VOA慢速英语 2007 0401

ANNOUNCER:

People in America ‿a program in Special English about famous Americans of the past.  Now, Kay Gallant¹ and Harry² Monroe tell the story of nineteenth century poet Emily Dickinson.

(MUSIC) 
Emily Dickinson

VOICE ONE:

Because I could not stop for Death ‿/P>

He kindly³ stopped for me ‿/P>

The carriage held but just ourselves

And immortality⁴.

VOICE TWO:

The words are by American poet Emily Dickinson, who died in eighteen eighty-six. During her life, she published only about ten poems. Four years after her death, a few more poems were published. But her complete work did not appear until nineteen fifty-five.

VOICE ONE:

I'm Nobody!  Who are you?

Are you -- Nobody ‿Too?

VOICE TWO:

Emily Dickinson has become part of our language without really being part of our history. Some see her as the last poet of an early American tradition. Others see her as the first modern American poet. Each reader seems to find a different Emily Dickinson. She remains⁵ as mysterious as she was when she was alive.

VOICE ONE:

Tell all the Truth but tell it slant⁶ --

VOICE TWO:

The truth about Emily Dickinson has been difficult to discover. Few people of her time knew who she was or what she was doing. The main facts about her life are these.

She was born December tenth, eighteen thirty, in the small Massachusetts town of Amherst. She lived and died in the same house where she was born. Emily received a good education. She studied philosophy, the Latin language, and the science of plants and rocks.

Emily's parents were important people in Amherst. Many famous visitors came to their house, and Emily met them. Her father was a well-known lawyer who was elected to Congress for one term.

Mister Dickinson believed that women should be educated. But he also believed that women should not use their education to work outside the home. He felt their one and only task was to care for their husband and children. Emily once said: “He buys me many books, but begs me not to read them, because he fears they upset the mind. "

Emily wrote more than one thousand seven hundred poems. There are three books of her letters. And there are many books about her life.

Some of her best work was written in the four years between eighteen fifty-eight and eighteen sixty-two.

VOICE ONE:

I live with Him -- I see his face --

I go no more away

For Visitor -- or Sundown--

Death's single privacy

 

Dreams -- are well -- but Waking's better,

If One wake at Morn --

If One wake at Midnight ‿better --

Dreaming -- of the Dawn --

This is my letter to the World

That never wrote to me--

The simple News that Nature told--

With tender Majesty⁷

VOICE TWO:

In those years, Emily seems to have found her "voice" as a poet. She settled into forms she used for the rest of her life. The forms are similar to those of religious music used during her lifetime. But her choice of words was unusual. She wrote that her dictionary was her best friend.

Other influences were the English poet, William Shakespeare; the Christian⁸ holy book, the Bible; and the forces of nature.

VOICE ONE:

I dreaded⁹ that first robin¹⁰ so,

But he is mastered now,

And I'm accustomed to him grown--

He hurts a little though

 

I dared not meet the daffodils,

For fear their yellow gown

Would pierce me with a fashion

So foreign to my own.

I could not bear the bees should come,

I wished they'd stay away

In those dim countries where they go:

What word had they for me?

VOICE TWO:

Throughout her life, Emily asked men for advice. And then she did not follow what they told her. As a child, there was her father. Later there was her father's law partner, and a churchman she met in the city

of Philadelphia. Another man who helped her was the writer Thomas Wentworth Higginson.

Higginson had written a magazine story giving advice to young, unpublished writers. Emily wrote to him when she was in her early thirties. She included a few poems.

Higginson wrote back and later visited Emily in Amherst. In the next few years, Emily sent him many more poems. But he did not have them published, and admitted that he did not understand Emily's poetry.

VOICE ONE:

'Tis not that dying hurts us so --

'Tis living hurts us more;

But dying is a different way,

A kind behind the door --

VOICE TWO:

Some historians wish that Emily's poems had reached the best American writers of her day: Ralph Waldo Emerson, Henry David Thoreau or Walt Whitman. These men could have overlooked her strange way of living to see only her ability.

Historians also say it is possible that Emily chose to write to someone like Higginson so she would not be understood.

VOICE ONE:

To hear an oriole sing

May be a common thing

Or only a divine

It is not the bird

Who sings the same unheard,

As unto crowd.

VOICE TWO:

So little is known about Emily's life that many writers have created a life for her. They talk about the things that interest them as if they interested Emily, too. But one writer says part of the joy in studying Emily is what we cannot know. Emily herself said: "I never try to lift the words which I cannot hold. "

VOICE ONE:

I cannot live with you,

It would be life,

And life is over there

Behind the shelf

So we must keep apart,

You there, I here,

With just the door ajar

That oceans are,

And prayer,

And that pale sustenance¹¹,

Despair!

VOICE TWO:

Emily Dickinson sewed the pages of her poems together with thread and put them away. She also seems to have sewed her life together and put it away, too. Step by step, she withdrew from the world. As she grew older, she saw fewer visitors, and rarely left her house.

The time of Emily's withdrawal¹² was also the time of the American Civil War. The events that changed America's history, however, did not touch her. She died in eighteen eighty-six, at the age of fifty-five, completely unknown to the world.

No one wrote about Emily Dickinson's poems while she was alive. Yet, more than one hundred years since her death, she has come to be seen as one of America's greatest poets.

VOICE ONE:

The brain is wider than the sky,

For, put them side by side,

The one the other will contain

With ease -- and you beside.

VOICE TWO:

After Emily died, her sister Lavinia found Emily's poems locked away. Lavinia wrote to Thomas Wentworth Higginson and demanded that the poems be published. Higginson agreed. And a few of Emily's poems about nature were published. Slowly, more and more of her poems were published. Readers soon learned that she was much more than a nature poet.

In her life, Emily was an opponent of organized religion. Yet she often wrote about religion. She rarely left home. Yet she often wrote about faraway places. She lived quietly. Yet she wrote that life passes quickly and should be lived to the fullest.

Will we ever know more about the life of Emily Dickinson?  As she told a friend once: "In a life that stopped guessing, you and I should not feel at home. "

We have the poems. And for most readers, they are enough.

VOICE ONE:

Surgeons must be very careful

When they take the knife!

Underneath¹³ their fine incisions¹⁴

Stirs the Culprit ‿Life

(MUSIC)

ANNOUNCER:

You have been listening to the Special English program People in America.  This program was written by Richard Thorman.  Your narrators were Kay Gallant and Harry Monroe.  Listen again next week at this same time on VOA for another story of People in America.

This is Shirley Griffith.

(MUSIC)

1 gallant   

adj.英勇的，豪侠的；(向女人)献殷勤的

参考例句：

• Huang Jiguang's gallant deed is known by all men. 黄继光的英勇事迹尽人皆知。
• These gallant soldiers will protect our country.这些勇敢的士兵会保卫我们的国家的。

2 harry   

vt.掠夺，蹂躏，使苦恼

参考例句：

• Today,people feel more hurried and harried.今天，人们感到更加忙碌和苦恼。
• Obama harried business by Healthcare Reform plan.奥巴马用医改掠夺了商界。

3 kindly   

adj.和蔼的，温和的，爽快的；adv.温和地，亲切地

参考例句：

• Her neighbours spoke of her as kindly and hospitable.她的邻居都说她和蔼可亲、热情好客。
• A shadow passed over the kindly face of the old woman.一道阴影掠过老太太慈祥的面孔。

4 immortality   

n.不死，不朽

参考例句：

• belief in the immortality of the soul 灵魂不灭的信念
• It was like having immortality while you were still alive. 仿佛是当你仍然活着的时候就得到了永生。

5 remains   

n.剩余物，残留物；遗体，遗迹

参考例句：

• He ate the remains of food hungrily.他狼吞虎咽地吃剩余的食物。
• The remains of the meal were fed to the dog.残羹剩饭喂狗了。

6 slant   

v.倾斜，倾向性地编写或报道；n.斜面，倾向

参考例句：

• The lines are drawn on a slant.这些线条被画成斜线。
• The editorial had an antiunion slant.这篇社论有一种反工会的倾向。

7 majesty   

n.雄伟，壮丽，庄严，威严；最高权威，王权

参考例句：

• The king had unspeakable majesty.国王有无法形容的威严。
• Your Majesty must make up your mind quickly!尊贵的陛下，您必须赶快做出决定！

8 Christian   

adj.基督教徒的；n.基督教徒

参考例句：

• They always addressed each other by their Christian name.他们总是以教名互相称呼。
• His mother is a sincere Christian.他母亲是个虔诚的基督教徒。

9 dreaded   

adj.令人畏惧的；害怕的v.害怕，恐惧，担心( dread的过去式和过去分词)

参考例句：

• The dreaded moment had finally arrived. 可怕的时刻终于来到了。
• He dreaded having to spend Christmas in hospital. 他害怕非得在医院过圣诞节不可。 来自《用法词典》

10 robin   

n.知更鸟，红襟鸟

参考例句：

• The robin is the messenger of spring.知更鸟是报春的使者。
• We knew spring was coming as we had seen a robin.我们看见了一只知更鸟，知道春天要到了。

11 sustenance   

n.食物，粮食；生活资料；生计

参考例句：

• We derive our sustenance from the land.我们从土地获取食物。
• The urban homeless are often in desperate need of sustenance.城市里无家可归的人极其需要食物来维持生命。

12 withdrawal   

n.取回，提款；撤退，撤军；收回，撤销

参考例句：

• The police were forced to make a tactical withdrawal.警方被迫进行战术撤退。
• They insisted upon a withdrawal of the statement and a public apology.他们坚持要收回那些话并公开道歉。

13 underneath   

adj.在...下面，在...底下；adv.在下面

参考例句：

• Working underneath the car is always a messy job.在汽车底下工作是件脏活。
• She wore a coat with a dress underneath.她穿着一件大衣，里面套着一条连衣裙。

14 incisions   

n.切开，切口( incision的名词复数 )

参考例句：

• Cruciate incisions heal poorly and are not required. 不需要愈合差的十字形切口。 来自辞典例句
• After two days red incisions appear on their bodies. 一两天内身体会出现粉红色的损伤。 来自电影对白