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(单词翻译:双击或拖选)
THE MAKING OF A NATION - In the 1920s, a Burst of American Art and Expression Takes Form, Not All of It Well-ReceivedBy David Jarmul
Broadcast: 2006骞?鏈?5鏃?
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VOICE ONE:
THE MAKING OF A NATION -- a program in Special English by the Voice of America.
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There were many changes in the social customs and day-to-day life of millions of Americans during the administration1 of President Calvin Coolidge.
As we saw in our last program, many young people began to challenge the traditions of their parents and grandparents. They experimented with new ideas and ways of living. People of all kinds became very interested in the new popular culture. Radio and films brought them exciting news of court trials, sports heroes, and wild parties.
However, the nineteen twenties also was one of the most active and important periods in the more serious arts. Writers, painters, and other artists produced some of the greatest work in the nation's history. Today, we will take a look at American arts during this exciting period.
VOICE TWO:
Most Americans approved strongly of the economic growth and improved living conditions during the nineteen twenties. They supported the conservative2 Republican3 policies of President Calvin Coolidge. And they had great faith in the country's business leaders and economic system.
However, many of the nation's serious artists had a different and darker view of society. They were troubled deeply by the changes they saw. They believed that Americans had become too interested in money and wealth.
These artists rejected the new business society. And they also questioned the value of politics. Many of them believed that the first world war in Europe had been a terrible mistake. These artists had little faith in the political leaders who came to power after the war. They felt a need to protest4 the way the world was changing around them.
VOICE ONE:
The spirit of protest was especially strong in serious American writing during the nineteen twenties. Many of the greatest writers of this period hated the new business culture.
One such writer was Sinclair Lewis. He was the first American to win the Nobel Prize for Literature.
Lewis wrote about Americans living in the towns and villages in the central part of the United States. Many of the people in his books were foolish men and women with empty values. They chased5 after money and popularity6. In his famous book Main Street, Lewis joked about and criticized7 small-town business owners.
H. L. Mencken
Social criticism8 also was central to the writing of the newspaper writer H. L. Mencken, from the eastern city of Baltimore. Mencken considered most Americans to be stupid and violent fools. He attacked their values without mercy.
Of course, many traditional Americans reacted strongly to such criticism. For example, some religious and business leaders attacked Mencken as a dangerous person whose words were treason9 against the United States. But many young people thought Mencken was a hero whose only crime was writing the truth.
VOICE TWO:
The work of Lewis, Mencken, and a number of other writers of the nineteen twenties has been forgotten by many Americans as the years have passed. But the period did produce some truly great writing.
One of the greatest writers of these years was Ernest Hemingway. Hemingway wrote about love, war, sports, and other subjects. He used short sentences and rough words. His style was sharper and different from traditional American writing. And his strong views about life set him apart from most other Americans.
Another major writer was F. Scott Fitzgerald. Fitzgerald wrote especially about rich Americans searching for happiness and new values. His books were filled with people who rejected traditional beliefs. His book The Great Gatsby is considered today to be one of the greatest works10 in the history of American writing.
William Faulkner
A third great writer of the nineteen twenties was William Faulkner.
Faulkner wrote about the special problems and ways of life in the American south. His books explored the emotional11 tension12 in a society still suffering from the loss of the Civil War sixty years before. Some of Faulkner's best books were The Sound and The Fury13, As I Lay Dying14 and Absalom, Absalom. Like Hemingway, he won the Nobel Prize for Literature.
VOICE ONE:
The nineteen twenties also produced the greatest writer of theater plays in American history, Eugene O'Neill.
O'Neill was an Irish-American with a dark and violent view of human nature. His plays used new theatrical15 methods and ways of presenting ideas. But they carried an emotional power never before seen in the American theater. Some of his best known plays were Mourning Becomes Electra, The Iceman Cometh and A Long Day's Journey into Night.
A number of American writers also produced great poetry during the nineteen twenties. Probably the most famous work was The Waste Land, a poem of sadness by the writer T. S. Eliot.
VOICE TWO:
There also were important changes in American painting during the nineteen twenties. Economic growth gave many Americans the money to buy art for their homes for the first time. Sixty new museums opened. Slowly, Americans learned16 about serious art.
Actually, American art had been changing in important ways since the beginning of the century.
In nineteen-oh-eight, a group of New York artists arranged a historic17 show. These artists tried to show real life in their paintings. They painted new kinds of subjects. For example, George Bellows18 painted many emotional and realistic pictures of the sport of boxing. His work, and the painting of other realistic artists, became known as the Ash Can school of art.
Another important group of modern artists was led by the great photographer Alfred Stieglitz. This group held a major art show in nineteen thirteen in New York, Chicago, and Boston. The show presented modern art from Europe. Americans got their first chance to see the work of such painters as Pablo Picasso and Georges Braque.
The show caused a huge public debate in the United States. Traditional art critics accused the organizers of the show of trying to overthrow19 Christianity and American values. Former president Theodore Roosevelt and others denounced20 the new art as a threat to the country.
However, many young American painters and art lovers21 did not agree. They became very interested in the new art styles from Europe. They studied them closely22.
Soon, Charles Demuth, Joseph Stella, and other American painters began to produce excellent art in the new Cubist style. John Marin painted beautiful views of sea coasts in New York and Maine. And such artists as Max Weber and Georgia O'Keeffe painted in styles that seemed to come more from their own imagination than from reality.
As with writing, the work of many of these serious modern painters only became popular many years later.
VOICE ONE:
Frank23 Lloyd Wright
The greatest American designer of buildings during the nineteen twenties was Frank Lloyd Wright. Wright believed that architects should design a building to fit its location, not to copy some ancient style. He used local materials in new ways. Wright invented many imaginative24 methods to combine useful building design with natural beauty.
But again, most Americans did not know of Wright's work. Instead, they turned to local architects with traditional beliefs. These architects generally designed old and safe styles for buildings -- for homes, offices, colleges, and other needs.
VOICE TWO:
Writers and artists now look back at the roaring25 nineteen twenties as an extremely important period that gave birth to many new styles and ideas.
Hemingway's style of writing continues to influence American writers more than half a century later. Many painters say the period marked the real birth of modern American art. And architecture students in the United States and other countries now study the buildings of Frank Lloyd Wright.
The changes in American society caused many of these artists much sadness and pain in their personal lives. But their expression of protest and rich imagination produced a body of work that has grown in influence with the passing years.
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VOICE ONE:
You have been listening to THE MAKING OF A NATION -- a program in Special English. Your reporters have been Harry26 Monroe and Kay Gallant27. Our program was written by David Jarmul. The Voice of America invites you to listen again next week to THE MAKING OF A NATION.
1 administration | |
n.经营,管理;行政,行政机关,管理部门 | |
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2 conservative | |
adj.保守的,守旧的;n.保守的人,保守派 | |
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3 republican | |
n.拥护共和政体的人; adj.共和政体的,(Republican)共和党人,(Republican)共和党的 | |
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4 protest | |
v.反对,抗议;宣称;n.抗议;宣称 | |
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5 chased | |
vt.追捕(chase的过去式与过去分词形式) | |
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6 popularity | |
n.普及,流行,名望,受欢迎 | |
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7 criticized | |
vt.批评(criticize的过去式)v.评论,批评( criticize的过去式和过去分词 ) | |
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8 criticism | |
n.批评,批判,指责;评论,评论文章 | |
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9 treason | |
n.叛逆,通敌,背叛,叛国罪 | |
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10 works | |
n.作品,著作;工厂,活动部件,机件 | |
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11 emotional | |
adj.令人动情的;易动感情的;感情(上)的 | |
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12 tension | |
n.(紧张)状态;拉(绷)紧;张力,拉力 | |
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13 fury | |
n.狂怒,激烈,狂怒的人,(希神)复仇女神 | |
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14 dying | |
adj.垂死的,临终的 | |
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15 theatrical | |
adj.剧场的,演戏的;做戏似的,做作的 | |
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16 learned | |
adj.有学问的,博学的;learn的过去式和过去分词 | |
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17 historic | |
adj.历史上著名的,具有历史意义的 | |
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18 bellows | |
n.风箱;发出吼叫声,咆哮(尤指因痛苦)( bellow的名词复数 );(愤怒地)说出(某事),大叫v.发出吼叫声,咆哮(尤指因痛苦)( bellow的第三人称单数 );(愤怒地)说出(某事),大叫 | |
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19 overthrow | |
v.推翻,打倒,颠覆;n.推翻,瓦解,颠覆 | |
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20 denounced | |
公开指责( denounce的过去式和过去分词 ); 揭发; 告发; 通知废止 | |
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21 lovers | |
爱好者( lover的名词复数 ); 情人; 情夫; 情侣 | |
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22 closely | |
adv.紧密地;严密地,密切地 | |
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23 frank | |
adj.坦白的,直率的,真诚的 | |
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24 imaginative | |
adj.富有想象力的,爱想象的 | |
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25 roaring | |
n.吼声;咆哮;怒号;轰鸣adj.兴旺的;喧哗的;风哮雨嚎的adv.非常地v.怒吼,咆哮,大声喊出( roar的现在分词) | |
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26 harry | |
vt.掠夺,蹂躏,使苦恼 | |
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27 gallant | |
adj.英勇的,豪侠的;(向女人)献殷勤的 | |
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