美国国家公共电台 NPR(在线收听) |
RACHEL MARTIN, HOST: So when you're the host based in LA - I'm looking at you, David Greene - you're the one who gets assigned to go to the famous Capitol Studios and interview the piano player with a new album out. JEFF GOLDBLUM: (Playing piano, vocalizing). DAVID GREENE, BYLINE: Yeah, and it's just not any piano player. GOLDBLUM: (Playing piano). GREENE: That is Jeff Goldblum, Hollywood actor by day - maybe you know him from "Jurassic Park" and "Independence Day" - but jazz pianist by night. We met in a studio that has had some pretty iconic musicians pass through. GOLDBLUM: (Playing piano, vocalizing). This is a lovely piano to play on. I mean, I'm no connoisseur, but I do have my likes. And to do that and to hear - listen, those little bells up there - is very - this is a Steinway. (Playing piano) And I'll bet everybody's played on this. You know, these guys in the booth would tell us whose fingers were... UNIDENTIFIED PERSON #1: That's Nat's piano. GOLDBLUM: Who? Who? UNIDENTIFIED PERSON #1: Nat King. GOLDBLUM: Nat King Cole played this piano. UNIDENTIFIED PERSON #1: There's a sticker that says, it's mine, Nat. GOLDBLUM: Can you imagine? Nat King Cole, it's mine. Maybe before I leave, I should sign it, no, it's mine. GREENE: You should sign, no, it's mine (laughter). GOLDBLUM: Now it's mine. (SOUNDBITE OF MUSIC) GREENE: Now, what Jeff Goldblum does own is Wednesday nights in LA. When he's not busy on a movie set, he'll hold these casual performances at a club - entertaining, playing, just being, well, Jeff Goldblum. He's accompanied by what he calls the Mildred Snitzer Orchestra. And their new album is the Capitol Studio Sessions. They recorded it here. GOLDBLUM: This is - you know, this is the scene of the crime. This is Studio B. And the Beatles and the Rolling Stones and Frank Sinatra, I think they were right here where we stand. And we put the stage - so-called - was over there. And there was a little food buffet over there. And we were recorded here. GREENE: You recreated a club, like, right... GOLDBLUM: Yeah. It was perfect. (SOUNDBITE OF MUSIC) GOLDBLUM: You heard the album. GREENE: I did. GOLDBLUM: No kidding - did you like it? GREENE: Yes. I loved it. (SOUNDBITE OF SONG, "JEFF INTRODUCES SARAH SILVERMAN (LIVE)") GOLDBLUM: Sarah. Sarah. SARAH SILVERMAN: Let's get jazzy. GREENE: OK, so list of people I didn't realize could do jazz - one, Jeff Goldblum; two, comedian Sarah Silverman. I think the Sarah Silverman duet might be the most fun. GOLDBLUM: How about that? (SOUNDBITE OF SONG, "ME AND MY SHADOW (LIVE)") GOLDBLUM: (Singing) Like the wallpaper sticks to the wall. SILVERMAN: (Singing) Like the seashore clings to the sea. GOLDBLUM: (Singing) Like you'll never get rid of your shadow, Sarah. SILVERMAN: (Singing) Jeff, you'll never get rid of me. GOLDBLUM: We were making lists. I said, how about Sarah Silverman? I think she's - you know, we could have fun together, and it's fun. But she's a wonderful - she's very musical. She's wonderful. GREENE: Oh, it's such a - the song is such a conversation, which is so critical in, like, a great jazz duet. GOLDBLUM: Oh, thanks. It was snappy, wasn't it? (SOUNDBITE OF SONG, "ME AND MY SHADOW (LIVE)") JEFF GOLDBLUM AND SARAH SILVERMAN: (Singing) For my shadow and me. GREENE: Now, maybe you're wondering who Mildred Snitzer is. I certainly was. Well, it turns out Goldblum named the group after a family friend back in Pittsburgh, where he grew up. That is when jazz started to really turn him on, when he was a teenager. GOLDBLUM: And some of these (playing piano) chords, you know, started to do something to me that I hadn't, you know, experienced before. And that was just delicious to me. When I discovered that blues scale - (playing piano, humming) - you know, my God, can you imagine? So I learned a little bit about that, got to start to play things and then took it - listen to this. What a strange boy I was. I, when I was 15, got the Yellow Pages, looked up cocktail lounges. GREENE: (Laughter) At 15. GOLDBLUM: Yes, sir. And then from - went from - starting with A and going down to Z, I cold called - I thought I was some kind of scammy salesman or something like that - and said, hi; this is - I understand you need a piano player. Most of them would say, no, you've been misinformed. I don't know - where'd you get that? Who's this? Hang up on me. Some would say, well, jeez; I don't know where you heard that. We have a piano. Nobody's been playing it. You play. And so I did, and I got a couple of jobs. It was magical. (SOUNDBITE OF JEFF GOLDBLUM'S "I WISH I KNEW (HOW IT WOULD FEEL TO BE FREE) (LIVE)") GREENE: Are you this inspired and enthusiastic about being on a movie set? GOLDBLUM: Yes. Yes, I am. You know, there's a cross-training aspect of this so that my music, you know, what - I'm just doing it for fun without nerves, really - mostly just kind of (playing piano) excitement. It has bled over into my acting experience. GREENE: Oh, interesting... GREENE: Yeah. GREENE: ...In what way? GOLDBLUM: Well, you know, I have nothing to prove. I feel like it, you know, (laughter) lives in me in the same way. GREENE: Were you not always that way? GOLDBLUM: No. I didn't feel like a fraud exactly. But I felt like I had to shock myself into functionality, you know? And I felt I had to rearrange my molecules and achieve some kind of condition of freedom or aliveness in order to be worthy of participation in these, in some show or another. GREENE: It's like the opposite of being comfortable in your skin. You weren't... GOLDBLUM: Something like that. The seeds of me knowing myself were there, but it was unformed. And I had a right to be scared... GREENE: Well, speaking of your comfort... GOLDBLUM: ...And uncomfortable and insecure. GREENE: ...Your comfort zone today, I wonder if you could take us to the Wednesday night sessions. I mean, I've read that you give so much to people. Like, they come, and you talk to them, and they have a chance to get photographs with you. Like, what are you getting out of it? GOLDBLUM: I love it. It has become a kind of an improvised show of some kind, where I commune with people and meet them. And interesting people show up. It's a kind of a living room experience that we turn it into, like - nobody's turning on the lights or introducing me. I kind of start talking and taking pictures with them and then finding out who they are and playing games with them, which I like to do. And it's like that. And... GREENE: Why do you take every single picture that everyone wants? GOLDBLUM: Well, sometimes, not every single picture, but people seem to get a kick out of it. And I - and then I go on #JeffGoldblum, my Instagram account, and see if they've posted anything and... GREENE: Yeah. GOLDBLUM: Yeah, I'm kind of an idiot. GREENE: (Laughter) You just want to, like, see what the feedback was or... GOLDBLUM: Yeah - and see how I looked the night before, see how they looked, see if there are people I can remember. Oh, yeah. They were nice. They were there. GREENE: That's lovely. GOLDBLUM: Yeah. (SOUNDBITE OF MUSIC) GREENE: Jeff Goldblum - the new album Jeff Goldblum and the Mildred Snitzer Orchestra "The Capitol Studio Sessions" is out today. |
原文地址:http://www.tingroom.com/lesson/npr2018/11/455634.html |