-
(单词翻译:双击或拖选)
[00:01.83]Aeschylus:The Father of Greek Tragedy
[00:04.78]Aeschylus was the first known dramatist to use
[00:09.09]more than one character in his plays,
[00:11.82]and he therefore invented the concept of dialogue between characters.
[00:16.20]Before Aeschylus, plays consisted of one protagonist1
[00:20.02]and were narrated2 by the chorus.
[00:21.99] Some plays had a chorus of only one actor,
[00:25.05]while others used a large group.
[00:27.46]Aeschylus' plays also feature a chorus,
[00:30.74]but the majority of the stories are told through dialogue.
[00:33.80]Many typical dramatic concepts, such as props3, scenery, and costumes,
[00:39.05] also originated in Aeschylus' works.
[00:41.57] He also invented the dramatic trilogy.
[00:44.41] His tragedies were performed in sequences of three plays
[00:47.91] stretched out over time. After each trilogy was concluded,
[00:51.85] he staged a comedy called a "satyr drama".
[00:54.80] In a typical satyr drama,
[00:57.10]the characters are mythological4 creatures and the chorus is a satyr,
[01:01.36]a mischievous5 creature that is half-man, half-goat.
[01:04.97]The language and meter used by Aeschylus in his plays
[01:08.58]was the forerunner6 of blank verse, or unrhymed iambic pentameter.
[01:13.39] Blank verse became the dominant7 poetic8 and dramatic style
[01:17.44]of the English literary renaissance9,
[01:19.63]which occurred nearly 2 100 years after Aeschylus.
[01:23.46]Writers such as William Shakespeare,
[01:25.97]John Milton and Christopher Marlowe almost exclusively
[01:29.80] used blank verse in their famous works.
[01:32.09] Alexandrine, another writing style, is also derived10 from Aeschylus' verse.
[01:38.00]Dramatic themes such as revenge, deceit, jealousy11, suffering, guilt12,
[01:44.89]and forgiveness are central to Aeschylus' work.
[01:48.28] Many of his plays include instances
[01:50.90] in which the gods punish mankind for attempting to be godlike.
[01:54.63] These themes were popularized in Aeschylus' tragedies,
[01:58.12]and have been common ever since.
[02:00.31]His seven known plays are divided into one complete trilogy and four additional works.
[02:06.54] "The Suppliant13 Women" is the only surviving part of the lost Danaüs trilogy.
[02:12.24] "The Persians" (472 B.C.) is his next known work,
[02:17.54]and concerns the wars between Greece and Persia.
[02:20.50] "The Seven Against Thebes" (467 B.C.)
[02:25.24]is the last part of his lost trilogy dealing14 with the life of Oedipus.
[02:29.29]Aeschylus traveled to Sicily several times during his life,
[02:33.11]and on his last voyage he did not return.
[02:35.96]He died at Gela, Sicily, in 456 B.C.
[02:40.66] A monument commemorating15 the "father of Greek tragedy"
[02:44.16]was erected16 at the site of his death.
1 protagonist | |
n.(思想观念的)倡导者;主角,主人公 | |
参考例句: |
|
|
2 narrated | |
v.故事( narrate的过去式和过去分词 ) | |
参考例句: |
|
|
3 props | |
小道具; 支柱( prop的名词复数 ); 支持者; 道具; (橄榄球中的)支柱前锋 | |
参考例句: |
|
|
4 mythological | |
adj.神话的 | |
参考例句: |
|
|
5 mischievous | |
adj.调皮的,恶作剧的,有害的,伤人的 | |
参考例句: |
|
|
6 forerunner | |
n.前身,先驱(者),预兆,祖先 | |
参考例句: |
|
|
7 dominant | |
adj.支配的,统治的;占优势的;显性的;n.主因,要素,主要的人(或物);显性基因 | |
参考例句: |
|
|
8 poetic | |
adj.富有诗意的,有诗人气质的,善于抒情的 | |
参考例句: |
|
|
9 renaissance | |
n.复活,复兴,文艺复兴 | |
参考例句: |
|
|
10 derived | |
vi.起源;由来;衍生;导出v.得到( derive的过去式和过去分词 );(从…中)得到获得;源于;(从…中)提取 | |
参考例句: |
|
|
11 jealousy | |
n.妒忌,嫉妒,猜忌 | |
参考例句: |
|
|
12 guilt | |
n.犯罪;内疚;过失,罪责 | |
参考例句: |
|
|
13 suppliant | |
adj.哀恳的;n.恳求者,哀求者 | |
参考例句: |
|
|
14 dealing | |
n.经商方法,待人态度 | |
参考例句: |
|
|
15 commemorating | |
v.纪念,庆祝( commemorate的现在分词 ) | |
参考例句: |
|
|
16 ERECTED | |
adj. 直立的,竖立的,笔直的 vt. 使 ... 直立,建立 | |
参考例句: |
|
|