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EXPLORATIONS - July 10, 2002: National Museum of the American Indian
By Marilyn Christiano
EXP-American Indian Museum (RealAudio)
VOICE ONE:
This is Mary Tillotson.
VOICE TWO:
And this is Steve Ember with the VOA Special English program, EXPLORATIONS. Today we tell about plans
for the new Museum of the American Indian. It will open in two-thousand-four near the Capitol building in
Washington, D.C.
((THEME))
VOICE ONE:
“This museum is being given birth, not being planned . The land where it will sit
has a spirit
.
This museum has to be connected not only to us, but to our
children.
”
These are the words of a Hopi Indian talking about the new National
Museum of the American Indian. The building is rising along the National Mall in
the center of Washington, D.C.
The museum is to be a gathering1 place for living cultures. Its goal is to save, study and show the life, languages,
history and arts of the Native people of North, Central and South America.
The most important words in the museum’s goal are “living cultures.
”
Museums usually are storehouses of
objects from the past. Museum experts and scientists are responsible for explaining and describing objects in the
museums.
This museum will show American Indian objects from the past, and also from the present. The explanations
about the meaning and importance of the objects will be provided2 by Native people. Members of these living
cultures are playing an important part in creating the new museum and deciding what will be shown to the public
and how it will be shown.
VOICE TWO:
Richard West has been the director of the Museum of the American Indian since nineteen-ninety. He is a member
of the southern Cheyenne tribe3. Mister4 West says the museum will show the success of Native people in keeping
their way of life and overcoming pressures against them. He says it “will be a place to show and tell the world
who we are and to use our own voices in the telling.
”
Building the museum in the very heart of the nation’s capital represents a kind of cultural justice. It is
considered a sign of a long delayed cooperation between people whose ancestors came to these shores and people
who were already here.
VOICE ONE:
The National Museum of the American Indian contains about eight-hundred-thousand objects. They are from the
collection of one man, American businessman George Gustav Heye (HIGH). He spent the first fifty years of the
last century gathering American Indian objects to create one of the largest collections in the world. The material
he collected from the far northern Arctic5 Circle to the southern tip of South America has great artistic6, historic7
and cultural meaning.
In nineteen-twenty-two, the Heye Foundation8 opened a private museum in New York City to show the collection.
(Photo - Smithsonian)
However, the museum had space to show the public only a small part of the collection. The foundation did not
have enough money to expand the museum or to correctly care for the huge number of objects being stored. After
years of negotiations9, agreement was reached to make the Heye Foundation Museum of the American Indian part
of the Smithsonian Institution. Congress10 passed legislation11 approving the move in Nineteen-Eighty-Nine.
In nineteen-ninety-four, the George Gustav Heye Center of the National Museum of the American Indian opened
in the old Custom House in New York City. It is one of the most visited museums in New York. It will continue
to offer major exhibits12 and public programs.
((MUSIC BRIDGE))
VOICE TWO:
Thomas Sweeney is the head of public relations for the National Museum of the American Indian. He says tribal13
representatives from the United States, Canada, Mexico, Central and South America were asked for their ideas
about the new building. Their suggestions were recorded in a guide called “The Way of the People.” They said
the building needed roundness, light and open space, natural materials, water and plants.
The finished design includes all this. The building will cover only about twenty-five percent of the two hectares
of land that surrounds it. It will fit into the setting14 on the Mall, yet show traditional American Indian values. The
outside wall is made of different size blocks of gray limestone15. It looks like waves of stone. The wall seems to
flow as if formed by wind and water. Glass window areas extend16 the length of the stone wall to provide light and
a connection between inside and out.
VOICE ONE:
The main entrance to the building faces east, like the doorway17 in a traditional American Indian home. The
building will be surrounded by trees like those from a local hardwood forest and a grassy18 area called a meadow19.
Native American crops
–
beans, corn and squash20
–
will be grown.
Water will be very much a part of the building’s surroundings21. It will flow over and around some huge rocks
and continue down to a small, round lake area. The rocks are called grandfather rocks. They show the respect of
Native Americans for ancient things that existed in the area long before people arrived.
VOICE TWO:
Visitors to the museum will enter a large central circular22 space. It has a rounded top more than thirty-three meters
up that is similar to the dome23 of the nearby Capitol building. This area is called Potomac, which in the native
local language means, ”place where the goods are brought in.
”
Live demonstrations24 like canoe25 building, story telling, music, and dance will take place here. The public will be
able to experience the living traditions and skills of Native people.
VOICE ONE:
The exhibition areas are called Our Universes, Our Peoples and Our Lives. Our Universes explores Native
peoples’ theories about the world around them and their spiritual worlds. It will contain objects and stories to
educate visitors about the values and beliefs of eight different native cultures.
In Our Peoples, twelve different Native communities will present their tribal histories. They will choose the
objects, pictures, songs and other materials from the museum’s collections to tell about their past and their
present.
Our Lives will examine the differences among Native cultures. It will look at relationships in the family and
community.
VOICE TWO:
The new Museum of the American Indian will have two theaters. In the performing arts theater, three-hundred
people will be able to watch Native dance theater and other performances. The other theater will show a film
explaining the museum.
Hungry visitors will be able buy food at the Mitsitam (MIT-zi-tom) Café, whose name in the local Indian
language means, “Let’s eat.” Handmade Native arts and crafts26, books and games will be sold in the
museum’s gift shop.
((MUSIC BRIDGE))
VOICE ONE:
Another important part of the National Museum of the American Indian is the Cultural Resources Center. It
opened in nineteen-ninety-eight in Suitland, Maryland, near Washington, D.C.
The Heye collection is being moved from the place where it is stored in New York City to the new center. In
preparation for the five-year move, museum employees began to develop a record of the condition and
description of everything in the collection.
The Cultural Resources Center is designed to honor27 the wishes of Native people about how they want the objects
cared for and protected. Native and non-Native people can do research there. And training will be given to people
who work in tribal museums.
VOICE TWO:
The resources building itself shows a Native desire to connect architecture to the environment. The roofline and
the walls suggest forms commonly found in nature such as a spider web, a butterfly wing and a shell.
Thomas Sweeney says the resources center helps both tribal communities and museum employees. Tribal
members visit the center to share their stories about the meaning and use of tribal objects. These stories educate
non-Natives, sometimes correcting theories developed years ago by collectors and non-tribal people.
VOICE ONE:
One of the most important parts of the new National Museum of the American Indian is called the Fourth
Museum. This is not a physical structure. It is the Community Services office, a link between the museum and
Native communities throughout North and South America.
Native people have been employed to work with individuals, communities and organizations to develop museum
programs. They are creating travelling exhibits, educational materials and an Internet Web site. The address is
www.americanindian.si.edu. The National Museum of the American Indian will use these to inform people
around the world about the living native cultures of the Americas.
((THEME))
VOICE TWO:
This Special English program was written by Marilyn Christiano and produced by Caty Weaver28. This is Steve
Ember.
VOICE ONE:
And this is Mary Tillotson. Join us again next week for another EXPLORATIONS program on the Voice of
America.
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1 gathering | |
n.集会,聚会,聚集 | |
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2 provided | |
conj.假如,若是;adj.预备好的,由...供给的 | |
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3 tribe | |
n.部落,种族,一伙人 | |
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4 mister | |
n.(略作Mr.全称很少用于书面)先生 | |
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5 Arctic | |
adj.北极的;n.北极 | |
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6 artistic | |
adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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7 historic | |
adj.历史上著名的,具有历史意义的 | |
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8 foundation | |
n.[pl.]地基;基础;基金会;建立,创办 | |
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9 negotiations | |
协商( negotiation的名词复数 ); 谈判; 完成(难事); 通过 | |
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10 Congress | |
n.(代表)大会;(C-:美国等国的)国会,议会 | |
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11 legislation | |
n.立法,法律的制定;法规,法律 | |
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12 exhibits | |
v.陈列,展览( exhibit的第三人称单数 );表现;显示;[法律]当庭出示(证件、物证等) | |
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13 tribal | |
adj.部族的,种族的 | |
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14 setting | |
n.背景 | |
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15 limestone | |
n.石灰石 | |
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16 extend | |
v.伸开;展开,伸展;扩大;加大 | |
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17 doorway | |
n.门口,(喻)入门;门路,途径 | |
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18 grassy | |
adj.盖满草的;长满草的 | |
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19 meadow | |
n.草地,牧草地 | |
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20 squash | |
n.壁球,摺皱不堪,拥挤嘈杂的人群,浓缩果汁,美国南瓜;vt.压扁,压制;vi.变扁,压榨 | |
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21 surroundings | |
n.周围的事物(或情况),环境 | |
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22 circular | |
adj.圆(形)的,环形的;循环的;n.传单,通报 | |
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23 dome | |
n.圆屋顶,拱顶 | |
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24 demonstrations | |
证明( demonstration的名词复数 ); 表明; 表达; 游行示威 | |
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25 canoe | |
n.独木舟;vi.乘独木舟,划独木舟 | |
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26 crafts | |
n.工艺( craft的名词复数 );行业;飞机;飞行器 | |
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27 honor | |
n.光荣;敬意;荣幸;vt.给…以荣誉;尊敬 | |
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28 weaver | |
n.织布工;编织者 | |
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