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Technology Helps Restore Paintings by Old Masters 科技帮助修复大师早期画作
WASHINGTON — In the late 16th century, the Spanish artist El Greco created a huge painting, 1 meter by 2 meters, titled Saint Martin and the Beggar. In the first half of the 20th century, the canvas was covered with protective varnish1 that over the course of decades caused discoloration. Conservators at the National Gallery of Art, in Washington, D.C., are now restoring the painting in preparation for a series of exhibitions marking the 400th anniversary of the famous painter’s death.
Often changing the cotton tip on her wooden pick, the National Gallery of Art's senior conservator of paintings, Ann Hoenigswald, patiently cleans the canvas, millimeter by millimeter.
She said the painting by the famous Renaissance2 artist, best known by his nickname El Greco, needed conservation treatment because the aged3 varnish started turning yellow, altering the colors.
“The whites turn yellow, the blues4 turn green. It really dulls down the vibrancy5 of the tones the artist intended,” said Hoenigswald.
Before starting the conservation, the scientists closely examined the painting, looking for possible damage and alterations6 to the original. Imaging tools such as microscopes, infrared7 cameras and x-rays allowed them to penetrate8 the outer layer of paint.
This analysis clearly showed how El Greco altered certain parts of his work.
“Initially you can see the bridle9 was a little bit higher and most likely because some of the paints become more transparent10 as they age that’s why we’re seeing this line under here," said Hoenigswald.
Technology helps analyze11 the artwork, but the actual restoration must be done by hand. Hoenigswald said she has been working on Saint Martin and the Beggar for about a year, slowly revealing its original beauty.
“All of a sudden the depth of the painting, the background seems to recede12 even more and the foreground comes forward and, as you can see in this picture, the whites become so dramatic, and so dominant13, and the contrast between this gorgeous blue and the white becomes much more forceful than it was before,” said Hoenigswald.
After cleaning the painting, the conservators applied14 another product of modern technology - synthetic15 varnish that mimics16 the natural resin17 but will not alter with age.
The canvas is now about to be packed up and sent off to Toledo, Spain, the city from which it came, to be part of an exhibition marking the 400th anniversary of El Greco’s death.
1 varnish | |
n.清漆;v.上清漆;粉饰 | |
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2 renaissance | |
n.复活,复兴,文艺复兴 | |
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3 aged | |
adj.年老的,陈年的 | |
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4 blues | |
n.抑郁,沮丧;布鲁斯音乐 | |
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5 vibrancy | |
n.活跃;震动 | |
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6 alterations | |
n.改动( alteration的名词复数 );更改;变化;改变 | |
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7 infrared | |
adj./n.红外线(的) | |
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8 penetrate | |
v.透(渗)入;刺入,刺穿;洞察,了解 | |
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9 bridle | |
n.笼头,束缚;vt.抑制,约束;动怒 | |
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10 transparent | |
adj.明显的,无疑的;透明的 | |
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11 analyze | |
vt.分析,解析 (=analyse) | |
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12 recede | |
vi.退(去),渐渐远去;向后倾斜,缩进 | |
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13 dominant | |
adj.支配的,统治的;占优势的;显性的;n.主因,要素,主要的人(或物);显性基因 | |
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14 applied | |
adj.应用的;v.应用,适用 | |
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15 synthetic | |
adj.合成的,人工的;综合的;n.人工制品 | |
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16 mimics | |
n.模仿名人言行的娱乐演员,滑稽剧演员( mimic的名词复数 );善于模仿的人或物v.(尤指为了逗乐而)模仿( mimic的第三人称单数 );酷似 | |
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17 resin | |
n.树脂,松香,树脂制品;vt.涂树脂 | |
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