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JUDY WOODRUFF: Now: terror and renewal1 in West Africa.
Just days ago: Boko Haram pledged allegiance to the Islamic State group, raising fears the militants2' insurgency3 in Nigeria could become part of an international conflict.
This weekend saw a burst of violence in another closely watched African country, Mali. Yesterday, unknown attackers fired rockets at a U.N. base in Kidal in the far north, killing4 at least three. And, Saturday, gunmen killed five people, including two foreigners, at a restaurant in Bamako, the country's capital city, that's been largely free of such attacks. An Islamist group claimed responsibility.
Here's the first of two reports, part of his series Culture at Risk.
JEFFREY BROWN: It was 2:00 a.m. on an outdoor stage in Bamako, capital of the West African country of Mali.
But the tireless Fatoumata Diawara was spinning like a top, singing up a storm and imploring6 the crowd with calls for peace.
Afterwards, she told me she felt compelled to speak out.
FATOUMATA DIAWARA: If we want the best for Africa, the only — the first thing to do is to know how to bring peace. Without peace, nothing, we cannot start any kind of government. Nothing, nothing's possible.
JEFFREY BROWN: Unity7 was the theme of this concert in a country so rich in its musical culture, but so troubled by conflict and division.
And even as the performers played on this night, the focus was many miles to the north, to the storied city of Timbuktu that has suffered so greatly in recent years. In fact, the concert in Bamako is a mere8 echo one of the most famous music festivals in the world, the Festival in the Desert, held here in Timbuktu every year, until war made it impossible.
That three-day festival was long a gathering9 of international sounds and stars, bringing together African musicians and Western rock legends like Bono, who spoke10 in 2012 of the importance of the festival.
BONO: It's part of West Africa, as like the cradle of music. It's like the Big Bang of all the music that we love.
JEFFREY BROWN: But that same year, the music stopped, when separatist rebels and Islamic groups tied to al-Qaida invaded Northern Mali and seized two-thirds of the country.
An Oscar-nominated new film titled “Timbuktu” is about the imposition of a brutal11 form of Sharia law imposed by the jihadists targeting women in particular and banning any expression of art.
Musician Fatoumata Diawara is also an actress. And she plays a woman who is whipped for singing.
FATOUMATA DIAWARA: In 2012 in Mali, for six months or more, we didn't — we couldn't play music in Mali. Can you imagine that? I was suffering like in the movie.
JEFFREY BROWN: French and Malian military intervention12 drove the Islamists out of Timbuktu after 10 excruciating months.
But two years later, much of the north remains13 unsafe. And there are regular rebel attacks on U.N. peacekeeping forces. Timbuktu is difficult to visit. With no commercial flights, we reached the city on a U.N. humanitarian14 plane, landing on a heavily guarded airstrip.
The once thriving city is eerily15 quiet. More than half its 50,000 residents fled and have yet to return. Its economy has ground to a halt. The prices of staples16 like gas and grain have soared.
Mayor Halle Ousmane Cisse told us of his traumatized neighbors.
MAYOR HALLE OUSMANE CISSE, Mayor of Timbuktu (through interpreter): They chased a woman into her house. Her husband was there, her kids were there. They beat her in front of her husband without any defense17, without anything, just to humiliate18 her.
JEFFREY BROWN: Today, there are signs of life returning to normal. On this sandy square where Islamists once carried out public punishments, children now play.
Timbuktu's grand imam had a terse19 response when I asked about the jihadists who brutalized his town in the name of religion.
IMAM ABDRAHAMANE BEN ESSAYOUTI (through interpreter): That's their belief. They have their beliefs, and we have a different belief of our own.
JEFFREY BROWN: For all the despair, the poverty, the memories of what happened here, peace talks between the government and rebels are ongoing20 and there is great hope for the future. The concert in Bamako in fact was a big step in that direction.
Billed as the Festival of the Desert in Exile, its organizers and musicians are ready to return to Timbuktu once there's peace.
FATOUMATA DIAWARA: We need — we need the desert. Then we can go to play again.
JEFFREY BROWN: Until then, Fatoumata Diawara is singing for the cause.
FATOUMATA DIAWARA: I don't want to talk the same way, when people talk about Africa crying. No. I will talk about my problems, singing my problems with a lot of hope, because that's Africa.
JEFFREY BROWN: In the meantime, further hope from Timbuktu is coming from the restoration of its culture, its music, of course, but also its historic role as a center of scholarship and learning.
From the West African nation of Mali, I'm Jeffrey Brown for the PBS NewsHour.
JUDY WOODRUFF: And there's a photo gallery from Jeff's trip to Bamako and Timbuktu. You can see that on our home page at PBS.org/NewsHour.
点击收听单词发音
1 renewal | |
adj.(契约)延期,续订,更新,复活,重来 | |
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2 militants | |
激进分子,好斗分子( militant的名词复数 ) | |
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3 insurgency | |
n.起义;暴动;叛变 | |
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4 killing | |
n.巨额利润;突然赚大钱,发大财 | |
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5 legendary | |
adj.传奇(中)的,闻名遐迩的;n.传奇(文学) | |
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6 imploring | |
恳求的,哀求的 | |
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7 unity | |
n.团结,联合,统一;和睦,协调 | |
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8 mere | |
adj.纯粹的;仅仅,只不过 | |
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9 gathering | |
n.集会,聚会,聚集 | |
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10 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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11 brutal | |
adj.残忍的,野蛮的,不讲理的 | |
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12 intervention | |
n.介入,干涉,干预 | |
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13 remains | |
n.剩余物,残留物;遗体,遗迹 | |
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14 humanitarian | |
n.人道主义者,博爱者,基督凡人论者 | |
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15 eerily | |
adv.引起神秘感或害怕地 | |
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16 staples | |
n.(某国的)主要产品( staple的名词复数 );钉书钉;U 形钉;主要部份v.用钉书钉钉住( staple的第三人称单数 ) | |
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17 defense | |
n.防御,保卫;[pl.]防务工事;辩护,答辩 | |
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18 humiliate | |
v.使羞辱,使丢脸[同]disgrace | |
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19 terse | |
adj.(说话,文笔)精炼的,简明的 | |
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20 ongoing | |
adj.进行中的,前进的 | |
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