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STEVE EMBER: Welcome to THIS IS AMERICA in VOA Special English. I'm Steve Ember with Faith Lapidus.
This Monday is Memorial Day in the United States. The holiday honors1 the memory of the nation's military dead.
FAITH LAPIDUS: One way to preserve a memory is with a camera. This week on our program, we tell the story of a famous photograph from World War Two. It led the sculptor2 Felix de Weldon to create one of the largest free-standing bronze statues in the world.
(MUSIC)
STEVE EMBER: Our story is about one moment in time. Really, one-four-hundredths of a second. That is the amount of time it took Associated Press photographer Joe Rosenthal to capture4 a historic5 image on film.
The photograph shows six men and an American flag during a battle in World War Two. Joe Rosenthal took it on February twenty-third, nineteen forty-five, on the Pacific island of Iwo Jima. Japanese forces held the island. American Marines were trying to capture it.
With Washington D.C. in the background, the sun rises behind the Iwo Jima Memorial in Arlington, Virginia
On the fourth day of battle, Marines fought to the top of Mount3 Suribachi, the tallest mountain on Iwo Jima. A small American flag was sent to the top. The Marines placed the flagpole in the ground.
FAITH LAPIDUS: But the small flag could not be seen clearly far below. Commanding officers ordered the Marines to replace it with a much larger one. Joe Rosenthal wanted to make a picture of the event. So he took his camera and began to climb slowly up the mountain.
When he reached the top, Marines were tying the larger flag to a heavy pole. Joe Rosenthal backed away from the group and began talking to another photographer.
A minute later, he saw movement out of the corner of his eye. “There it goes!” he said. He swung his camera up, following the movement of the flag, and pressed the button that took the picture.
STEVE EMBER: Six men are in the photograph. But only four of them are clearly seen.
In the front is Harlon Block, a Marine6 from Yorktown, Texas. Next is John Bradley. His face is the only one in the picture. He was a Navy7 corpsman; his job was to treat the wounded.
Also in the picture is Franklin Sousley, a Marine from Hilltop, Kentucky. And all the way at the left is Ira Hayes, a Marine, and an American Indian. The heavy pole holding the flag had just left his hand when the picture was taken. Behind these four men are two other Marines. They cannot be seen as clearly. They are Rene Gagnon of Manchester, New Hampshire, and Mike Strank. He lived in Johnstown, Pennsylvania, but was born in Jarabenia, in what was then Czechoslovakia.
FAITH LAPIDUS: The next day, Joe Rosenthal’s film went by airplane to the island of Guam where it was developed and printed.
The pictures were given to Associated Press photo editor John Bodkin. It was his job to decide which ones to send to the United States. They would go on a machine that sent images by radio.
As histories tell it, he looked and looked at the first photograph, and said: “This is one for all time.” Within minutes he sent the picture of the six men raising the flag to the Associated Press headquarters9 in New York.
From there, the photograph went to newspapers across the United States. Most decided10 to print a huge copy on their front page.
STEVE EMBER: Most photo experts will tell you that the picture Joe Rosenthal made is almost perfect. The camera catches the flag as it rises. The flagpole cuts across the photograph. Wind blows against the flag.
The experts also say you must look at the picture as the American public saw it in nineteen forty-five. The world had been at war for years. Victory was not yet certain. Many people worried about family members. Many had a deep fear of the enemy.
The picture shows strength and courage. It suggests that six young men are working together to defeat the enemy. Joe Rosenthal’s photograph seemed to say: the battle may not be over, but we are winning.
It was the very image of a future American victory.
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FAITH LAPIDUS: In Washington, D.C., Felix de Weldon saw the photograph in the newspapers. Born in Austria, he came to the United States and was an artist in the Navy.
Many years later he would say, “I had been an artist all my life. When I first saw it I recognized the power of this photograph. I could not take my eyes from it. I looked at the photograph for some hours and then began working.”
Seventy-two hours later, Felix de Weldon had made a small statue of Joe Rosenthal’s picture. Within days, members of Congress11 had seen the small statue. Many began to call for a huge statue. President Franklin Roosevelt ordered the Marine Corps8 to send home the men who had raised the flag.
STEVE EMBER: By then, however, it was too late. Mike Strank, Harlon Block and Franklin Sousley were dead. They were among the more than six-thousand Marines killed on Iwo Jima.
Navy Corpsman John Bradley had been severely12 wounded. But he, Rene Gagnon and Ira Hayes returned to the United States.
People said they were heroes. The three men said they had done nothing but help put up a flag. But Joe Rosenthal’s photograph was so powerful, nothing would change people's minds.
Felix de Weldon soon made a life-size copy of the statue. He carefully copied the faces of the three survivors13. He used all the photographs he could find for the three who had been killed.
His statue helped pay for America’s war effort. The statue and the three survivors traveled from city to city to raise money.
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FAITH LAPIDUS: Joe Rosenthal’s photograph became more and more famous. His work earned the Pulitzer Prize.
There was public demand to put the image on a postal14 stamp. In July of nineteen forty-five, the government agreed. More than one-hundred-thirty-seven-million were printed.
People also demanded a huge statue of the six Marines.
In nineteen forty-six, Felix de Weldon started all over again. First he made a statue out of plaster15. Then he used the plaster form as a guide to make the final statue out of bronze metal.
Again, he called on the three survivors. Felix de Weldon wanted to make sure he had them correct.
STEVE EMBER: It took Felix de Weldon nine years to complete the statue. The memorial honors all members of the United States Marine Corps who died in battle since the American Revolution.
On November tenth, nineteen fifty-four, President Dwight Eisenhower led ceremonies at Arlington National Cemetery16. The burial grounds are across the Potomac River from Washington.
Ira Hayes, Rene Gagnon and John Bradley attended the ceremonies. It was their last time together. Ira Hayes died three months later.
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FAITH LAPIDUS: Millions of people have come to see the statue that Felix de Weldon made. It stands in a grassy17 area along a busy road at the edge of Arlington National Cemetery, in Virginia. The statue weighs more than twenty-tons.
Each man is almost ten meters tall. They seem about to move. Their bodies push forward as they struggle to raise the flag. Their clothes show the bones and muscles underneath18. Their faces show the hard work.
Many visitors say it is an emotional19 experience. People stand and look up at the six men. And, they take pictures, just as Joe Rosenthal did on February twenty-third, nineteen forty-five.
STEVE EMBER: John Bradley was the last to die of the six men who raised the flag on Iwo Jima that day. He died in nineteen ninety-four. Felix de Weldon died in two thousand three. And Joe Rosenthal died in two thousand six.
Soon after the photograph from Mount Suribachi was published, some people began to dispute20 it. They suggested that Joe Rosenthal had placed everyone where he wanted them, and then took the photo. Joe Rosenthal always said that was not true.
Experts in photography say it is easy to tell that the photo was not posed21. They say no photographer would make a picture that hides almost all of the people’s faces. And they say no photographer would have two of the people nearly hidden.
You can decide for yourself. A copy of Joe Rosenthal’s photograph, and a picture of Felix de Weldon’s statue, can be found at voaspecialenglish.com.
(MUSIC)
FAITH LAPIDUS: Our program was written and produced by Paul Thompson. I’m Faith Lapidus.
STEVE EMBER: And I’m Steve Ember. Archives of our programs, with transcripts22 and MP3s, are at voaspecialenglish.com. We hope you can join us again next week for THIS IS AMERICA in VOA Special English.
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1
honors
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| n.礼仪；荣典；礼节； 大学荣誉学位；大学优等成绩；尊敬( honor的名词复数 )；敬意；荣誉；光荣 | |
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2
sculptor
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| n.雕刻家，雕刻家 | |
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3
mount
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| n.山峰，乘用马，框，衬纸；vi.增长，骑上（马）；vt.提升，爬上，装备 | |
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capture
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| vt.捕获，俘获；占领，夺得；n.抓住，捕获 | |
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historic
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| adj.历史上著名的，具有历史意义的 | |
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marine
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| adj.海的；海生的；航海的；海事的；n.水兵 | |
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7
navy
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| n.海军，海军人员，海军军力，藏青色 | |
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corps
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| n.(通信等兵种的)部队；(同类作的)一组 | |
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headquarters
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| n.司令部，指挥部；总部，总店 | |
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decided
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| adj.决定了的，坚决的；明显的，明确的 | |
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Congress
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| n.(代表)大会；(C-:美国等国的)国会，议会 | |
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severely
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| adv.严格地；严厉地；非常恶劣地 | |
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13
survivors
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| 幸存者，残存者，生还者( survivor的名词复数 ) | |
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postal
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| adj.邮政的，邮局的 | |
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plaster
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| n.石膏，灰泥，膏药；v.涂以灰泥，敷以膏药，使...平 | |
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cemetery
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| n.坟墓，墓地，坟场 | |
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grassy
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| adj.盖满草的；长满草的 | |
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underneath
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| adj.在...下面，在...底下；adv.在下面 | |
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emotional
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| adj.令人动情的；易动感情的；感情(上)的 | |
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dispute
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| n.争端，分歧；v.争论，争吵，辩论，辩驳 | |
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posed
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| 使摆姿势( pose的过去式和过去分词 )； 以…身份出现； 招摇； 炫耀 | |
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transcripts
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| n.抄本（ transcript的名词复数 ）；转写本；文字本；副本 | |
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