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(单词翻译:双击或拖选)
By Carolyn Weaver1
New York City
06 December 2006
watch Darfur Diaries report
Activists2 Aisha Bain, Adam Shapiro, and Jen Marlowe documented the crisis in Sudan
In the spring of 2004, three young activists embarked3 on a mission to a part of the world they'd scarcely heard of before: Darfur, a region in western Sudan. They wanted to make a film from the perspective of Darfurians who’d fled attacks by Sudanese government-supported militias4. The resulting film, Darfur Diaries, and a book of the same title, are meant to draw more international attention to the crisis in Sudan, which the United Nations says has displaced nearly two million people, and left 200,000 dead.
"Those who died, died over there,” an old woman matter-of-factly tells the camera in Darfur Diaries. “Some of our people were killed there. Some ran away. We took our kids by the hand to come here. We ran away. We carried nothing with us. We left everything there,” she says, “our cows, our animals. We ran by ourselves.”
It’s one of many affecting scenes in the hour-long documentary by three young Americans about the ongoing6 violence in Sudan. The project began in 2003, when Aisha Bain was an intern5 at a now-defunct non-profit, the Center for the Prevention of Genocide. Firsthand reports of terrible violence against the people of Darfur, in western Sudan, had begun to stream in. Bain tried to get news agencies to cover the story, but without success.
"Nobody was listening, nobody was paying attention,” Bain recalled in a recent interview. “And very few non-governmental organizations were talking about it, so nothing was really happening. And so my friend Adam and I decided7, ‘Well, we'll go, we'll take a camera, and we'll shoot whatever we can, and we'll bring the information out.’ "
Joined by another friend, Jen Marlowe, Aisha Bain and Adam Shapiro traveled to Chad in the fall of 2004. Sudanese rebels helped them sneak8 back and forth9 across the border to meet people in refugee camps and film burned-out villages. Their film shows the conflict through the eyes of ordinary Darfurians, including children. The opening scenes, in fact, are animations11 based on children’s drawings of peaceful villages torn apart by air bombing raids and sword-wielding militias on horseback. Terrified villagers flee on foot, carrying their babies in their arms, as their huts burn behind them.
Darfur children's drawings were used in the documentary
The animation10 yields to videotaped interviews of people in refugee camps, and some of the child artists. "Tell me what happened in this picture," an interviewer asks Ibrahim, a boy of ten, of a page in his book of colored pencil drawings. "The plane is bombing the village," he replies. He says his father was killed. His mother is here with him, living in the camp.
It is a common story. Another boy, whose brother was killed in front of him, cannot sleep at night. Many of the children and adults appear to be suffering from post-traumatic stress disorder12, the filmmakers say. Yet even living in camps with few possessions, they’ve established schools for their children. The classes are mostly lectures held in the open; there are almost no books or school supplies.
Sudanese include hundreds of ethnic13 groups, self-identified as both African and Arab, who've intermarried for centuries. Darfurians are Muslim, and almost all speak Arabic. But the film says that with increasing desertification in Darfur, local conflicts over land and resources grew, beginning at least 20 years ago. Government-supported Arab militias, called Janjaweed, began attacking black Darfurian villagers with increasing frequency. And when a Darfurian rebel movement sprang up in 2003, the government of Omar Bashir began its own bombing raids against civilians14.
Bashir’s attempt to hold onto power is key, according to the filmmakers, who say that the conflict in Darfur should not be seen in simple racial or ethnic terms. For example, Jen Marlowe says, the largest Arab tribe in Darfur has refused to participate in the government-backed militias. To some Darfurians, too, the militias are merely instruments of Omar Bashir’s government. As one man says in the film, “You use a gun to kill something. The government uses Arabs like a gun, to kill --- us.”
The film is sympathetic to the Darfurian rebels, showing them taking up arms only in self-defense. Many are still children. Yet Darfur Diaries also has a message of reconciliation15. The same man who spoke16 about guns observes that many Arabs are suffering now, too. “Many are killed in battles. Some of them are suffering like we are suffering. Because of this, if I meet Arab, I [would] say to him: [this] is the wrong policy for the government to use in Darfur. I want the equality of all the people, not Arab, not African, all the same: the same citizens of the Sudan."
But the number of displaced Darfurians keeps growing, while the violence, including systematic17 rape18, continues unabated. A young refugee woman says that even small girls and old women are victimized. And despite a peace agreement signed last spring, filmmakers Jen Marlowe, Aisha Bain and Adam Shapiro note that the latest news from Sudan is very bleak19. They say that makes it even more urgent for people in other countries to do whatever they can to help.
"It does trickle20 back to Darfurians when there is a rally here and thousands and thousands of people show up,” Marlowe says. “That news trickles21 back to the refugee camps, and to people in the internally-displaced people camp, and at least people know that they are not entirely22 alone and not entirely abandoned, that even if governments haven't been doing all they should, there are people in the world that are standing23 with them."
Darfur Diaries is now also a book, interweaving Darfurians’ stories with the experiences of the three filmmakers in Sudan and Chad, and with political and historical accounts of the conflict. As with the film, some of the proceeds from the book, published by Nation Books, will go to assist schools for Darfur's children.
1 weaver | |
n.织布工;编织者 | |
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2 activists | |
n.(政治活动的)积极分子,活动家( activist的名词复数 ) | |
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3 embarked | |
乘船( embark的过去式和过去分词 ); 装载; 从事 | |
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4 militias | |
n.民兵组织,民兵( militia的名词复数 ) | |
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5 intern | |
v.拘禁,软禁;n.实习生 | |
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6 ongoing | |
adj.进行中的,前进的 | |
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7 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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8 sneak | |
vt.潜行(隐藏,填石缝);偷偷摸摸做;n.潜行;adj.暗中进行 | |
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9 forth | |
adv.向前;向外,往外 | |
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10 animation | |
n.活泼,兴奋,卡通片/动画片的制作 | |
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11 animations | |
n.生气( animation的名词复数 );兴奋;动画片;(指电影、录像、电脑游戏的)动画制作 | |
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12 disorder | |
n.紊乱,混乱;骚动,骚乱;疾病,失调 | |
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13 ethnic | |
adj.人种的,种族的,异教徒的 | |
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14 civilians | |
平民,百姓( civilian的名词复数 ); 老百姓 | |
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15 reconciliation | |
n.和解,和谐,一致 | |
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16 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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17 systematic | |
adj.有系统的,有计划的,有方法的 | |
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18 rape | |
n.抢夺,掠夺,强奸;vt.掠夺,抢夺,强奸 | |
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19 bleak | |
adj.(天气)阴冷的;凄凉的;暗淡的 | |
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20 trickle | |
vi.淌,滴,流出,慢慢移动,逐渐消散 | |
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21 trickles | |
n.细流( trickle的名词复数 );稀稀疏疏缓慢来往的东西v.滴( trickle的第三人称单数 );淌;使)慢慢走;缓慢移动 | |
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22 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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23 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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