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(单词翻译:双击或拖选)
"Personally it has the effect on me that certain sculptures of the Buddha1 have. The presence of tranquillity2 in a work of art speaks of a great internal civilisation3. Because you can't have the tranquillity without reflection, you can't have the tranquillity without having asked the great questions about your place in the universe, and having answered those questions to some degree of satisfaction. And that for me is what civilisation is."
The idea of black African civilisation on this level was quite simply unimaginable to a European a hundred years ago. In 1910, when the German anthropologist4 Leo Frobenius found the very first brass5 head in a shrine6 outside the city of Ife, he was so overwhelmed by its technical and aesthetic7 assurance that he immediately associated it with the greatest art that he knew - the classical sculptures of ancient Greece. But what possible connection could there have been between ancient Greece and Nigeria? There's no record of contact in the literature or in the archaeology8. For Frobenius there was an obvious and exhilarating solution to the conundrum9. The lost island of Atlantis must have sunk off the coast of Nigeria, and the Greek survivors10 stepped ashore11 to make this astonishing sculpture.
1 Buddha | |
n.佛;佛像;佛陀 | |
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2 tranquillity | |
n. 平静, 安静 | |
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3 civilisation | |
n.文明,文化,开化,教化 | |
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4 anthropologist | |
n.人类学家,人类学者 | |
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5 brass | |
n.黄铜;黄铜器,铜管乐器 | |
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6 shrine | |
n.圣地,神龛,庙;v.将...置于神龛内,把...奉为神圣 | |
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7 aesthetic | |
adj.美学的,审美的,有美感 | |
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8 archaeology | |
n.考古学 | |
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9 conundrum | |
n.谜语;难题 | |
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10 survivors | |
幸存者,残存者,生还者( survivor的名词复数 ) | |
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11 ashore | |
adv.在(向)岸上,上岸 | |
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