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New York Museum's 9/11 Exhibit Features Pre-Attack Art
The September 11 terror attacks may have changed our view, even of objects created before 9/11/2001. A new exhibit at the Museum of Modern Art’s branch in New York’s Long Island City explores this idea. The exhibit features pieces made years before the attacks, which seen in a new context, find different meanings and responses.
Those who remember New York on the days following the 9/11 terrorist attacks are familiar with scenes like this - impromptu1 memorials to loved ones. The shrine2 on this street corner, however, is an art installation from 1997 by Swiss born artist Thomas Hirschhorn, called "Mondrian Altar."
"Mondrian Altar" is part of an exhibit called "September 11" at the Museum of Modern Art’s Queens outpost, PS1. But while the exhibit opened on the 10th anniversary of the attacks, most of the pieces in it were created before the attacks took place.
Altered perception
On the morning of September 11, 2001, in this very space at PS1, Canadian artist Janet Cardiff had mounted her experimental installation "The Forty Part Motet" using 40 speakers - each representing a member of a choir3, singing a mournful piece of medieval English church music.
Now, 10 years later, PS1 has re-installed the piece as part of its effort to show the effect of the attack on our perceptions - even of things that came before it.
For example, in this landscape painted 15 years before 2001, we can’t avoid seeing the shadow of the Twin Towers.
Changing everything
This documentary by artist Jem Cohen is about a victory parade that celebrated4 the return of American troops after the 1991 Gulf5 War. But the film of that victory parade 10 years before 9/11 reminds the viewer of the September 11 attacks.
"What we saw in 1991 was a reaction of extreme nationalism, pride and patriotism," said Cohen. "In 2001, those events reshaped the piece. It indicated that sometimes we made historical documents that we don’t control."
The only piece directly pointing to 9/11 is a collage6 by American artist Ellsworth Kelly. The show's creator, PS1 curator Peter Eleey, said the approach in this simple collage is what he wanted to extend to the entire show.
"I was interested how particularly Kelly’s approach allows us to look differently at this location, which for us was so sort of marred7 by the violence that occurred there," said Eleey. "And I began to think about how an exhibition could offer something similar by looking differently, that we could in a sense create our own meaning, if I could expand the context within which we consider 9/11."
With this approach, the PS1 exhibit revives, renews and enlivens art pieces of the recent past - art that had become either too familiar and commonplace - or had been forgotten, like this crushed car from 1982 by sculptor8 John Chamberlain, which now stands for the violence of that day.
Looming9 shadows
Another piece from 1980, by American artist Sarah Charlesworth, stands for the heart-wrenching scenes that were repeated 20 years after it was made.
"There were seven blowups like this, and they were all taken from newspaper photos of people jumping, obviously the association that people are going to have about that day. I had to consider whether it altered the meaning of the work too much," said Charlesworth.
Newspaper photos also are the subject of another installation that covers the walls of a large hall.
"This is the work by a Dutch artist named Willem De Rooji. It's an archive of images he cut out of newspapers beginning early in 2000, continuing through mid-2002," said Eleey.
Moving exhibit
This otherwise pleasant shot of a sunny day on a plane takes on an ominous10 meaning and identity, when we consider the crash of planes full of fuel and people into the tall buildings.
Presiding over the central hall of the exhibition is a piece by New York sculptor George Segal, who died a year before 9/11. Segal’s woman looks down at a grey powder which covers the entire floor.
"It’s in fact pulverized11 passenger jet engine by the British artist Roger Hiorns, which he sent to an industrial company that ground it into a very fine powder - mostly aluminum12 and steel," said Eleey.
The exhibit continues at PS1 through January 9 of next year.
1 impromptu | |
adj.即席的,即兴的;adv.即兴的(地),无准备的(地) | |
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2 shrine | |
n.圣地,神龛,庙;v.将...置于神龛内,把...奉为神圣 | |
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3 choir | |
n.唱诗班,唱诗班的席位,合唱团,舞蹈团;v.合唱 | |
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4 celebrated | |
adj.有名的,声誉卓著的 | |
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5 gulf | |
n.海湾;深渊,鸿沟;分歧,隔阂 | |
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6 collage | |
n.拼贴画;v.拼贴;把……创作成拼贴画 | |
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7 marred | |
adj. 被损毁, 污损的 | |
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8 sculptor | |
n.雕刻家,雕刻家 | |
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9 looming | |
n.上现蜃景(光通过低层大气发生异常折射形成的一种海市蜃楼)v.隐约出现,阴森地逼近( loom的现在分词 );隐约出现,阴森地逼近 | |
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10 ominous | |
adj.不祥的,不吉的,预兆的,预示的 | |
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11 pulverized | |
adj.[医]雾化的,粉末状的v.将…弄碎( pulverize的过去式和过去分词 );将…弄成粉末或尘埃;摧毁;粉碎 | |
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12 aluminum | |
n.(aluminium)铝 | |
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