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(单词翻译:双击或拖选)
How one book influencer championing Black authors is changing publishing
Many years ago, Milwaukee-based book influencer Cree Myles first picked up Toni Morrison's The Bluest Eye and found the validation2 she didn't know she needed. The book affirmed many of her experiences moving through the world as a Black woman.
"I'm reading it and I was like, yes! And yes! And yes! And I was like, I'm not crazy," she remembers. "That was a seminal3 moment in my life for sure."
Myles immersed herself in other pioneering works by Black authors: James Baldwin and Audre Lorde, Zora Neale Hurston and Alice Walker. She read Ta-Nehisi Coates's Between the World and Me. "I emerged from the ashes a new person, and I just needed to tell the whole world about it," she says. "And that's how it kind of all started."
Now, Myles curates the Instagram account @allwaysblack, on behalf of publishing giant Penguin4 Random5 House. Myles says the goal of the account is "to celebrate Black writers and the readers who love them," and Myles is voracious6 in her ability to come up with fun and innovative7 ways to do that.
I'm all about glamorizing Black literature and the writers. They give us such important stories. They should be treated accordingly.
Cree Myles, curator of Penguin Random House's All Ways Black
Myles first partnered with Penguin Random House last year, when she organized a read-a-thon called Black Like We Never Left featuring works by Toni Morrison. The late, heralded8, Pulitzer and Nobel-prize winning author was published by Knopf, a division of Penguin Random House.
A few months later Penguin Random House offered Myles a job curating an Instagram platform centered on Black books.
Myles calls the platform All Ways Black thanks to her husband — who came up with the name about 20 seconds after she was offered the job. "He was like, 'How about just All Ways Black, like, all the ways,'" she recounts. "It was that quick, and, for me, it's an aural9 check to make sure that I'm not just doing Cree's Black. Because as universal as some Black experiences are, I'm not from the African continent, I'm not from the Caribbean. I am not in the diaspora in Europe, and those are all also very Black and very nuanced experiences."
In a promo for All Ways Black, Myles, flanked by dancers and bookshelves full of literature, speaks over drumline music.
"There are infinite ways to be Black," she relays. "To be Black and joyful10 or awestruck. To be Black and to amplify11, or to agitate12, or to celebrate. They're all important. They're all glorious," she continues. "And nothing quite captures this truth like literature — to see us on a page all of us in all our ways — is one of the most magnificent experiences anyone can have."
Now, Myles has cultivated a space that includes chats with authors, interactive13 read-a-thons, and sold-out awards galas for Black Bookstagrammers, with categories like best interview, best reel and best review.
She hosts regular D.E.A.R. sessions, in which she asks people to "drop everything and read." She also posts photos and lists of new releases, Black poets you should know, sentences from Black classics and other creative content about Black lit.
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Like this "word-of-the-week" video about the word "ephemeral" that she gleaned14 from Brandon Taylor's book Filthy15 Animals. It's set to rapper Saweetie's 2020 song "Tap In."
"If it's short like a skort, it's ephemeral," raps Myles. "Ephemeral. Like an inch or a flinch16, it's ephemeral. Ephemeral. Kim K's marriage, babies in the carriage, being mad at yo' moms after she embarrassed."
Myles' work was recently nominated for a Webby, which honors excellence17 on the internet. It's also been nominated for a Shorty, which recognizes the best work in social and digital media.
On a mission to glamorize Black writers
A big component19 of Myles' work is individual chats and panel discussions with authors on Instagram live. From her home in Milwaukee, framed by plants and colorfully arranged bookshelves, Myles creates an easy rapport20 with authors, whether they are established and renowned21 or just releasing their first works.
During an interview with Ta-Nehisi Coates, author of Between the World and Me and The Water Dancer, Myles half-jests that on "the Bookstagram streets" an interview with him is "the biggest flex22 of all time."
"You know what, you know what? You need to tell them streets they need to dream a little bigger," Coates chuckles23.
Myles has a breezy interview style, connecting with authors personally and asking sharp questions about their works. It's a mixture of natural talent, preparation and an earnest respect for writers – who she believes deserve the celebrity24 of singers or actors.
"I'm all about glamorizing Black literature and the writers," Myles notes. "They give us such important stories. They should be treated accordingly. That's how I feel."
On Instagram, Myles has interviewed Tara Stringfellow (Memphis), Eve Ewing (Maya and the Robot), Jasmine Mans (Black Girl, Call Home) and more.
Myles says there's a lot to be gleaned from the wisdom of these authors, the living and the ancestors. "Because [written] stories aside... their lived stories are also things to be revered25, because they weren't just writing these revolutionary pieces, essays and shorts and novels and then like going on and living non-revolutionary lives," notes Myles. "They were embodying26 everything that they were writing about. And so, looking to them has always been really powerful for me."
All Ways Black centers the joy of being Black. Myles ends her interviews by asking authors about their favorite thing about being Black, and she poses a laughter-inducing "speed round" to writers, asking them to make impossible choices between two options central to Black culture, like "Afro or dreads27?" or "Malcolm X or Dr. Martin Luther King?"
Myles says it's all in good fun. "So, even if I'm dealing28 with the best wordsmiths on the planet," says Myles, "they are also just Black like me, and we will laugh about the same things, and we will throw the same shade, and we will crack the same jokes. And they're just masters at their craft, but they're still very much human."
Changing the publishing industry
Myles also has the respect of fellow book influencers, like Traci Thomas, who runs The Stacks podcast.
"On [other] publishing platforms, they might have a Black intern18 and then they post something that uses Black vernacular29 but feels very hollow," says Thomas. "All Ways Black feels super authentic30. And I know that that is because Cree is in control and is empowered to do what feels right to her, and her judgment31 is spot-on."
All Ways Black feels super authentic. And I know that that is because Cree is in control and is empowered to do what feels right to her, and her judgment is spot-on.
Traci Thomas, host of The Stacks podcast
Myles is functioning in a publishing world that's still three quarters white, according to a 2019 survey by Lee and Low.
After pledging to audit32 the diversity of its creators in June 2020, Penguin Random House determined33 that 76% of its books released from 2019 to 2021 were by white creators.
All Ways Black has proven to be an important way for the company to promote its Black works and branch out to new audiences. In championing Black books, Myles has developed an engaged community. Penguin Random House reported in August 2021 that "the community that's formed on @allwaysblack has the highest average engagement rate in the Penguin Random House ecosystem34."
"I'm always just thinking of the liberation I experienced in my 20s upon reading the stuff that I read, and how to make that accessible to other folks who don't have the background that I have," she says. "Because [these books] are not just for the Black girls who went to college and had middle class backgrounds."
The stories, she says, are for all of us.
"Like you wouldn't say, 'Oh, I can't listen to Whitney Houston. Her voice is too good. I don't get it,'" notes Myles. "And it's the same way when you're reading James Baldwin, or Toni Morrison."
Or, says Myles, many of the authors writing the Black canon today.
1 transcript | |
n.抄本,誊本,副本,肄业证书 | |
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2 validation | |
n.确认 | |
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3 seminal | |
adj.影响深远的;种子的 | |
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4 penguin | |
n.企鹅 | |
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5 random | |
adj.随机的;任意的;n.偶然的(或随便的)行动 | |
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6 voracious | |
adj.狼吞虎咽的,贪婪的 | |
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7 innovative | |
adj.革新的,新颖的,富有革新精神的 | |
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8 heralded | |
v.预示( herald的过去式和过去分词 );宣布(好或重要) | |
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9 aural | |
adj.听觉的,听力的 | |
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10 joyful | |
adj.欢乐的,令人欢欣的 | |
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11 amplify | |
vt.放大,增强;详述,详加解说 | |
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12 agitate | |
vi.(for,against)煽动,鼓动;vt.搅动 | |
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13 interactive | |
adj.相互作用的,互相影响的,(电脑)交互的 | |
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14 gleaned | |
v.一点点地收集(资料、事实)( glean的过去式和过去分词 );(收割后)拾穗 | |
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15 filthy | |
adj.卑劣的;恶劣的,肮脏的 | |
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16 flinch | |
v.畏缩,退缩 | |
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17 excellence | |
n.优秀,杰出,(pl.)优点,美德 | |
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18 intern | |
v.拘禁,软禁;n.实习生 | |
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19 component | |
n.组成部分,成分,元件;adj.组成的,合成的 | |
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20 rapport | |
n.和睦,意见一致 | |
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21 renowned | |
adj.著名的,有名望的,声誉鹊起的 | |
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22 flex | |
n.皮线,花线;vt.弯曲或伸展 | |
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23 chuckles | |
轻声地笑( chuckle的名词复数 ) | |
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24 celebrity | |
n.名人,名流;著名,名声,名望 | |
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25 revered | |
v.崇敬,尊崇,敬畏( revere的过去式和过去分词 ) | |
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26 embodying | |
v.表现( embody的现在分词 );象征;包括;包含 | |
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27 dreads | |
n.恐惧,畏惧( dread的名词复数 );令人恐惧的事物v.害怕,恐惧,担心( dread的第三人称单数 ) | |
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28 dealing | |
n.经商方法,待人态度 | |
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29 vernacular | |
adj.地方的,用地方语写成的;n.白话;行话;本国语;动植物的俗名 | |
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30 authentic | |
a.真的,真正的;可靠的,可信的,有根据的 | |
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31 judgment | |
n.审判;判断力,识别力,看法,意见 | |
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32 audit | |
v.审计;查帐;核对;旁听 | |
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33 determined | |
adj.坚定的;有决心的 | |
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34 ecosystem | |
n.生态系统 | |
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