-
(单词翻译:双击或拖选)
Sky Above Clouds III/Above the Clouds III, 1963 "I found I could say things with color and shapes that I couldn't say any other way - things I had no words for." Georgia O'Keeffe, American artist, 1887-1986
Related Links
The Phillips Collection
The Georgia O'Keeffe Museum, New Mexico
Georgia O'Keeffe is one of the most distinguished1 American artists of the 20th century. She is best known for her vibrant2 paintings of flowers, leaves, landscapes and other images in nature.
Now, a new exhibit at The Phillips Collection in Washington, D.C., features more than 100 paintings, drawings and watercolors by O'Keeffe and 12 photographic portraits of her taken by her late husband, famed photographer Alfred Stieglitz.
But the highlight of the collection - which includes items dating from 1915 to the late 1970s - includes a rare selection of O'Keeffe's less familiar abstract art.
American artist Georgia O'Keeffe, seen here in a portrait from 1918, is best known for her paintings of flowers and landscapes, but she was also a gifted abstract artist.
Georgia O'Keeffe as abstract artist
Georgia O'Keeffe is best known for her sensuous3 paintings of flowers and desert landscapes of the American southwest. But many people may not know that she was also a gifted abstract artist.
The new exhibit features abstractions that O'Keeffe herself didn't exhibit in her own lifetime, says Elsa Smithgall, associate curator at The Phillips Collection.
According to Smithgall, O'Keeffe broke into abstraction with a set of charcoal4 drawings that she created in 1915.
This charcoal drawing from 1915 is part of a rare collection of abstractions featured in a Georgia O'Keeffe exhibit at The Phillips Collection in Washington, DC.
"They are exquisite5 gestural drawings, very organic in form, and no recognizable reference to a known subject," she says.
Water colors and oils
By the 1920s, O'Keeffe had moved on from pure abstract drawings to water colors and oil paintings of subjects that seem more familiar.
But according to Smithgall, O'Keeffe continued to use abstraction as the foundation in all her artwork.
"You're going to find in her work this constant back and forth6 between very purely7 abstract form and perhaps a flower or a leaf or a landscape," she says.
Sexual overtones
It was also during this period when critics described O'Keeffe's oil paintings as being sexually suggestive.
While Smithgall acknowledges that some of O'Keeffe's forms do evoke8 sexual connotations, she emphasizes that the exhibition "is not about that."
Image courtesy of the Board of Trustees, National Gallery of Art, Washington
Jack-in-the-Pulpit No. IV, 1930 by Georgia O'Keeffe
She adds that O'Keeffe herself passionately9 resisted the notion that her art was sexually suggestive and, in fact, made a concerted effort "to shift her focus in her work towards more recognizable subject matter as a way to try to steer10 the critics towards another kind of reading of her work."
New Mexico - a new chapter
Beginning in 1929, O'Keeffe started spending time in New Mexico where she felt more at home than she had in New York where her career had taken root. Her experiences in the vast open spaces of the New Mexico desert inspired her to move there permanently11 in 1949.
According to Smithgall, it was a new chapter in her career:
"She's very much responding to that ocean of space in New Mexico where they have this amazing clarity of light and very wonderful, breathtaking kind of exhilarating sensation that she feels there that is extremely inspiring to her, and it brings up a whole new body of subject matter," she says.
Grey Blue & Black—Pink Circle, 1929- Gift of The Georgia O’Keeffe Foundation
It was during these transformative years when her paintings took on a different feel as well, says Smithgall.
O'Keeffe started depicting13 flowers "increasingly large in format12 and increasingly greater in magnification and so you start to see a major change in her scale, in her viewpoint taking these unusual birds and bees-eye perspectives," she says.
According to Smithgall, O'Keeffe created magnified images of her subject matter as a way of "inviting14 the viewer in." She wasn't copying an object so much as expressing how she felt about painting it, she says.
Coming full circle
By the late '50s and '60s, O'Keeffe's art turned once again to the pure abstractions of her earlier years.
"This is not a work that you probably would see on the wall and say, 'Oh, yes, an O'Keeffe,'" says Smithgall, "so there's that surprising aspect to them."
Abstraction White Rose
"What's so exquisite about them is that she has - with very spare compositions - created these exquisite forms that are extremely expressive15 and that do recall those earliest charcoal drawings in that respect," she says.
From those early charcoal drawings to the huge, bold canvases of her later years, few would argue that the work of Georgia O'Keeffe has had a far-reaching influence on American art and culture, and continues to impress and inspire art lovers throughout the world.
1 distinguished | |
adj.卓越的,杰出的,著名的 | |
参考例句: |
|
|
2 vibrant | |
adj.震颤的,响亮的,充满活力的,精力充沛的,(色彩)鲜明的 | |
参考例句: |
|
|
3 sensuous | |
adj.激发美感的;感官的,感觉上的 | |
参考例句: |
|
|
4 charcoal | |
n.炭,木炭,生物炭 | |
参考例句: |
|
|
5 exquisite | |
adj.精美的;敏锐的;剧烈的,感觉强烈的 | |
参考例句: |
|
|
6 forth | |
adv.向前;向外,往外 | |
参考例句: |
|
|
7 purely | |
adv.纯粹地,完全地 | |
参考例句: |
|
|
8 evoke | |
vt.唤起,引起,使人想起 | |
参考例句: |
|
|
9 passionately | |
ad.热烈地,激烈地 | |
参考例句: |
|
|
10 steer | |
vt.驾驶,为…操舵;引导;vi.驾驶 | |
参考例句: |
|
|
11 permanently | |
adv.永恒地,永久地,固定不变地 | |
参考例句: |
|
|
12 format | |
n.设计,版式;[计算机]格式,DOS命令:格式化(磁盘),用于空盘或使用过的磁盘建立新空盘来存储数据;v.使格式化,设计,安排 | |
参考例句: |
|
|
13 depicting | |
描绘,描画( depict的现在分词 ); 描述 | |
参考例句: |
|
|
14 inviting | |
adj.诱人的,引人注目的 | |
参考例句: |
|
|
15 expressive | |
adj.表现的,表达…的,富于表情的 | |
参考例句: |
|
|