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(单词翻译:双击或拖选)
The novels of J.M. Coetzee
DusklandsThe novel actually consists of two separate stories. The first one, The Vietnam Project, relates the gradual descent into insanity1 of its protagonist2 Eugene Dawn. Eugene works for a U.S. government agency responsible for the psychological warfare3 in the Vietnam War. However, his work on mythography and psychological operations is taking a heavy toll4 on him; his fall culminates5 in him stabbing his own son, Martin.
The second story, The Narrative6 of Jacobus Coetzee, which takes place in the 18th century, is an account of a hunting expedition into the then unexplored interior of South Africa. After crossing the Orange River, Jacobus meets with a Namaqua tribe to trade, but suddenly falls ill. He is attended to by the tribe and gradually recovers, only to get into a fight for which he is expelled from the village. His last slave dying on the way home, he returns alone and later organizes a punitive7 expedition against the Namaqua. The narrative concludes with his execution of the slaves that deserted8 him on the previous journey and the massacre9 of the tribe.
In the Heart of the CountryIn the Heart of the Country (1977) is a novel which delves10 into the the complex relationships that form between the colonizer11 and the colonized12. It takes place on a desolate13 farm in South Africa told through the perspective of an intellegent yet meek14 European woman. She clashes with her father when he takes an African mistress causing a rift15 that leads towards vengance, violence and a muddling16 of her own relationship with the Africans.
Waiting for the BarbariansThe story is set in a small frontier town of a nameless empire. The town's magistrate19 is the story's main protagonist and narrator. His rather peaceful existence on the frontier comes to an end with the arrival of some special forces of the Empire, led by a sinister20 Colonel Joll. There are rumours21 that the barbarians18 are preparing an attack on the Empire. That is why Colonel Joll and his men conduct an expedition into the land beyond the frontier. They capture a number of "barbarians", bring them back to town, torture them, kill some of them, and leave for the Empire's capital in order to prepare a larger campaign against the barbarians. In the meantime, the Magistrate becomes involved with a "barbarian17 girl" who was left behind crippled and blinded by the torturers. Eventually, he decides to take her back to her people. After a life-threatening trip through the barren land, he returns to his village. Shortly thereafter, the Empire's forces return and the Magistrate's own plight22 begins.
Life and Times of Michael KAfter her death, she is cremated23 and the ashes given to him. He vows24 to return them to her birthplace. He begins a long, ardous journey across the country to her childhood farm, sleeping rough and enduring many hardships along the way. The country is at war, and he sees many convoys25 going past. One of the soldiers ransacks26 his belongings27 and takes his money.
Eventually he reaches the place of his destination and finds the place deserted, the owners long gone. He scatters28 the ashes on the ground and takes up residence there. He kills goats and birds for food and drinks from the nearby dam. A member of the old family comes and wanting to escape the war, hides in the farmhouse30.
Foe31"Returning from Bahia, where she has been searching for a lost daughter, Susan Barton is put off the ship after a mutiny; she is accompanied only by the dead body of the captain, whose mistress she had been. She swims ashore32 and finds herself on the island with Cruso and Friday. Friday has been mutilated: he has no tongue. Who did this, where or how it happened, we are never told. After their rescue by a passing merchantman, Cruso dies aboard the ship and Susan and Friday are left to make their way to England. After she arrives in England, Susan drafts a memoir33, "The Female Castaway" and seeks out the author, Foe, to have her story told. Coetzee's novel comprises four parts: beginning with Susan's memoir, it continues with a series of letters addressed to Foe, letters that do not reach him because he is hiding, trying to evade34 his creditors35. The novel proceeds to an account of Susan's relationship with Foe and her struggle to retain control over the story and its meaning; it ends with a sequence spoken by an unnamed narrator (possibly standing36 for Coetzee himself) who revises the story as we know it and dissolves the narration37 in an act of authorial renunciation." (from D. Attwell "J.M.Coetzee. South Africa and the Politics of Writing" University of California Press)
Age of IronThe novel depicts38 the agony of Mrs. Curren, a classically educated white woman. She lives in the Cape29 Town of the apartheid era, where she is slowly dying of cancer. Against a backdrop of violence by whites and blacks alike, Mrs. Curren remembers her past and her daughter, who left South Africa because of the situation in the country: the book is framed as an extended letter from the mother to her distant offspring. As the story progresses, she constructs a relationship of a different kind with Vercueil, an old black man who happens upon her home.
Coetzee brings together important themes in this book: the drama of a tragic39 end of life, the separation of mother and daughter, a strange friendship between diametrically opposed people, and the metaphor40 of decay from within — atop which is painted a picture of social and political tragedy unfolding in an undeveloped country.
DisgraceThe novel tells the story of David Lurie, a professor of Romantic literature at a technical university in Cape Town, South Africa, twice-divorced and unsatisfied with his job. The disgrace comes when he has an affair with one of his students and is dismissed from his teaching position, after which he takes refuge on his daughter's farm in the Eastern Cape. Shortly after becoming comfortable with rural life, he is forced to come to terms with the aftermath of an attack on the farm in which his daughter is raped41 and he is brutally42 assaulted.
Elizabeth CostelloIn this novel, Elizabeth Costello, an aging Australian writer, travels around the world and gives lectures on topics including the lives of animals and literary censorship. In her youth, Costello wrote The House on Eccles Street, a novel that re-tells James Joyce's Ulysses from the perspective of his wife, Molly Bloom. Costello, becoming weary from old age, confronts her fame, which seems farther and farther removed from who she has become, and struggles with issues of belief, vegetarianism43, sexuality, language, and evil.
Slow ManSlow Man tells the story of Paul Rayment, a man who loses part of a leg after a car accident. He becomes a wallflower, but one attracted to his Croatian nurse. It is obvious that they could never come together, and their interactions become awkward.
It is not until the famed author Elizabeth Costello – the eponymous heroine of Coetzee's 2003 novel Elizabeth Costello – finds her way into Paul's life that he is able to become a stronger and fuller person.
On a deeper and more meaningful level the book is a discourse44 on the inter-relationship between the literary author and the characters, and with reality.
These texts come from Wikipedia.
Wikipedia:Text of the GNU Free Documentation License
1 insanity | |
n.疯狂,精神错乱;极端的愚蠢,荒唐 | |
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2 protagonist | |
n.(思想观念的)倡导者;主角,主人公 | |
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3 warfare | |
n.战争(状态);斗争;冲突 | |
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4 toll | |
n.过路(桥)费;损失,伤亡人数;v.敲(钟) | |
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5 culminates | |
v.达到极点( culminate的第三人称单数 ) | |
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6 narrative | |
n.叙述,故事;adj.叙事的,故事体的 | |
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7 punitive | |
adj.惩罚的,刑罚的 | |
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8 deserted | |
adj.荒芜的,荒废的,无人的,被遗弃的 | |
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9 massacre | |
n.残杀,大屠杀;v.残杀,集体屠杀 | |
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10 delves | |
v.深入探究,钻研( delve的第三人称单数 ) | |
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11 colonizer | |
殖民者,殖民地开拓者,移民 | |
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12 colonized | |
开拓殖民地,移民于殖民地( colonize的过去式和过去分词 ) | |
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13 desolate | |
adj.荒凉的,荒芜的;孤独的,凄凉的;v.使荒芜,使孤寂 | |
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14 meek | |
adj.温顺的,逆来顺受的 | |
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15 rift | |
n.裂口,隙缝,切口;v.裂开,割开,渗入 | |
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16 muddling | |
v.弄乱,弄糟( muddle的现在分词 );使糊涂;对付,混日子 | |
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17 barbarian | |
n.野蛮人;adj.野蛮(人)的;未开化的 | |
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18 barbarians | |
n.野蛮人( barbarian的名词复数 );外国人;粗野的人;无教养的人 | |
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19 magistrate | |
n.地方行政官,地方法官,治安官 | |
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20 sinister | |
adj.不吉利的,凶恶的,左边的 | |
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21 rumours | |
n.传闻( rumour的名词复数 );风闻;谣言;谣传 | |
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22 plight | |
n.困境,境况,誓约,艰难;vt.宣誓,保证,约定 | |
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23 cremated | |
v.火葬,火化(尸体)( cremate的过去式和过去分词 ) | |
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24 vows | |
誓言( vow的名词复数 ); 郑重宣布,许愿 | |
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25 convoys | |
n.(有护航的)船队( convoy的名词复数 );车队;护航(队);护送队 | |
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26 ransacks | |
v.彻底搜查( ransack的第三人称单数 );抢劫,掠夺 | |
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27 belongings | |
n.私人物品,私人财物 | |
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28 scatters | |
v.(使)散开, (使)分散,驱散( scatter的第三人称单数 );撒 | |
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29 cape | |
n.海角,岬;披肩,短披风 | |
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30 farmhouse | |
n.农场住宅(尤指主要住房) | |
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31 foe | |
n.敌人,仇敌 | |
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32 ashore | |
adv.在(向)岸上,上岸 | |
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33 memoir | |
n.[pl.]回忆录,自传;记事录 | |
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34 evade | |
vt.逃避,回避;避开,躲避 | |
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35 creditors | |
n.债权人,债主( creditor的名词复数 ) | |
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36 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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37 narration | |
n.讲述,叙述;故事;记叙体 | |
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38 depicts | |
描绘,描画( depict的第三人称单数 ); 描述 | |
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39 tragic | |
adj.悲剧的,悲剧性的,悲惨的 | |
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40 metaphor | |
n.隐喻,暗喻 | |
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41 raped | |
v.以暴力夺取,强夺( rape的过去式和过去分词 );强奸 | |
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42 brutally | |
adv.残忍地,野蛮地,冷酷无情地 | |
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43 vegetarianism | |
n.素食,素食主义 | |
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44 discourse | |
n.论文,演说;谈话;话语;vi.讲述,著述 | |
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