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(单词翻译:双击或拖选)
DAVID GREENE, HOST:
In America's complicated history with race, sometimes the most revealing stories are told and retold in fiction. That's the case for Richard Wright's influential1 1940 novel "Native Son." Its lead character, 20-year-old Bigger Thomas, dreams of a life beyond his impoverished2 neighborhood of maybe even becoming a pilot one day.
(SOUNDBITE OF FILM, "NATIVE SON")
ASHTON SANDERS: (As Bigger) I feel like a bird, you know? - in it and of it, flying high and above it.
GREENE: That's from a new film version of "Native Son" set in present day Chicago. It debuts3 on HBO this Saturday. And NPR's Mandalit del Barco has more.
(SOUNDBITE OF FILM, "NATIVE SON")
SANDERS: (As Bigger) Oh, s***.
SANAA LATHAN: (As Trudy) Big, it's over there. It's over there. It's over there.
MANDALIT DEL BARCO, BYLINE5: As in the classic novel, the new "Native Son" movie begins with Bigger Thomas killing6 a huge rat in his house where he lives in Chicago with his siblings7 and their single mother.
(SOUNDBITE OF FILM, "NATIVE SON")
LATHAN: (As Trudy, yelling).
DEL BARCO: This time, the story of the young, black man is set in contemporary times. His troubles accelerate after he gets hired as a driver for a wealthy white family, the Daltons. Here he is meeting Mr. Dalton, who prides himself on being a liberal. He's played by Bill Camp.
(SOUNDBITE OF FILM, "NATIVE SON")
BILL CAMP: (As Henry) Your first name is Bigger.
SANDERS: (As Bigger) Yeah. My friends call me Big.
CAMP: (As Henry) Like Biggie.
SANDERS: (As Bigger) After Biggie Smalls, no.
CAMP: (As Henry) Good, seeing how Christopher Wallace came to a difficult end.
SANDERS: (As Bigger) (Laughter).
DEL BARCO: Pulitzer Prize-winning playwright8 Suzan-Lori Parks wrote the screenplay. And the adaptation was directed by artist Rashid Johnson. Ashton Sanders, who was in the Oscar-winning movie "Moonlight," plays Bigger. In this version, he sports green hair and a graffiti-covered leather jacket. On set, Sanders explained Bigger is into both punk music and Beethoven.
SANDERS: Along with the pressures of being a black man in this America, he's also dealing9 with the pressures of being this other other in America, being this Afro punk and dealing with his circumstances and his environment.
DEL BARCO: Bigger is tasked with driving Dalton's wild child daughter Mary, played by Margaret Qualley. Mary rebels against her privilege and impetuously tries to connect with Bigger, as in this scene.
(SOUNDBITE OF FILM, "NATIVE SON")
MARGARET QUALLEY: (As Mary) I live in such a affluenza bubble. I have no idea about, like, what black people actually think about what's going on in the world right now.
SANDERS: (As Bigger) Well, I'll be sure to mention that at our next black meeting.
(LAUGHTER)
DEL BARCO: Mary and her boyfriend Jan fashion themselves as political radicals11. At the movie's premiere at the Sundance Film Festival in January, writer Suzan-Lori Parks talked about how she updated their story.
SUZAN-LORI PARKS: In the original novel, Jan was a member of the Communist Party. So the Communist Party these days is not the same kind of party as it was back in the day. So immediately, I said, well, we've got some parties that are also relevant like Occupy or the anti-fascist movement that a young person might want to join in that might cause some consternation12 in the hearts and minds of progressive, wealthy parents.
DEL BARCO: There are a few other changes. In Wright's best-selling novel, Bigger was a rapist and a murderer portrayed13 as a victim more a product of his environment. That characterization has been controversial. Novelist James Baldwin once wrote a critique in his 1955 book "Notes Of A Native Son," Baldwin blasted Bigger's portrayal14 as stereotypical15 and unsympathetic. But "Native Son" remains16 popular. Over the years, it's been adapted for stage and made into a movie twice. Author Richard Wright starred as Bigger Thomas in the 1951 movie. Here he is doing his screen test.
(SOUNDBITE OF ARCHIVED RECORDING)
RICHARD WRIGHT: (As Bigger) It's funny the way the white folks treat us, ain't it?
UNIDENTIFIED ACTOR: (As character) It better be funny.
WRIGHT: (As Bigger) You know, I reckon the white folks is right because if I took up one of them planes in the air full of bombs, I'd just let two of them drop anywhere to see what would happen. Bloom, bloom, bloom.
(LAUGHTER)
DEL BARCO: The character Bigger Thomas still resonates, says Ashton Sanders, who portrays17 him in the HBO version.
SANDERS: It's always been rough for a black man living in America, you know? There's always pressures that are put on us with - you know, I feel like the black man walks around with an anxiety because of the way that America views him, the world views him, you know? And so yeah, it's still very relevant because this is still kind of the same America.
DEL BARCO: At his film's Sundance premiere, director Johnson explains why he thinks Richard Wright's book is timely.
RASHID JOHNSON: And his story "Native Son," however divisive, is an incredibly complicated telling of how we're to examine some aspects of the black psyche18.
DEL BARCO: Rashid Johnson also examines the black psyche in his artwork, which has been shown at major museums and galleries around the world, like the David Kordansky Gallery in Los Angeles. Just before he took off to direct "Native Son," he had an art opening there.
(SOUNDBITE OF MUSIC)
DEL BARCO: It was a packed house and featured live music, poetry, paintings and sculpture. His work explores cultural identity and race. He mixes media - shea butter, potted plants, stacks of books and vinyl records. Visitor Kidogo Kennedy pondered one of Johnson's recurring19 images - a square, black skull20 scribbled21 with big, swirly22 eyes.
KIDOGO KENNEDY: It reminds me. This is Bigger. That's who I'm looking at when I look at these grimaces23 and eyes that are bulging24. I think of him. I think of "Native Son." I think of Bigger.
DEL BARCO: A few weeks later, Johnson was on location in Cleveland, shooting Native Son. Before the cameras rolled on one scene, he spray-painted that skull image on a brick wall.
(SOUNDBITE OF PAINT SPRAYING)
JOHNSON: That's a character that I've used that I call "Anxious Men." I just kind of put it in the background. But I think this film has quite a bit of moments of anxiety and alludes25 to the idea of anxiety and how it functions in our characters as well as in society as a whole.
DEL BARCO: On the wall of an alley10, for another scene, Johnson spray-painted the word run; another theme he uses in his artwork.
JOHNSON: The idea of escape has been, thematically, a big part of my practice. And so it also lives in this film as far as how Bigger kind of is negotiating with what he's done. And the idea of kind of running and escape, I think, are also kind of strong themes that live in this film and in my work simultaneously26.
DEL BARCO: So you put a little bit of yourself into the film, too.
JOHNSON: I think it's hard not to.
DEL BARCO: Johnson's 7-year-old son Julius makes a cameo in one scene. And gallery owner David Kordansky plays a record store owner in the film. Johnson has made short films for commissions at the Guggenheim and at the Garage Museum of Contemporary Art in Moscow. But this is his debut4 as a feature film director.
JOHNSON: This dialogue - this is not easy, this part. I'd be free like a bird - in it and of it but flying high above it and looking down on all you Earth-bound suckers. Thank God I'm not acting27 in this movie.
DEL BARCO: Still, Rashid Johnson seems at ease directing the actors - quite the opposite of an anxious man.
JOHNSON: Cut.
UNIDENTIFIED PERSON: Cut, cut. Cut.
JOHNSON: I'm happy if the camera's happy.
DEL BARCO: Mandalit del Barco, NPR News.
(SOUNDBITE OF DUKE ELLINGTON'S "IN A SENTIMENTAL MOOD")
1 influential | |
adj.有影响的,有权势的 | |
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2 impoverished | |
adj.穷困的,无力的,用尽了的v.使(某人)贫穷( impoverish的过去式和过去分词 );使(某物)贫瘠或恶化 | |
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3 debuts | |
演员首次演出( debut的名词复数 ) | |
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4 debut | |
n.首次演出,初次露面 | |
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5 byline | |
n.署名;v.署名 | |
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6 killing | |
n.巨额利润;突然赚大钱,发大财 | |
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7 siblings | |
n.兄弟,姐妹( sibling的名词复数 ) | |
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8 playwright | |
n.剧作家,编写剧本的人 | |
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9 dealing | |
n.经商方法,待人态度 | |
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10 alley | |
n.小巷,胡同;小径,小路 | |
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11 radicals | |
n.激进分子( radical的名词复数 );根基;基本原理;[数学]根数 | |
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12 consternation | |
n.大为吃惊,惊骇 | |
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13 portrayed | |
v.画像( portray的过去式和过去分词 );描述;描绘;描画 | |
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14 portrayal | |
n.饰演;描画 | |
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15 stereotypical | |
n.常规 | |
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16 remains | |
n.剩余物,残留物;遗体,遗迹 | |
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17 portrays | |
v.画像( portray的第三人称单数 );描述;描绘;描画 | |
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18 psyche | |
n.精神;灵魂 | |
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19 recurring | |
adj.往复的,再次发生的 | |
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20 skull | |
n.头骨;颅骨 | |
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21 scribbled | |
v.潦草的书写( scribble的过去式和过去分词 );乱画;草草地写;匆匆记下 | |
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22 swirly | |
成涡旋形的 | |
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23 grimaces | |
n.(表蔑视、厌恶等)面部扭曲,鬼脸( grimace的名词复数 )v.扮鬼相,做鬼脸( grimace的第三人称单数 ) | |
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24 bulging | |
膨胀; 凸出(部); 打气; 折皱 | |
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25 alludes | |
提及,暗指( allude的第三人称单数 ) | |
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26 simultaneously | |
adv.同时发生地,同时进行地 | |
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27 acting | |
n.演戏,行为,假装;adj.代理的,临时的,演出用的 | |
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