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Now, an ambitious new idea began to take hold in Lewis Williams' mind because he was aware that there were other rock paintings which were very similar to those painted by the San. These were many thousands of years older, the earliest pictures ever created. And they were in Europe.
For many years I've also been interested in the cave paintings in France and Spain, the upper Paleolithic paintings. And one of the things that is really striking is the similarity between the rock paintings in Europe and the Southern African rock art.
Just like the San's obsession1 with the eland, prehistoric2 cave artists had also been captivated by a few key animals. And as with the images in South Africa, European paintings seem to graft3 features of animals onto the human body to create strange new creatures. But above all, there was one inexplicable4 feature shared by both San and European paintings which intrigued5 Lewis Williams.
What we've got here is a tracing of a painting made by the San Bushmen, probably about 200 years ago. It shows a picture of an eland with some San figures surrounding the animal, but there is also something else. The artist has scattered6 dots across the whole image. Ring any bells? Well, just take a look at this. It's a drawing of those two horses that we saw down in the caves in Pech Merel. And that too has got this strange patterning of spots all over it.
Just 200 years ago on rock walls in Africa, the San were creating the same abstract patterns as those painted tens of thousands of years ago in the caves in Europe. But why? What made people from completely different parts of the world and thousands of years apart come up with such strikingly similar geometric patterns? Lewis Williams began to wonder if the answer lay not so much in the art as in the brains of the people who generated it.
Now, in Southern Africa we knew that the art came out of trance experience, altered states of consciousness. So, it's a simple matter then, of course, to turn to people who have studied altered states of consciousness in laboratory work and ask them what happens to the brain when, when people go into an altered state. And it was then that we learnt that when people're going into an altered state, the first thing they see is zigzag7 lines, bright flashing zigzag lines as in a migraine headache, for example. And , or clouds of dots or grids8, and they see these things because they are wired into the human brain.
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words to remember:
1.upper paleolithic: 上古时期
2.migraine headache: 偏头痛
1 obsession | |
n.困扰,无法摆脱的思想(或情感) | |
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2 prehistoric | |
adj.(有记载的)历史以前的,史前的,古老的 | |
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3 graft | |
n.移植,嫁接,艰苦工作,贪污;v.移植,嫁接 | |
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4 inexplicable | |
adj.无法解释的,难理解的 | |
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5 intrigued | |
adj.好奇的,被迷住了的v.搞阴谋诡计(intrigue的过去式);激起…的兴趣或好奇心;“intrigue”的过去式和过去分词 | |
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6 scattered | |
adj.分散的,稀疏的;散步的;疏疏落落的 | |
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7 zigzag | |
n.曲折,之字形;adj.曲折的,锯齿形的;adv.曲折地,成锯齿形地;vt.使曲折;vi.曲折前行 | |
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8 grids | |
n.格子( grid的名词复数 );地图上的坐标方格;(输电线路、天然气管道等的)系统网络;(汽车比赛)赛车起跑线 | |
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