纪录片《大英博物馆世界简史》 070复活节岛雕像（9）（在线收听）

It's not often that you see ecological change recorded in stone. There is, I think, something very poignant in this dialogue between the two sides of Hoa Hakananai'a, a sculpted lesson that no way of living or thinking can endure forever. His face speaks of the hope that we all have of unchanging certainty, his back of the shifting expedients that have always been the reality of life. He is Everyman.

And Everyman is usually a survivor. The Easter Islanders seem to have adapted reasonably well to their changing ecological circumstances, as Polynesians have always had to. But in the nineteenth century, there were challenges of a completely different order. From across the sea came slavery, disease and Christianity. When the British ship, HMS Topaze, pulled in to shore in 1868, there were only a few hundred people left on the island. The chiefs, by now baptised, presented Hoa Hakananai'a to the officers of the Topaze. We don't know why they wanted him to leave the island, but perhaps the old ancestral sculpture was seen as a threat to the new Christian faith. A troop of islanders moved him to the ship, and he was taken to England to be presented to Queen Victoria, and then sent to be housed here at the British Museum. He stands facing south, looking towards Rapa Nui, over eight and a half thousand miles away.

在石头上记录生态的变迁十分罕见。而这是何瓦何卡纳奈阿正面与背面雕刻的对话中最令人悲伤的一点。它是一个教训，告诉我们没有任何生活或思维方式能永久持续。它的脸上是我们坚定不移地抱持着的希望，而背后记录的则是面对现实时不得不采取的各种权宜之计，然而这才是生活。它就是凡人。

而凡人通常能够幸存。复活节岛上的居民似乎已经很好地适应了不停变化的生态环境。波利尼西亚人一向长于此道。但十九世纪时，他们又迎来了全新的挑战一奴隶、疾病与基督教跨越重洋到来。一八六八年，英格兰皇家海军巡防舰“托帕兹”号抵达之时，岛上仅剩数百人。已成为基督教徒的首领将何瓦·何卡纳奈阿送给了船上的官员。我们不了解他们为什么愿意将它送走，也许这种古老的先祖雕像对新来的基督教信仰是一种威胁。它被一队岛民送上船，载到英国，作为礼物献给了维多利亚女王，之后被送到大英博物馆收藏。它面朝东南方，正对着一万四千公里外的拉帕努伊岛的方向。