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(单词翻译:双击或拖选)
'Kill the Messenger' Puts Integrity of US Media in Question
The journalistic integrity of U.S. media; an illicitly-financed, CIA-backed war against Nicaraguan Sandinistas; the crack epidemic1 of 1980's urban America: these are the main subjects of Michael Cuesta’s "Kill the Messenger."
In the film, Oscar nominee2 Jeremy Renner portrays3 Gary Webb, the real life San Jose Mercury News reporter who is warned against publishing information that proves the CIA turned a blind eye while its Nicaraguan allies, the Contras, smuggled4 cocaine5 into the U.S. to fund their war against the country's Sandinista government.
Defiant6 in the face of threats, Webb publishes a three-part series called "The Dark Alliance," writing not only about the well-known connection between the CIA and the drug traffickers, but alleging7 their large-scale smuggling8 operation had fueled the crack epidemic in predominantly African-American communities in some U.S. cities.
From there, says Renner, Webb’s life unravels9.
“Big interests, big media getting scooped10, making Gary the story or discrediting12 him or tearing the story apart, versus13 furthering the journalism14, which is shame and travesty15, if you ask me,” he said.
The Washington Post, The New York Times and The Los Angeles Times, which had not given the CIA-Contra connection much coverage16 in the 80s, dismissed Webb’s conclusions about the crack epidemic as speculative17.
Eventually, his own paper backed down.
Renner calls it a typical David versus Goliath story — only this time, Goliath wins.
“Not to discredit11 the San Jose Mercury News," he said, "I just think the whole story became much bigger than any of them was ever used to, and [they] didn’t know how to handle it ... except Gary, who just needed more support to go and dig and find more truth.”
Investigative reporter Robert Parry, who was the first to break the CIA-Contra story for the Associated Press in 1985, agrees.
“Webb did something that was very important that we did not do,” he said. “We had focused on the Contra movement and the importation of drugs throughout Central America into the United States. What Webb did was look at what happened when the drugs got here.”
According to Cuesta, Webb did not have direct evidence that linked Contra drug trafficking to the crack epidemic.
“It wasn’t nuanced enough," he said. "It was easy for the other papers to find flaws in it.”
But Parry says Webb’s reporting had substantial merit of another very important kind: he and the black caucus18 finally forced the CIA to investigate a drug epidemic they helped to create.
In 1998, Inspector19 General Frederick Hitz released a report connecting the CIA directly to the Contras’ drug trafficking operations.
But, according to Parry, Webb's reporting ultimately fell prey20 to bad timing21. Published in the mid-1990s, he says, the story surfaced while large U.S. media outlets22 paid more attention to the Monica Lewinsky scandal than the hardships of crack-ravaged U.S. communities of a prior decade.
"The press was more fascinated by the president’s sex life than they were about whether or not the CIA had been involved with drug traffickers back in the 1980s," he said.
By the time the Hitz report came out, Webb’s career had been destroyed. He committed suicide in 2004.
Cuesta hopes his film will renew the conversation about the integrity of the press.
“If you call it a movie about indicting23 any particular establishment like the government, I think it’s more about media," he said.
Parry agrees.
“The media should take this movie as an opportunity to reassess what it did," he said. "This was a terrible action by the major news organizations. And they should look at themselves and say ‘was our behavior proper?’ And I think if they did that they would have to admit that honestly it wasn’t. That instead of advancing a major story on a major scandal, they helped suppress the story about a major scandal. That’s the opposite of what American people expect of their news media.”
1 epidemic | |
n.流行病;盛行;adj.流行性的,流传极广的 | |
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2 nominee | |
n.被提名者;被任命者;被推荐者 | |
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3 portrays | |
v.画像( portray的第三人称单数 );描述;描绘;描画 | |
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4 smuggled | |
水货 | |
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5 cocaine | |
n.可卡因,古柯碱(用作局部麻醉剂) | |
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6 defiant | |
adj.无礼的,挑战的 | |
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7 alleging | |
断言,宣称,辩解( allege的现在分词 ) | |
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8 smuggling | |
n.走私 | |
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9 unravels | |
解开,拆散,散开( unravel的第三人称单数 ); 阐明; 澄清; 弄清楚 | |
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10 scooped | |
v.抢先报道( scoop的过去式和过去分词 );(敏捷地)抱起;抢先获得;用铲[勺]等挖(洞等) | |
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11 discredit | |
vt.使不可置信;n.丧失信义;不信,怀疑 | |
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12 discrediting | |
使不相信( discredit的现在分词 ); 使怀疑; 败坏…的名声; 拒绝相信 | |
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13 versus | |
prep.以…为对手,对;与…相比之下 | |
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14 journalism | |
n.新闻工作,报业 | |
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15 travesty | |
n.歪曲,嘲弄,滑稽化 | |
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16 coverage | |
n.报导,保险范围,保险额,范围,覆盖 | |
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17 speculative | |
adj.思索性的,暝想性的,推理的 | |
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18 caucus | |
n.秘密会议;干部会议;v.(参加)干部开会议 | |
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19 inspector | |
n.检查员,监察员,视察员 | |
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20 prey | |
n.被掠食者,牺牲者,掠食;v.捕食,掠夺,折磨 | |
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21 timing | |
n.时间安排,时间选择 | |
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22 outlets | |
n.出口( outlet的名词复数 );经销店;插座;廉价经销店 | |
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23 indicting | |
控告,起诉( indict的现在分词 ) | |
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