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(单词翻译:双击或拖选)
TERRY GROSS, HOST:
This is FRESH AIR. In his latest book, "Deep Down Dark," novelist and Pulitzer Prize-winning journalist Hector Tobar recounts the full story of a disaster that many of us know only the ending of. Our book critic, Maureen Corrigan, has a review.
MAUREEN CORRIGAN, BYLINE1: The disaster began on a day shift around lunchtime at a mine in Chile's Atacama Desert. Miners working deep inside a mountain, excavating2 for copper3, gold and other minerals, started feeling vibrations4. Suddenly, there was a massive explosion, and the passageways of the mine filled up with a gritty dust cloud. When the dust settled, the men discovered the source of the explosion, a single block of stone as tall as a 45-story building had broken off from the rest of the mountain and had fallen through the layers of the mine, causing a chain reaction as the mountain above it began collapsing5 too. Thirty-three miners were sealed inside the mountain by this mega block of stone, some 770,000 tons of it, twice the weight of the Empire State Building.
Staring at that smooth wall, Luis Urzua, the crew's supervisor6, thought it was like the stone they put over Jesus's tomb. If the beginning of this horror tale seems the stuff of legend or nightmare, the conclusion is reassuringly7 familiar because some 1 billion of us viewers around the world watched it unfold on live TV. On October 13, 2010, all 33 of those Chilean miners, trapped for 69 days inside the San Jose Mine, were raised to the surface of the earth, resurrected through a newly-drilled escape tunnel into which a capsule was slowly lowered and raised by a giant crane. It was a feat8 of engineering and a triumph of faith. Neither the miners, buried under half a mile of rock, nor their families, above ground in a makeshift tent-city called Campo Esperanza, Camp Hope, ever completely succumbed9 to despair despite the fact that for 17 days, before a drill finally broke through to the refuge, the room where the men were gathered, no one knew whether they were alive or not.
Before they left the refuge, all 33 men recognized that their story was their most precious possession and agreed to share the proceeds of any book or movie made about them. The movie, starring Antonio Banderas and Juliette Binoche, is in the works. The book has just come out. It's called, "Deep Down Dark," and it's written by Hector Tobar. As real life, extreme adventure tales go, this one is a doozy - the equal, if the geographical10 inverse11, of "Into Thin Air," Jon Krakauer's 1999 blockbuster about the Mount Everest climbing disaster. Tobar had exclusive access to the miners. And while that kind of snug12 situation inevitably13 places some constraints14 on a storyteller, Tobar complicates15 the purely16 uplifting version of the men's ordeal17, describing occasional resentments18 and petty thievery. Nonetheless, the most inspiring aspect of the miners' behavior was their almost immediate19 decision to act in solidarity20. On the first day of their entombment, supervisor Urzua took off his distinctive21, white helmet and announced to his workers, we are all equal now; there are no bosses and employees.
Some of the miners regarded Urzua's act as an abdication22 of responsibility. Others saw it as a crucial factor that inspired their collective behavior and survival. The men organized themselves into work shifts, participated in daily prayer sessions and rationed23 their emergency food supply into one meal a day of two cookies and a spoonful of tuna fish, augmented24 by water drained from industrial waste containers. Above ground, the mostly female crowd of the miners' families acted collectively too, banging pots and pans to get attention and shouting, we want information, in police officers' faces. Tobar occasionally inserts poetic25 commentary into this narrative26, such as when he says of the first moments of the miners' entombment that the outside has slipped into the was because now the men live in a present, and perhaps a forever, of darkness. Mostly, though, Tobar wisely sticks to the journalistic method of marshaling as many details of the claustrophobic horror as he can to make the mine and the men's ordeal vivid to the reader. He succeeds. You're made of sterner stuff than I am if, as a reader, you can keep from tearing up at that glorious moment on day 17 when engineers on the surface draw up that rescue drill and discover a note tied to the bit that reads, we are well in the refuge, signed, The 33.
GROSS: Maureen Corrigan teaches literature at Georgetown University and is the author of the new book, "So We Read On: How The Great Gatsby Came To Be And Why It Endures." She reviewed "Deep Down Dark," by Hector Tobar.
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1 byline | |
n.署名;v.署名 | |
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2 excavating | |
v.挖掘( excavate的现在分词 );开凿;挖出;发掘 | |
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3 copper | |
n.铜;铜币;铜器;adj.铜(制)的;(紫)铜色的 | |
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4 vibrations | |
n.摆动( vibration的名词复数 );震动;感受;(偏离平衡位置的)一次性往复振动 | |
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5 collapsing | |
压扁[平],毁坏,断裂 | |
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6 supervisor | |
n.监督人,管理人,检查员,督学,主管,导师 | |
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7 reassuringly | |
ad.安心,可靠 | |
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8 feat | |
n.功绩;武艺,技艺;adj.灵巧的,漂亮的,合适的 | |
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9 succumbed | |
不再抵抗(诱惑、疾病、攻击等)( succumb的过去式和过去分词 ); 屈从; 被压垮; 死 | |
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10 geographical | |
adj.地理的;地区(性)的 | |
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11 inverse | |
adj.相反的,倒转的,反转的;n.相反之物;v.倒转 | |
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12 snug | |
adj.温暖舒适的,合身的,安全的;v.使整洁干净,舒适地依靠,紧贴;n.(英)酒吧里的私房 | |
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13 inevitably | |
adv.不可避免地;必然发生地 | |
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14 constraints | |
强制( constraint的名词复数 ); 限制; 约束 | |
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15 complicates | |
使复杂化( complicate的第三人称单数 ) | |
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16 purely | |
adv.纯粹地,完全地 | |
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17 ordeal | |
n.苦难经历,(尤指对品格、耐力的)严峻考验 | |
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18 resentments | |
(因受虐待而)愤恨,不满,怨恨( resentment的名词复数 ) | |
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19 immediate | |
adj.立即的;直接的,最接近的;紧靠的 | |
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20 solidarity | |
n.团结;休戚相关 | |
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21 distinctive | |
adj.特别的,有特色的,与众不同的 | |
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22 abdication | |
n.辞职;退位 | |
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23 rationed | |
限量供应,配给供应( ration的过去式和过去分词 ) | |
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24 Augmented | |
adj.增音的 动词augment的过去式和过去分词形式 | |
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25 poetic | |
adj.富有诗意的,有诗人气质的,善于抒情的 | |
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26 narrative | |
n.叙述,故事;adj.叙事的,故事体的 | |
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