第三人称单数 );乱糟糟地堆满,把…弄得很乱;(以…) 塞满… | |
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9 hazardous | |
adj.(有)危险的,冒险的;碰运气的 | |
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10 touting | |
v.兜售( tout的现在分词 );招揽;侦查;探听赛马情报 | |
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11 redundant | |
adj.多余的,过剩的;(食物)丰富的;被解雇的 | |
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12 emphatic | |
adj.强调的,着重的;无可置疑的,明显的 | |
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13 versus | |
prep.以…为对手,对;与…相比之下 | |
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14 infinitive | |
n.不定词;adj.不定词的 | |
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15 infinitives | |
n.(动词)不定式( infinitive的名词复数 ) | |
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16 explicit | |
adj.详述的,明确的;坦率的;显然的 | |
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17 robust | |
adj.强壮的,强健的,粗野的,需要体力的,浓的 | |
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18 helping | |
n.食物的一份&adj.帮助人的,辅助的 | |
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19 scenic | |
adj.自然景色的,景色优美的 | |
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20 stagecoach | |
n.公共马车 | |
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21 smallpox | |
n.天花 | |
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22 calamity | |
n.灾害,祸患,不幸事件 | |
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23 imperatives | |
n.必要的事( imperative的名词复数 );祈使语气;必须履行的责任 | |
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24 minor | |
adj.较小(少)的,较次要的;n.辅修学科;vi.辅修 | |
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25 lengthen | |
vt.使伸长,延长 | |
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26 killer | |
n.杀人者,杀人犯,杀手,屠杀者 | |
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27 tighten | |
v.(使)变紧;(使)绷紧 | |
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