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From the 11th century, Kashmir, part of the Ladakh and much of the northeast India were being converted to Islam. For the next 300 years, Islam spread throughout most of the Indian subcontinent. As the Muslims advanced, they sacked Buddhist1 temples and persecuted2 the development. Artists, scholars and monks3 fled in fear. And it was Guge that they fled to, because here they found sanctuary4.
Buddhism5 flourished in Guge for two reasons. One was the fulfillment of the dream of the Tibetan emperors, the other was the need of the intellectual community in India to find a safe and secure home. Guge was able to cater6 to both.
And with these devotees came artisans, leading to explosions of creativity. Frescoes7 hidden across the ancient Guge ruins offer the glimpse of these heyday8 times. Not unlike Medici Florence during the Renaissance9, foreign artists from across the Buddhist world brought their own distinctive10 style of art, and here influenced each other, copying and fusing styles, ultimately creating an entirely11 new direction in art: the Guge school.
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1 Buddhist | |
adj./n.佛教的,佛教徒 | |
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2 persecuted | |
(尤指宗教或政治信仰的)迫害(~sb. for sth.)( persecute的过去式和过去分词 ); 烦扰,困扰或骚扰某人 | |
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3 monks | |
n.修道士,僧侣( monk的名词复数 ) | |
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4 sanctuary | |
n.圣所,圣堂,寺庙;禁猎区,保护区 | |
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5 Buddhism | |
n.佛教(教义) | |
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6 cater | |
vi.(for/to)满足,迎合;(for)提供饮食及服务 | |
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7 frescoes | |
n.壁画( fresco的名词复数 );温壁画技法,湿壁画 | |
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8 heyday | |
n.全盛时期,青春期 | |
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9 renaissance | |
n.复活,复兴,文艺复兴 | |
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10 distinctive | |
adj.特别的,有特色的,与众不同的 | |
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11 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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12 stunning | |
adj.极好的;使人晕倒的 | |
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13 depict | |
vt.描画,描绘;描写,描述 | |
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14 influx | |
n.流入,注入 | |
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