美国国家公共电台 NPR Why This High School Band Is Only Buying Music From Composers Of Color（在线收听）

SCOTT SIMON, HOST:

Students at one high school outside of St. Paul, Minn., are getting ready for their next big band concert. They're busy studying the music, of course, but also the composers. And this year, those composers don't look like they have in years past. Solvejg Wastvedt from Minnesota Public Radio has the story.

(SOUNDBITE OF MUSIC)

SOLVEJG WASTVEDT, BYLINE: A bulletin board at the front of the band room is covered with photos of composers, the composers the Spring Lake Park High School bands are playing this year.

(SOUNDBITE OF MUSIC)

WASTVEDT: Kia Muleta plays clarinet She's a junior, and she's been playing since fifth grade. She says in band, the students sitting around her are usually white. Kia is black. And she says the composers they play are also usually white, and they're usually men.

KIA MULETA: There's a kind of, like, ideological segregation of who can and cannot be in band based on who the composers are and what the music is like and what the experiences of those composers are like.

WASTVEDT: But this year, some of that changed. The bulletin board has several pictures of composers of color and women. Brian Lukkasson, one of the school's band directors, says it's an intentional pledge - include at least one piece by a female composer and one by a composer of color in each concert. And when ordering new music...

BRIAN LUKKASSON: Yeah, we made a commitment this year to only buy music from composers of color.

WASTVEDT: How's it going?

LUKKASSON: It's hard. It's really hard to find music because there's just not a lot of composers of color that are being published.

WASTVEDT: But that's not because those composers aren't writing for band.

YOLANDA WILLIAMS: In the United States, there's a very tight hold over who are the accepted composers.

WASTVEDT: Yolanda Williams teaches at the University of Minnesota, and she says that composers of color and women are shut out of the canon. They're also often stereotyped.

WILLIAMS: Rather than assuming black people wrote spirituals and wrote jazz pieces, they also wrote operas and symphonies and string quartets.

WASTVEDT: The Spring Lake Park selections defied those assumptions. Lukkasson's group is learning a piece called "Diamond Tide" by Vietnamese-American composer Viet Cuong. By their March concert, it should sound something like this recording Cuong provided of the University of Mary Hardin-Baylor Wind Ensemble.

(SOUNDBITE OF UNIVERSITY OF MARY HARDIN-BAYLOR WIND ENSEMBLE'S PERFORMANCE OF VIET CUONG'S "DIAMOND TIDE")

WASTVEDT: Lukkasson networks with his colleagues to find these new composers.

LUKKASSON: They're not being forced to write music that sounds like their own culture or their own history. They're able to just use that culture and that history as a lens to interpret the way the art is going.

(SOUNDBITE OF UNIVERSITY OF MARY HARDIN-BAYLOR WIND ENSEMBLE'S PERFORMANCE OF VIET CUONG'S "DIAMOND TIDE")

WASTVEDT: Nora Tycast, the other band director, raises her baton for a song called "Of Honor And Valor Eternal." It's by Ayatey Shabazz, a black composer from Mississippi.

(SOUNDBITE OF SPRING LAKE PARK HIGH SCHOOL BAND'S PERFORMANCE OF AYATEY SHABAZZ'S "OF HONOR AND VALOR ETERNAL")

WASTVEDT: The piece is a tribute to the Tuskegee Airmen. And Tycast takes the chance to educate her students about that history.

NORA TYCAST: Think those triplets through di dah di (ph).

The more you practice talking about race and culture and ethnicity, the more comfortable you are. And we have this platform in ninth, 10th and 11th grade and 12th grade in order to allow students to practice those conversations.

WASTVEDT: Kia Muleta says the mix of composers on the class bulletin board may seem like a small thing, but to her it's clearly not.

MULETA: I really, really want students of color to just feel like they are welcomed and appreciated anywhere, that they don't have to check themselves at the door wherever they go. And I'm sorry, I don't mean to get emotional, but I feel like that's what happens everywhere, like whether - even in a place like band where it doesn't seem like a big deal, it feels like a big deal.

WASTVEDT: She says new faces up front are a signal that difference is welcome here. For NPR News, I'm Solvejg Wastvedt.

(SOUNDBITE OF SPRING LAKE PARK HIGH SCHOOL BAND'S PERFORMANCE OF AYATEY SHABAZZ'S "OF HONOR AND VALOR ETERNAL")