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American architectural photographer presents a new collection of images that give a glimpse into Incan genius for integrating architecture and nature
Faiza Elmasry | Washington, DC 14 December 2009
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Machu Picchu is an awe1-inspiring symbol of the power of the Incan empire
Machu Picchu or Old Peak is the name given to the stone ruins of a pre-Columbian Incan city perched high atop the Andean peaks of Peru. The site was declared a World Heritage Site by the UN's cultural arm, UNESCO, in 1983.
But for nearly a century since its discovery by outside explorers, Machu Picchu has been an awe-inspiring symbol of the power of the Incan empire just before it fell to 16th century Spanish invaders2.
In a newly published collection of images, American architectural photographer Mike Torrey captures the wonder and timeless significance of this mystical, historical site.
Author finds ancient site intriguing3
Architectural photographer Mike Torrey says he was lucky to visit Machu Picchu, not once, but twice
Since he was a little boy, Mike Torrey says, he has been fascinated with Machu Picchu. It wasn't just the beauty of the polished stone block walls or the fact that this abandoned city sits atop a narrow ridge4 more than 2400 meters (8000 feet) above sea level. Torrey says he was also intrigued5 by the tragic6 history of Machu Picchu.
"This was a royal retreat. Very few people actually within the [Incan] empire knew about it. It was built starting around 1450 by the Inca people. It was only around for 90, 100 years when the Spaniards came to South America. They captured a lot of the Incas and eventually wiped them out. The Spaniards never found [Machu Picchu] or they would have destroyed it," Torrey says.
Machu Picchu is rediscovered
Since 1911, the Machu Picchu site has become a major tourist attraction
After the Incan civilization collapsed7, the site was abandoned and the rainforest overgrew it for 400 years. Then in 1911, Machu Picchu was found once again. "It was rediscovered by Hiram Bingham, who was a Yale University professor in Latin American Studies. Hiram Bingham was looking for the last citadel8 of the empire, which was Vilcapampa; he was looking for another city. He found Machu Picchu, actually, and mistakenly thought it was Vilcapampa for his entire life," Torrey says.
Since Bingham's discovery, the Machu Picchu site has become a major tourist attraction. More than 2000 people on average visit it every day. Torrey says he was lucky to visit it not once, but twice, at the June and December solstices.
"When you get there, you just see it with awe. I read a lot of books. I had a lot of information. It was incomparable to seeing what was there. I think everybody feels something there, you don't know what it is. So I was trying to figure it out with my camera."
Torrey's lens captures the mystery of Machu Picchu
"Stone Offerings" is a collection of photographs that gives a glimpse into the Incan genius for integrating architecture and nature
Torrey's two trips resulted in the book, "Stone Offerings: Machu Picchu's Terraces of Enlightenment." It's a collection of 100 photographs, featuring an extended forward by Peruviuan writer Marie Arana, who shares her own sense of awe at the place. Like her narrative10, Torrey's finely-detailed photographs convey some of the indescribable energy surrounding this mysterious site.
Torrey says it was no small feat9 composing shots of the ruins without any tourists in the frame, but even more difficult was chasing the ever-changing angles of natural light. His images are filled with Machu Picchu's unique textures11, such as the mist wrapping around jungle peaks and massive cut stones fitting perfectly12 against one another.
A photo of a temple with three windows is one of the photographer's favorites
Torrey says a photo of a temple with three windows is one of his favorites. "I show one of the windows and the light coming through it. There are two mountains in the distance. The light was changing quickly, so I had to react so quickly. It's like you're photographing the light as well as the Machu Picchu itself."
Light was important to the Incas, too, says Torrey, and in another of his favorite photos, which was shot inside the Temple of the Sun, he captures the moment when a beam of sunlight marks the changing season. "The sun comes through the eastern window in June. They have the floor carved so when the light hits at the June solstice, it tells them it's the solstice," he says.
The genius and wisdom of the Incas
Machu Picchu is an example of how human and natural environments can exist in a visually cohesive13 whole
The architectural photographer says Machu Picchu is an example of how human and natural environments can exist in a well-designed and visually cohesive whole. This stone ruins site, he says, speaks about the genius and wisdom of the Incas.
"It tells us they were very connected to the earth. They studied the earth. They studied the sky. Their temples were aligned14 with the solstices. I found that this interconnection between the manmade and the natural world was most powerful. It has something that can inspire us as we're trying to become more green and sustainable," Torrey says.
The book, published by Lightpoint Press, offers a new take on the Incan ruins with lessons about the enduring strength and beauty of a city built in harmony with nature.
1 awe | |
n.敬畏,惊惧;vt.使敬畏,使惊惧 | |
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2 invaders | |
入侵者,侵略者,侵入物( invader的名词复数 ) | |
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3 intriguing | |
adj.有趣的;迷人的v.搞阴谋诡计(intrigue的现在分词);激起…的好奇心 | |
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4 ridge | |
n.山脊;鼻梁;分水岭 | |
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5 intrigued | |
adj.好奇的,被迷住了的v.搞阴谋诡计(intrigue的过去式);激起…的兴趣或好奇心;“intrigue”的过去式和过去分词 | |
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6 tragic | |
adj.悲剧的,悲剧性的,悲惨的 | |
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7 collapsed | |
adj.倒塌的 | |
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8 citadel | |
n.城堡;堡垒;避难所 | |
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9 feat | |
n.功绩;武艺,技艺;adj.灵巧的,漂亮的,合适的 | |
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10 narrative | |
n.叙述,故事;adj.叙事的,故事体的 | |
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11 textures | |
n.手感( texture的名词复数 );质感;口感;(音乐或文学的)谐和统一感 | |
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12 perfectly | |
adv.完美地,无可非议地,彻底地 | |
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13 cohesive | |
adj.有粘着力的;有结合力的;凝聚性的 | |
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14 aligned | |
adj.对齐的,均衡的 | |
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