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(单词翻译:双击或拖选)
AUDIE CORNISH, HOST:
The Creature from the Black Lagoon1 has re-emerged.
(SOUNDBITE OF FILM, "CREATURE FROM THE BLACK LAGOON")
UNIDENTIFIED ACTOR #1: (As character) Science couldn't explain it, but there it was, alive in the deep, deep waters of the Amazon, a throwback to a creature that had existed a hundred million years ago - immensely strong and destructive.
CORNISH: First immortalized on film in 1954, that elusive2 creature and the woman who designed him are now the focus of a new book. NPR's Mandalit del Barco reports on "Lady From The Black Lagoon: Hollywood Monsters And The Lost Legacy3 Of Milicent Patrick."
(SOUNDBITE OF FILM, "CREATURE FROM THE BLACK LAGOON")
UNIDENTIFIED ACTOR #2: (As character, screaming).
MANDALIT DEL BARCO, BYLINE4: The terrifying movie creature swam in his lagoon and also walked on land. His feet and hands were webbed with long claws. His scaly5 body had a dorsal6 fin7. And his round, fishy8 head had big eyes and gills. Ricou Browning was one of the two actors who got zipped into the creature's costume for the movie. He was the one who swam.
RICOU BROWNING: At first, it was a little awkward, but I got used to it. And I got to where I could swim in it very easily.
DEL BARCO: Browning, who is now 89 years old, doesn't know for sure who designed the costume. But he remembers meeting Milicent Patrick on set - twice - when she measured him for leotards and once when he was in costume.
BROWNING: She was painting something on my chest with a paint brush. She said, I'm giving it a touch up. I said, well, OK, but you better let it dry. I'm going in the water. And that was the last I saw of her.
(SOUNDBITE OF FILM, "CREATURE FROM THE BLACK LAGOON")
UNIDENTIFIED ACTOR #3: (As character, screaming).
DEL BARCO: More than 60 years later, Milicent Patrick shows up with the creature as a tattoo9 on Mallory O'Meara's forearm.
MALLORY O'MEARA: He's embracing her, which I kind of love because it looks like he's saying, thank you for creating me. Thank you, Mom.
DEL BARCO: The 28-year-old is an indie horror, sci fi and fantasy film producer. She tracked down Patrick's life for her book "The Lady From The Black Lagoon."
O'MEARA: She's the first woman I ever saw working on a monster movie, and she just became my hero because of that.
DEL BARCO: Milicent Patrick was born Mildred Rossi in 1915. When she was 6, her family began living on the property of Hearst Castle in San Simeon, where her father, Camille Rossi, was the superintendent10 of construction. Years later, she talked to an estate historian about growing up there in style - swimming pools, French pastry11 chefs, pet leopards12 and lions. She recalled William Randolph Hearst as an enormous frightening man who threw lavish13 parties with movie stars. Mildred says she changed her name to Milicent, same as Hearst's wife. Over the years, she would add the last names of her various husbands.
(SOUNDBITE OF MUSIC)
DEL BARCO: In Hollywood, Milicent Patrick had a few forgettable bit parts. In one Abbott and Costello flick14, she was a dark-haired beauty. And in the TV series "Ramar Of The Jungle," she played a white goddess of an African tribe.
(SOUNDBITE OF TV SHOW, "RAMAR OF THE JUNGLE")
MILICENT PATRICK: (As The White Goddess) So you say you friends. You no make trouble?
UNIDENTIFIED ACTOR #4: (As character) Why - why, you speak English.
PATRICK: (As The White Goddess) Come inside.
DEL BARCO: Patrick was also a skilled visual artist. After attending art school, she became one of the first women animators at the Walt Disney Studios. Her pastel chalk artwork was featured in the 1940 movie "Fantasia."
(SOUNDBITE OF LEOPOLD STROKOWSKI AND THE PHILADELPHIA ORCHESTRA'S "TOCCATA AND FUGUE IN D MINOR15, BWV 565")
MINDY JOHNSON: When you look at the "Toccata And Fugue" sequence, it really is this abstract impressionistic suggestion of musical tones.
DEL BARCO: California Institute of the Arts instructor16 Mindy Johnson is an expert on the history of women animators. She says Mildred Rossi, as the artist was known at Disney, also worked on another "Fantasia" sequence called "A Night on Bald Mountain."
(SOUNDBITE OF LEOPOLD STROKOWSKI AND THE PHILADELPHIA ORCHESTRA'S "A NIGHT ON BALD MOUNTAIN")
DEL BARCO: There's a winged creature named Chernabog.
JOHNSON: Walt wanted this creature of darkness to be defeated by light. As the bell tolls17, you see this blue pastel reflection of the light cross the body of Chernabog, and it's powerful. And it's actually, interestingly, her first monster.
DEL BARCO: The artist moved to Universal Studios to design special effects makeup18 and monsters, her most famous being the Creature from the Black Lagoon. Mallory O'Meara's book includes a photo of the artist that her easel with a sketch19 of the creature. O'Meara says, at the time, Universal's publicity20 department sent Patrick on a promotional tour for the movie.
O'MEARA: Her boss at the Universal monster shop, a man named Bud Westmore, said, no, I don't want it to be the beauty who designed the beast. We're going to rebrand it, and it'll be the beauty who lives with the beast. He said, OK, we'll do this tour. We'll send you all around the country. But you have to tell people I designed it. You cannot take credit for it.
Bud Westmore was so jealous of all of the attention she was getting that he fired her, and she came back to Los Angeles. She never worked behind the scenes in Hollywood ever again.
DEL BARCO: To back up this version, O'Meara found Universal Studios memos21 archived at the USC Cinematic Arts Library. Universal declined to comment to NPR about not acknowledging its first female monster designer. The director of the Westmore Museum did tell us Bud Westmore supervised a woman who created the creature. As the head of the studio's makeup department, it's his name on the movie credits, as was the custom.
DOUG JONES: Having played so many creatures over so many years, I can tell you that it takes a village to make a monster.
DEL BARCO: Actor Doug Jones portrayed22 the amphibian23 man in the Oscar-winning 2017 film "The Shape Of Water," Guillermo del Toro's homage24 to "The Creature From The Black Lagoon." Jones says crews of artists rarely get accolades25.
JONES: Designers and creature creators and makeup artists are, you know, it's a tight circle of people. Legacies26 have been passed down from one generation to the next. And so for her name to never have come up until now is a travesty27.
DEL BARCO: Milicent Patrick Rossi Trent continued to sketch portraits as she lived as a society lady in LA. She died at age 82 in 1998, and now you know her name. Mandalit del Barco, NPR News.
(SOUNDBITE OF UNIVERSAL STUDIO ORCHESTRA'S "THE CREATURE FROM THE BLACK LAGOON")
1 lagoon | |
n.泻湖,咸水湖 | |
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2 elusive | |
adj.难以表达(捉摸)的;令人困惑的;逃避的 | |
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3 legacy | |
n.遗产,遗赠;先人(或过去)留下的东西 | |
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4 byline | |
n.署名;v.署名 | |
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5 scaly | |
adj.鱼鳞状的;干燥粗糙的 | |
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6 dorsal | |
adj.背部的,背脊的 | |
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7 fin | |
n.鳍;(飞机的)安定翼 | |
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8 fishy | |
adj. 值得怀疑的 | |
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9 tattoo | |
n.纹身,(皮肤上的)刺花纹;vt.刺花纹于 | |
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10 superintendent | |
n.监督人,主管,总监;(英国)警务长 | |
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11 pastry | |
n.油酥面团,酥皮糕点 | |
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12 leopards | |
n.豹( leopard的名词复数 );本性难移 | |
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13 lavish | |
adj.无节制的;浪费的;vt.慷慨地给予,挥霍 | |
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14 flick | |
n.快速的轻打,轻打声,弹开;v.轻弹,轻轻拂去,忽然摇动 | |
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15 minor | |
adj.较小(少)的,较次要的;n.辅修学科;vi.辅修 | |
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16 instructor | |
n.指导者,教员,教练 | |
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17 tolls | |
(缓慢而有规律的)钟声( toll的名词复数 ); 通行费; 损耗; (战争、灾难等造成的)毁坏 | |
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18 makeup | |
n.组织;性格;化装品 | |
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19 sketch | |
n.草图;梗概;素描;v.素描;概述 | |
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20 publicity | |
n.众所周知,闻名;宣传,广告 | |
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21 memos | |
n.备忘录( memo的名词复数 );(美)内部通知 | |
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22 portrayed | |
v.画像( portray的过去式和过去分词 );描述;描绘;描画 | |
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23 amphibian | |
n.两栖动物;水陆两用飞机和车辆 | |
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24 homage | |
n.尊敬,敬意,崇敬 | |
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25 accolades | |
n.(连结几行谱表的)连谱号( accolade的名词复数 );嘉奖;(窗、门上方的)桃尖拱形线脚;册封爵士的仪式(用剑面在肩上轻拍一下) | |
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26 legacies | |
n.遗产( legacy的名词复数 );遗留之物;遗留问题;后遗症 | |
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27 travesty | |
n.歪曲,嘲弄,滑稽化 | |
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