Preserving Street Art in Washington, DC

 

Washington, D.C. has a complex relationship with graffiti and street art.

Local street artist Gobi knows this well. Not long ago, a police officer caught him spraying colorful paint on the side of a building. Gobi did not get permission to put his design on the building. What he was doing, then, was illegal.

The police officer arrested Gobi.

Then, he asked Gobi for his business card. The officer said he was interested in hiring him for a street art project in the future.

America’s capital city is trying hard to control its illegal graffiti problem. At the same time, city officials recognize the value and importance of street art.

There is a high demand for more artists to make street art legally. But the city offers few chances for young D.C. street artists to develop their skills without breaking the law.

Some local programs, however, are trying to change that.

A long history

Graffiti and street art are forms of art created on walls or public surfaces. This art is often considered illegal because it is done without the permission of the building owners.

These art forms have existed since the times of ancient Greece. But the more modern style began forming in the 1960s in the cities of New York and Philadelphia.

“Graffiti” often appears as words -- usually the names of the artist or their art crew. Graffiti artists write the words in creative ways and with colorful spray-paint.

“Street art” is more based on images. Artists try to communicate a message through these images. Large pieces of street art are also called murals.

Graffiti and street art can be controversial. They are sometimes used to mark gang territory or damage someone’s property.

Washington has tried to increase its fines for illegal graffiti. Yet it is also encouraging the creation¹ of public art and murals.

Bridging the public and the artists

Cory Stowers is a D.C.-based graffiti and street artist. He is president of the D.C. graffiti crew Double Down Kings, or 2DK. He is also the art director for Art Bloc² D.C., a local street art organization.

With Art Bloc D.C., Stowers is trying to create a bridge between the street art community and the D.C. public. He helps get permission from building owners to organize large mural projects around the city.

The projects give local street artists the chance to create their art in public, without fear of breaking the law. They also give younger artists a chance to develop their skills.

These projects are important, Stowers says. D.C. is making it more and more difficult for graffiti street artists to get practice. Construction projects and increased security have taken away important practice spaces throughout the city.

Practice is extremely important, Stower explains. Many artists who paint popular murals in communities today got their start by painting graffiti.

“There’s always this conversation that you have to have with folks and explaining to them that that young person that wrote a signature on their wall 10 years ago may be the same person that they’re asking to come paint a mural… Without one you don’t get the other.”

Street artists with Art Bloc D.C. ask community members for their opinions on the murals. They want to create pieces that are meaningful for local residents. Stowers says interacting⁴ with the local community helps to “humanize” graffiti and street artists.

“I think as communities start to recognize the value of public murals and they start to understand who actually can paint them, the idea of cultivating graffiti artists will become a little bit more popular.”

Beautifying the city with murals

In 2007, the city government created the program MuralsDC. The program hires artists to paint legal murals around the city.

Nancee Lyons is MuralsDC’s art director. She says the program has two goals. One is to try to prevent illegal graffiti. The other is to “beautify” the city. Program officials believe that, if murals already cover city walls, graffiti artists will not paint over them illegally.

Aniekan Udofia is a D.C.-based artist. He often paints for MuralsDC, and is known for his large works of art around the city.

He says the logic⁵ of the program is correct. Unofficial rules in the street artist and graffiti community say that the more complex the work of art, the more priority⁶ it has on a wall. Large murals, then, often take priority over simpler graffiti art. They are usually not vandalized or damaged.

“... Going over a well-done beautiful mural -- it goes outside of graffiti and at that point it’s just that you hate either the artist or you hate the work that has been created.”

Udofia and his art director, Mia Duvall, agree that communicating with the local residents is very important.

“I think anything you do in a public space you have to consider the community. We have to consider who is seeing this, how it’s going to affect them and what’s important to them… So every piece we do, we really do our best to make sure that we are being sensitive and thoughtful about who has to see this every day and how they are going to embrace this”

Udofia recently finished a major MuralsDC project. It covers one of the walls of Ben’s Chili⁷ Bowl, a historic⁸ D.C. restaurant. The bright and colorful mural features 16 well-known African Americans, including Barack and Michelle Obama, Harriet Tubman, Muhammed Ali, and Dave Chappelle.

The work was introduced to the public in a ceremony on June 21.

Actor and comedian⁹ Dave Chappelle attended the ceremony. He told VOA that public art is an important part of a city’s culture.

“Public art gets right to the heart of a culture of a city… who they love, who they represent, what’s the neighborhood about...”

I’m Phil Dierking.

Words in This Story

controversial – adj. relating to or causing much discussion, disagreement, or argument

conversation – n. an informal talk involving two people or a small group of people?

cultivate – v. to grow and care for?

embrace – v. to accept (something or someone) readily¹⁰ or gladly?

feature – v. to have or include (someone or something) as an important part?

gang – n. a group of criminals?

graffiti – n. pictures or words painted or drawn¹¹ on a wall, building, etc.?

hierarchy¹² – n. a system in which people or things are placed in a series of levels with different importance or status?

hire – v. to give work or a job to (someone) in exchange for wages or a salary?

interact³ - v. to talk or do things with other people?

mural – n. a usually large painting that is done directly on the surface of a wall?

priority – n. something that is more important than other things and that needs to be done or dealt with first?

sensitive – adj. aware of and understanding the feelings of other people?

vandalize – v. to deliberately destroy or damage (property)

1 creation   

n.创造，创造的作品，产物，宇宙，天地万物

参考例句：

• Language is the most important mental creation of man.语言是人类头脑最重要的产物。
• The creation of new playgrounds will benefit the local children.新游戏场的建立将有益于当地的儿童。

2 bloc   

n.集团；联盟

参考例句：

• A solid bloc of union members support the decision.工会会员团结起来支持该决定。
• There have been growing tensions within the trading bloc.贸易同盟国的关系越来越紧张。

3 interact   

vi.相互作用，相互影响，互通信息

参考例句：

• All things are interrelated and interact on each other.一切事物互相联系并相互作用。
• The policeman advised the criminal to interact with the police.警察劝罪犯与警方合作。

4 interacting   

adj.相互影响的；相互作用的

参考例句：

• The interacting surfaces were lubricated with a mineral oil. 相互作用表面是用矿物油润滑的。
• Proteins which have two separate but interacting sites are called allosteric proteins. 这种具有两个不同而又相互作用位置的蛋白质叫做变构蛋白质。

5 logic   

n.逻辑(学)；逻辑性

参考例句：

• What sort of logic is that?这是什么逻辑？
• I don't follow the logic of your argument.我不明白你的论点逻辑性何在。

6 priority   

n.优先处理的事，居先，优先（权）

参考例句：

• The development of the national economy is a top priority.发展国民经济是应予以最优先考虑的事。
• Things should be taken up in order of priority.办事应有个先后次序。

7 chili   

n.辣椒

参考例句：

• He helped himself to another two small spoonfuls of chili oil.他自己下手又加了两小勺辣椒油。
• It has chocolate,chili,and other spices.有巧克力粉，辣椒，和其他的调味品。

8 historic   

adj.历史上著名的，具有历史意义的

参考例句：

• This is a historic occasion.这是具有重大历史意义的时刻。
• We are living in a great historic era.我们正处在一个伟大的历史时代。

9 comedian   

n.喜剧演员；滑稽演员

参考例句：

• The comedian tickled the crowd with his jokes.喜剧演员的笑话把人们逗乐了。
• The comedian enjoyed great popularity during the 30's.那位喜剧演员在三十年代非常走红。

10 readily   

adv.欣然地，容易地，很快地，立即

参考例句：

• I promise all costs will be readily returned.我保证所有的费用会迅速偿还。
• Most plastics do not readily conduct heat or electricity.大多数塑料不易传热或导电。

11 drawn   

v.拖，拉，拔出；adj.憔悴的，紧张的

参考例句：

• All the characters in the story are drawn from life.故事中的所有人物都取材于生活。
• Her gaze was drawn irresistibly to the scene outside.她的目光禁不住被外面的风景所吸引。

12 hierarchy   

n.等级制度；统治集团，领导层

参考例句：

• There is a rigid hierarchy of power in that country.那个国家有一套严密的权力等级制度。
• She's high up in the management hierarchy.她在管理阶层中地位很高。