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AILSA CHANG, HOST:
A new movie looks at artist Vincent Van Gogh in a startling way. It uses thousands of oil paintings to create a unique form of animation1 and a murder mystery. The film is called "Loving Vincent." NPR critic Bob Mondello says that when it comes to these filmmakers, it seems love knows no bounds.
BOB MONDELLO, BYLINE2: It's 1891, a year after Vincent Van Gogh has died, and a postman still has an undelivered letter the artist wrote to his brother Theo. Delivering it will turn out to be tough, as the postman's son discovers when he tries.
(SOUNDBITE OF FILM, "LOVING VINCENT")
UNIDENTIFIED ACTOR #1: (As character) I'm afraid you'll never deliver that letter to Theo Van Gogh.
DOUGLAS BOOTH: (As Armand Roulin) Oh, I see. Well, how come?
UNIDENTIFIED ACTOR #1: (As character) Six months after we buried Vincent, Theo was dead, too.
MONDELLO: That makes things more complicated, but the quest continues.
(SOUNDBITE OF FILM, "LOVING VINCENT")
BOOTH: (As Armand Roulin) There is this doctor who I believe is the person to entrust3 the letter to.
MONDELLO: That would be the doctor who treated Vincent at an asylum4. Arriving in Auvers, the postman's son finds plenty of folks who remember the artist, not always fondly.
(SOUNDBITE OF FILM, "LOVING VINCENT")
UNIDENTIFIED ACTRESS #1: (As character) You're not going to stir things up again, are you? We've had quite enough weeping over that nutcase in this household.
MONDELLO: All of this is about what you'd expect of a film - in this case an animated5 film - that means to make a mystery of Van Gogh's suicide.
(SOUNDBITE OF FILM, "LOVING VINCENT")
BOOTH: (As Armand Roulin) Why didn't he just pick up the gun and finish the job?
MONDELLO: But if you're picturing animation in the Disney drawn6 or Pixar computerized senses of the word, you'll need to think again. In "Loving Vincent," it's as if the paint has leapt directly from Van Gogh's canvases to the screen and then started moving. The credits begin with what look like broad brush strokes being painted on glass, thick oil paint, blue-green swirls7 and yellow smears8 that gradually resolve into a familiar image - the moon glowing in the middle of one of Van Gogh's most famous canvases, "Starry9 Night," surrounded by roiling10 clouds and a slender cypress11 tree on the left. There's a church spire12 just to the right of the tree. And as the camera zooms13 in, it turns out to be part of a town where we hear a fight break out.
(SOUNDBITE OF FILM, "LOVING VINCENT")
UNIDENTIFIED ACTOR #2: (As character, groaning).
MONDELLO: From "Starry Night" to fight night, a striking introduction to a film that is about to provide a tour through many of Van Gogh's most famous works - rooms in taverns14, crows flying over wheat fields, portraits come to life talking a mile a minute.
(SOUNDBITE OF FILM, "LOVING VINCENT")
UNIDENTIFIED ACTRESS #2: (As character) You could set your watch by him. Painting from 8 until 5, you'd think he was going off to a regular job.
MONDELLO: Directors Dorota Kobiela and Hugh Welchman first shot their story as a live-action film with actors in costume on sets that look like specific Van Gogh paintings. You'll likely recognize many of them. Then the filmmakers employed more than a hundred artists to hand-paint each frame's image in oils, matching Van Gogh's style and brush strokes. Once a frame was painted it was photographed, and then the artist could create the next frame by painting over the parts that needed to move.
(SOUNDBITE OF CROWS CAWING)
MONDELLO: The effect is remarkable15. Hand-painted animation turns out to be very different from hand-drawn, as in Disney films where lines merge16 smoothly17 as figures move. Here, water clots18 and gushes19. A quizzical expression flickers20 into anger around the eyes. And when a mysterious figure zips through a garden, he leaves a physical imprint21, thick oil impasto on the painted grass.
Altogether, some 65,000 oil paintings were created for "Loving Vincent," which speaks to the passion the filmmakers had for their subject. Their story isn't quite as compelling as their execution. But in the end, when images of the performers are juxtaposed with Van Gogh's original portraits and with the screen versions they inspired, you will marvel22 at the art in this labor23-intensive labor of love. I'm Bob Mondello.
(SOUNDBITE OF SONG, "STARRY STARRY NIGHT")
LIANNE LA HAVAS: (Singing) Starry, starry night.
1 animation | |
n.活泼,兴奋,卡通片/动画片的制作 | |
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2 byline | |
n.署名;v.署名 | |
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3 entrust | |
v.信赖,信托,交托 | |
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4 asylum | |
n.避难所,庇护所,避难 | |
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5 animated | |
adj.生气勃勃的,活跃的,愉快的 | |
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6 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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7 swirls | |
n.旋转( swirl的名词复数 );卷状物;漩涡;尘旋v.旋转,打旋( swirl的第三人称单数 ) | |
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8 smears | |
污迹( smear的名词复数 ); 污斑; (显微镜的)涂片; 诽谤 | |
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9 starry | |
adj.星光照耀的, 闪亮的 | |
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10 roiling | |
v.搅混(液体)( roil的现在分词 );使烦恼;使不安;使生气 | |
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11 cypress | |
n.柏树 | |
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12 spire | |
n.(教堂)尖顶,尖塔,高点 | |
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13 zooms | |
n.嗡嗡声( zoom的名词复数 );隆隆声;(车辆等)疾驰的声音;变焦 | |
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14 taverns | |
n.小旅馆,客栈,酒馆( tavern的名词复数 ) | |
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15 remarkable | |
adj.显著的,异常的,非凡的,值得注意的 | |
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16 merge | |
v.(使)结合,(使)合并,(使)合为一体 | |
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17 smoothly | |
adv.平滑地,顺利地,流利地,流畅地 | |
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18 clots | |
n.凝块( clot的名词复数 );血块;蠢人;傻瓜v.凝固( clot的第三人称单数 ) | |
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19 gushes | |
n.涌出,迸发( gush的名词复数 )v.喷,涌( gush的第三人称单数 );滔滔不绝地说话 | |
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20 flickers | |
电影制片业; (通常指灯光)闪烁,摇曳( flicker的名词复数 ) | |
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21 imprint | |
n.印痕,痕迹;深刻的印象;vt.压印,牢记 | |
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22 marvel | |
vi.(at)惊叹vt.感到惊异;n.令人惊异的事 | |
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23 labor | |
n.劳动,努力,工作,劳工;分娩;vi.劳动,努力,苦干;vt.详细分析;麻烦 | |
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