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(单词翻译:双击或拖选)
SCOTT SIMON, HOST:
If you are the kind of reader who goes straight to the obituaries2, here's something to look forward to - a documentary opens this week called "Obit." It follows the staff writers of The New York Times obituary3 desk. And to learn more about it, we went to our own obit laureate, NPR's Neda Ulaby.
NEDA ULABY, BYLINE4: To be clear, I don't only report obits, but I do do a lot of them for NPR. So it was easy to relate to the deadpan5 humor - sorry - of such obit writers as Bruce Weber and Margalit Fox in the film.
(SOUNDBITE OF DOCUMENTARY, "OBIT")
BRUCE WEBER: Literally6, I show up in the morning, and I say, who's dead? And somebody puts a folder7 on my desk, and that's, you know - and that's what I do that day.
MARGALIT FOX: Starting the day, getting a name you've never heard of, knowing that you are going to have to have command of this person's life, work and historical significance in under seven hours - it is equal parts exhilaration and terror.
ULABY: The documentary takes viewers through the methodical steps of obit writing, starting with the awkward calls to next of kin1.
(SOUNDBITE OF DOCUMENTARY, "OBIT")
WEBER: Your husband's full name at birth - William P. Wilson. That's P-A-R-M-E-N-T-E-R.
ULABY: That's Bruce Weber, who left the paper after the film was shot, glasses pushed up on the bridge of his nose, as gentle and dispassionate as a doctor. Documentarian Vanessa Gould spent six days filming the five full-time8 obit writers of The New York Times as they did their jobs.
VANESSA GOULD: I was surprised at how grueling the work is. And the reporting process was just continually fascinating to me given how many facets9 it has.
ULABY: Facets polished by Times obituary editor Bill McDonald. He came to the obits desk after editing the arts pages and investigations10.
BILL MCDONALD: It's more sedentary. It's more scholarly, you might say. It's deep research.
ULABY: Once The Times obits desk was known as a dead end, so to speak, where reporters were sent to pasture or to be punished. But recently, McDonald says, obits have gained more respect. That may be partly because of the increased deaths of the big demographic slice known as the baby boomers, but, maybe, also because obits are increasingly a chance to compose something that can feel like a tiny novel.
(SOUNDBITE OF DOCUMENTARY, "OBIT")
FOX: (Reading) In 1969, after six months alone on the Atlantic, battling storms, sharks and encroaching madness...
ULABY: Margalit Fox got to write a swashbuckling New York Times obit for John Fairfax, who crossed the Atlantic and Pacific in a rowboat.
(SOUNDBITE OF DOCUMENTARY, "OBIT")
FOX: (Reading) Footloose and handsome, he was a flesh-and-blood character out of Graham Greene, with more than a dash of Hemingway and Ian Fleming shaken in. At 9, he settled a dispute with a pistol. At 13, he laid out for the Amazon jungle. At 20, he attempted suicide-by-jaguar.
ULABY: Obituaries serve a function larger than the bigger-than-life people who often inhabit them. New York Times editor Bill McDonald says in a culture that struggles with talking and thinking about death, obituaries are a secular11 ritual.
MCDONALD: And I think a lot of people almost don't feel that the death has been fully12 celebrated13, acknowledged, unless there's an obituary to go with it, as if to give that person a certain amount of immortality14.
ULABY: That explains why many of us like reading obits. Margalit Fox likes writing them, even though people often assume her job is morbid15. In the movie, she nails why it's not.
(SOUNDBITE OF DOCUMENTARY, "OBIT")
FOX: It's counterintuitive, ironic16 even, but obits have next to nothing to do with death and, in fact, absolutely everything to do with the life.
ULABY: Newspapers, says Fox, are dedicated17 to events of the day. To find history, you usually have to read the obits.
(SOUNDBITE OF DOCUMENTARY, "OBIT")
FOX: If you think about one of the slang ways of saying that somebody's died, we say, he's history. And what an obit actually does, which I find very compelling and very moving, is it captures that person at the precise point that he or she becomes history.
ULABY: The obit reporters of The New York Times made another point that resonated with me as an obituary writer. Every time you do an obituary, a story with a beginning, a middle and an end, you fall a little in love with the person you're writing about. Death becomes a moment of grace. Neda Ulaby, NPR News.
1 kin | |
n.家族,亲属,血缘关系;adj.亲属关系的,同类的 | |
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2 obituaries | |
讣告,讣闻( obituary的名词复数 ) | |
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3 obituary | |
n.讣告,死亡公告;adj.死亡的 | |
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4 byline | |
n.署名;v.署名 | |
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5 deadpan | |
n. 无表情的 | |
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6 literally | |
adv.照字面意义,逐字地;确实 | |
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7 folder | |
n.纸夹,文件夹 | |
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8 full-time | |
adj.满工作日的或工作周的,全时间的 | |
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9 facets | |
n.(宝石或首饰的)小平面( facet的名词复数 );(事物的)面;方面 | |
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10 investigations | |
(正式的)调查( investigation的名词复数 ); 侦查; 科学研究; 学术研究 | |
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11 secular | |
n.牧师,凡人;adj.世俗的,现世的,不朽的 | |
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12 fully | |
adv.完全地,全部地,彻底地;充分地 | |
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13 celebrated | |
adj.有名的,声誉卓著的 | |
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14 immortality | |
n.不死,不朽 | |
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15 morbid | |
adj.病的;致病的;病态的;可怕的 | |
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16 ironic | |
adj.讽刺的,有讽刺意味的,出乎意料的 | |
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17 dedicated | |
adj.一心一意的;献身的;热诚的 | |
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